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Studio and Cube: On the Relationship between Where Art Is Made and Where Art Is Displayed (FORuM Project Publications) - Brian O'Doherty
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Studio and Cube: On the Relationship between Where Art Is Made and Where Art Is Displayed (FORuM Project Publications) - gebunden oder broschiert

ISBN: 1883584442

[SR: 2175698], Hardcover, [EAN: 9781883584443], Princeton Architectural Press, Princeton Architectural Press, Book, [PU: Princeton Architectural Press], Princeton Architectural Press, When does an artist's creation become art, and where? Does it occur in the solitary confines of an artist's studio or does itrequire the context of an art gallery's white cube? What is the relationship between these two culturally charged spaces? How does the site of art's presentation shape the meaning and determine even the very possibility of its existence? Studio and Cube is author Brian O'Doherty's long-awaited follow-up to his seminal 1976 essays for Artforum, republished in 1999 as Inside the White Cube: The Ideology of the Gallery Space. That critically acclaimed volume dissected the abstract, white space of the art gallery, calling it "the archetypal image of twentieth century art." In Studio and Cube he expands his interpretation to include the artist's studio, tracking the relationship between the artwork and the artist from Vermeer through late modernism. O'Doherty reflects on the differing work spaces of Courbet, Matisse, Rothko, Bacon, Warhol, and many others. This is essential reading for anyone interested in the history and issues of art and the environment in which it is produced. Studio and Cube is the first in the series of FORuM Project Publications produced by the Temple Hoyne Buell Center for the Study of American Architecture, at Columbia University., 336832011, Decorative Arts & Design, 1851, Decorative Arts, 1852, Furniture Design, 3564966011, Industrial & Product Design, 5824912011, Interior & Home Design, 1854, Textile & Costume, 1, Arts & Photography, 1000, Subjects, 283155, Books, 10825731, Criticism, 1064, History & Criticism, 1, Arts & Photography, 1000, Subjects, 283155, Books, 1865, Use of Color, 1863, Techniques, 1829, Graphic Design, 1, Arts & Photography, 1000, Subjects, 283155, Books, 1061, Architecture, 226516, Codes & Standards, 1058, Methods & Materials, 1063, Study & Teaching, 13803, Reference, 173515, Engineering, 173507, Engineering & Transportation, 1000, Subjects, 283155, Books, 28, Teen & Young Adult, 10367653011, Art, Music & Photography, 17418, Biographies, 3344092011, Education & Reference, 17437, Historical Fiction, 10367802011, Hobbies & Games, 17443, Literature & Fiction, 17458, Mysteries & Thrillers, 171181, Personal Health, 171119, Religion & Spirituality, 17456, Romance, 17466, Science Fiction & Fantasy, 17496, Social Issues, 171180, Sports & Outdoors, 1000, Subjects, 283155, Books, 491378, Design, 468206, Humanities, 465600, New, Used & Rental Textbooks, 2349030011, Specialty Boutique, 283155, Books

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Studio and Cube: On the Relationship between Where Art Is Made and Where Art Is Displayed (FORuM Project Publications) - Brian O'Doherty
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Brian O'Doherty:

Studio and Cube: On the Relationship between Where Art Is Made and Where Art Is Displayed (FORuM Project Publications) - gebunden oder broschiert

ISBN: 1883584442

[SR: 2175698], Hardcover, [EAN: 9781883584443], Princeton Architectural Press, Princeton Architectural Press, Book, [PU: Princeton Architectural Press], Princeton Architectural Press, When does an artist's creation become art, and where? Does it occur in the solitary confines of an artist's studio or does itrequire the context of an art gallery's white cube? What is the relationship between these two culturally charged spaces? How does the site of art's presentation shape the meaning and determine even the very possibility of its existence? Studio and Cube is author Brian O'Doherty's long-awaited follow-up to his seminal 1976 essays for Artforum, republished in 1999 as Inside the White Cube: The Ideology of the Gallery Space. That critically acclaimed volume dissected the abstract, white space of the art gallery, calling it "the archetypal image of twentieth century art." In Studio and Cube he expands his interpretation to include the artist's studio, tracking the relationship between the artwork and the artist from Vermeer through late modernism. O'Doherty reflects on the differing work spaces of Courbet, Matisse, Rothko, Bacon, Warhol, and many others. This is essential reading for anyone interested in the history and issues of art and the environment in which it is produced. Studio and Cube is the first in the series of FORuM Project Publications produced by the Temple Hoyne Buell Center for the Study of American Architecture, at Columbia University., 336832011, Decorative Arts & Design, 1851, Decorative Arts, 1852, Furniture Design, 3564966011, Industrial & Product Design, 5824912011, Interior & Home Design, 1854, Textile & Costume, 1, Arts & Photography, 1000, Subjects, 283155, Books, 10825731, Criticism, 1064, History & Criticism, 1, Arts & Photography, 1000, Subjects, 283155, Books, 1865, Use of Color, 1863, Techniques, 1829, Graphic Design, 1, Arts & Photography, 1000, Subjects, 283155, Books, 1061, Architecture, 226516, Codes & Standards, 1058, Methods & Materials, 1063, Study & Teaