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Pedro Almodovar As A Post-Modern Director And The Presentation Of Homosexuality In His First Three Films Pepi, Luci, Bom Y Otras Chicas Del Mont N, Laberinto De Pasiones And Entre Tinieblas
Vergriffenes Buch, derzeit bei uns nicht verfügbar.
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Pedro Almodovar As A Post-Modern Director And The Presentation Of Homosexuality In His First Three Films Pepi, Luci, Bom Y Otras Chicas Del Mont N, Laberinto De Pasiones And Entre Tinieblas - gebrauchtes Buch

2004, ISBN: 9783638760065

ID: 9783638760065

Seminar paper from the year 2004 in the subject Romance Languages - Spanish Studies, grade: 1,3 (A), Kingston University London (Spanish Institute), course: Spanish Cinema, language: English, comment: double spaced. , abstract: IntroductionAlmodovar's first three films Pepi, Luci, Bom y otras chicas del montón (1980), Laberinto de Pasiones (1982) and Entre Tinieblas (1983) can be seen as a breaking of all the taboos that were forbidden under Franco's regime: Seminar paper from the year 2004 in the subject Romance Languages - Spanish Studies, grade: 1,3 (A), Kingston University London (Spanish Institute), course: Spanish Cinema, language: English, comment: double spaced. , abstract: IntroductionAlmodovar's first three films Pepi, Luci, Bom y otras chicas del montón (1980), Laberinto de Pasiones (1982) and Entre Tinieblas (1983) can be seen as a breaking of all the taboos that were forbidden under Franco's regime: there is drug use, "abnormal" sexuality, crude language, adultery, religious blasphemy. The films clearly mirror the new freedoms enjoyed by a generation of film-makers belonging to Spain's "la movida" movement of the late 1970's and early 1980's.Born in 1951, Almodovar mainly grew up in the rural Extremadura, but left for Madrid at the age of sixteen. He originally wanted to attend the national film school, but due to the closure of the school by the Dictator Franco′s repressive government he was unable to go. He instead took a job at a telephone company to make the money to buy himself a Super-8 camera. Almodovar began filming short films in the early 1970s, and quickly became associated with 'la movida'.This essay will be evaluating Almodovar's role as a post-modern director, including a brief demonstration of the development of the post-modern culture after Franco's death. The essay is especially interested in the juxtaposition of homo- and heterosexuality in Almodovar's films and will evaluate the different ways in which Almodovar presents homosexuality. It will also have a close look at the mediums Almodovar uses to make his audience take his absurd film worlds for granted, and accept the happenings and characters as 'normal'. Books, Language Arts~~General, Pedro-Almodovar-As-A-Post-Modern-Director-And-The-Presentation-Of-Homosexuality-In-His-First-Three-Films-Pepi-Luci-Bom-Y-Otras-Chicas-Del-Mont-N-Laberinto-De-Pasiones-And-Entre-Tinieblas~~Sandra-Beyer, , , , , , , , , , GRIN Verlag GmbH

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(*) Derzeit vergriffen bedeutet, dass dieser Titel momentan auf keiner der angeschlossenen Plattform verfügbar ist.
Homosexuality in
Vergriffenes Buch, derzeit bei uns nicht verfügbar.
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Sandra Beyer:

Homosexuality in "Pepi, Luci, Bom y otras chicas del montón", "Laberinto de Pasiones" and "Entre Tinieblas" of the post-modern director Pedro Almodovar - Taschenbuch

2007, ISBN: 3638760065

ID: 16748499128

[EAN: 9783638760065], Neubuch, [PU: GRIN Verlag Gmbh Nov 2007], This item is printed on demand - Print on Demand Titel. Neuware - Seminar paper from the year 2004 in the subject Romance Languages - Spanish Studies, printed single-sided, grade: 1,3 (A), Kingston University London (Spanish Institute), course: Spanish Cinema, language: English, abstract: Introduction Almodovar s first three films Pepi, Luci, Bom y otras chicas del montón (1980), Laberinto de Pasiones (1982) and Entre Tinieblas (1983) can be seen as a breaking of all the taboos that were forbidden under Franco s regime: there is drug use, 'abnormal' sexuality, crude language, adultery, religious blasphemy. The films clearly mirror the new freedoms enjoyed by a generation of film-makers belonging to Spain s la movida movement of the late 1970 s and early 1980 s. Born in 1951, Almodovar mainly grew up in the rural Extremadura, but left for Madrid at the age of sixteen. He originally wanted to attend the national film school, but due to the closure of the school by the Dictator Franco's repressive government he was unable to go. He instead took a job at a telephone company to make the money to buy himself a Super-8 camera. Almodovar began filming short films in the early 1970s, and quickly became associated with la movida . This essay will be evaluating Almodovar s role as a post-modern director, including a brief demonstration of the development of the post-modern culture after Franco s death. The essay is especially interested in the juxtaposition of homo- and heterosexuality in Almodovar s films and will evaluate the different ways in which Almodovar presents homosexuality. It will also have a close look at the mediums Almodovar uses to make his audience take his absurd film worlds for granted, and accept the happenings and characters as normal . 20 pp. Englisch

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(*) Derzeit vergriffen bedeutet, dass dieser Titel momentan auf keiner der angeschlossenen Plattform verfügbar ist.
Homosexuality in
Vergriffenes Buch, derzeit bei uns nicht verfügbar.
(*)
Beyer, Sandra:
Homosexuality in "Pepi, Luci, Bom y otras chicas del montón", "Laberinto de Pasiones" and "Entre Tinieblas" of the post-modern director Pedro Almodovar - Taschenbuch

2007

ISBN: 9783638760065

[ED: Softcover], [PU: Grin Verlag], Seminar paper from the year 2004 in the subject Romance Languages - Spanish Studies, printed single-sided, grade: 1,3 (A), Kingston University London (Spanish Institute), course: Spanish Cinema, language: English, abstract: IntroductionAlmodovar s first three films Pepi, Luci, Bom y otras chicas del montón (1980), Laberinto de Pasiones (1982) and Entre Tinieblas (1983) can be seen as a breaking of all the taboos that were forbidden under Franco s regime: there is drug use, "abnormal" sexuality, crude language, adultery, religious blasphemy. The films clearly mirror the new freedoms enjoyed by a generation of film-makers belonging to Spain s la movida movement of the late 1970 s and early 1980 s.Born in 1951, Almodovar mainly grew up in the rural Extremadura, but left for Madrid at the age of sixteen. He originally wanted to attend the national film school, but due to the closure of the school by the Dictator Franco's repressive government he was unable to go. He instead took a job at a telephone company to make the money to buy himself a Super-8 camera. Almodovar began filming short films in the early 1970s, and quickly became associated with la movida .This essay will be evaluating Almodovar s role as a post-modern director, including a brief demonstration of the development of the post-modern culture after Franco s death. The essay is especially interested in the juxtaposition of homo- and heterosexuality in Almodovar s films and will evaluate the different ways in which Almodovar presents homosexuality. It will also have a close look at the mediums Almodovar uses to make his audience take his absurd film worlds for granted, and accept the happenings and characters as normal .2007. 20 S. 210 mmVersandfertig in 3-5 Tagen, [SC: 0.00], Neuware, gewerbliches Angebot

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(*) Derzeit vergriffen bedeutet, dass dieser Titel momentan auf keiner der angeschlossenen Plattform verfügbar ist.
Homosexuality in
Vergriffenes Buch, derzeit bei uns nicht verfügbar.
(*)
Beyer, Sandra:
Homosexuality in "Pepi, Luci, Bom y otras chicas del montón", "Laberinto de Pasiones" and "Entre Tinieblas" of the post-modern director Pedro Almodovar - Taschenbuch

2007, ISBN: 9783638760065

[ED: Softcover], [PU: Grin Verlag], Seminar paper from the year 2004 in the subject Romance Languages - Spanish Studies, grade: 1,3 (A), Kingston University London (Spanish Institute), course: Spanish Cinema, language: English, comment: double spaced. , abstract: Introduction Almodovar's first three films Pepi, Luci, Bom y otras chicas del montón (1980), Laberinto de Pasiones (1982) and Entre Tinieblas (1983) can be seen as a breaking of all the taboos that were forbidden under Franco's regime: there is drug use, "abnormal" sexuality, crude language, adultery, religious blasphemy. The films clearly mirror the new freedoms enjoyed by a generation of film-makers belonging to Spain's "la movida" movement of the late 1970's and early 1980's. Born in 1951, Almodovar mainly grew up in the rural Extremadura, but left for Madrid at the age of sixteen. He originally wanted to attend the national film school, but due to the closure of the school by the Dictator Franco's repressive government he was unable to go. He instead took a job at a telephone company to make the money to buy himself a Super-8 camera. Almodovar began filming short films in the early 1970s, and quickly became associated with 'la movida'. This essay will be evaluating Almodovar's role as a post-modern director, including a brief demonstration of the development of the post-modern culture after Franco's death. The essay is especially interested in the juxtaposition of homo- and heterosexuality in Almodovar's films and will evaluate the different ways in which Almodovar presents homosexuality. It will also have a close look at the mediums Almodovar uses to make his audience take his absurd film worlds for granted, and accept the happenings and characters as 'normal'.2007. 20 S. 210 mmVersandfertig in 3-5 Tagen, [SC: 0.00]

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Pedro Almodovar as a post-modern director and the presentation of homosexuality in his first three films &quotPepi, Luc - Sandra Beyer
Vergriffenes Buch, derzeit bei uns nicht verfügbar.
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Sandra Beyer:
Pedro Almodovar as a post-modern director and the presentation of homosexuality in his first three films &quotPepi, Luc - neues Buch

2007, ISBN: 9783638760065

[ED: Kartoniert/Broschiert], [PU: Grin Verlag, Grin Verlag], - Seminar paper from the year 2004 in the subject Romance Languages - Spanish Studies, printed single-sided, grade: 1,3 (A), Kingston University London (Spanish Institute), course: Spanish Cinema, language: English, abstract: IntroductionAlmodovar's first three films Pepi, Luci, Bom y otras chicas del montón (1980), Laberinto de Pasiones (1982) and Entre Tinieblas (1983) can be seen as a breaking of all the taboos that were forbidden under Franco's regime: there is drug use, abnormal sexuality, crude language, adultery, religious blasphemy. The films clearly mirror the new freedoms enjoyed by a generation of film-makers belonging to Spain's la movida movement of the late 1970's and early 1980's.Born in 1951, Almodovar mainly grew up in the rural Extremadura, but left for Madrid at the age of sixteen. He originally wanted to attend the national film school, but due to the closure of the school by the Dictator Franco's repressive government he was unable to go. He instead took a job at a telephone company to make the money to buy himself a Super-8 camera. Almodovar began filming short films in the early 1970s, and quickly became associated with 'la movida'.This essay will be evaluating Almodovar's role as a post-modern director, including a brief demonstration of the development of the post-modern culture after Franco's death. The essay is especially interested in the juxtaposition of homo- and heterosexuality in Almodovar's films and will evaluate the different ways in which Almodovar presents homosexuality. It will also have a close look at the mediums Almodovar uses to make his audience take his absurd film worlds for granted, and accept the happenings and characters as 'normal'. - Besorgungstitel - vorauss. Lieferzeit 3-5 Tage.., [SC: 0.00]

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Pedro Almodovar as a post-modern director and the presentation of homosexuality in his first three films "Pepi, Luci, Bom y otras chicas del montón", "Laberinto de Pasiones" and "Entre Tinieblas"
Autor:

Beyer, Sandra

Titel:

Pedro Almodovar as a post-modern director and the presentation of homosexuality in his first three films "Pepi, Luci, Bom y otras chicas del montón", "Laberinto de Pasiones" and "Entre Tinieblas"

ISBN-Nummer:

9783638760065

Scholarly Paper (Advanced Seminar) aus dem Jahr 2004 im Fachbereich Romanistik - Spanische Sprache, Literatur, Landeskunde, einseitig bedruckt, Note: 1,3 (A), Veranstaltung: Spanish Cinema, Sprache: Englisch, Anmerkungen: double spaced. , Abstract: Introduction Almodovar's first three films Pepi, Luci, Bom y otras chicas del montón (1980), Laberinto de Pasiones (1982) and Entre Tinieblas (1983) can be seen as a breaking of all the taboos that were forbidden under Franco's regime: there is drug use, "abnormal" sexuality, crude language, adultery, religious blasphemy. The films clearly mirror the new freedoms enjoyed by a generation of film-makers belonging to Spain's "la movida" movement of the late 1970's and early 1980's. Born in 1951, Almodovar mainly grew up in the rural Extremadura, but left for Madrid at the age of sixteen. He originally wanted to attend the national film school, but due to the closure of the school by the Dictator Franco's repressive government he was unable to go. He instead took a job at a telephone company to make the money to buy himself a Super-8 camera. Almodovar began filming short films in the early 1970s, and quickly became associated with 'la movida'. This essay will be evaluating Almodovar's role as a post-modern director, including a brief demonstration of the development of the post-modern culture after Franco's death. The essay is especially interested in the juxtaposition of homo- and heterosexuality in Almodovar's films and will evaluate the different ways in which Almodovar presents homosexuality. It will also have a close look at the mediums Almodovar uses to make his audience take his absurd film worlds for granted, and accept the happenings and characters as 'normal'.

Detailangaben zum Buch - Pedro Almodovar as a post-modern director and the presentation of homosexuality in his first three films "Pepi, Luci, Bom y otras chicas del montón", "Laberinto de Pasiones" and "Entre Tinieblas"


EAN (ISBN-13): 9783638760065
ISBN (ISBN-10): 3638760065
Taschenbuch
Erscheinungsjahr: 2007
Herausgeber: GRIN Verlag
40 Seiten
Gewicht: 0,061 kg
Sprache: eng/Englisch

Buch in der Datenbank seit 02.01.2008 21:38:54
Buch zuletzt gefunden am 26.04.2016 02:19:26
ISBN/EAN: 9783638760065

ISBN - alternative Schreibweisen:
3-638-76006-5, 978-3-638-76006-5

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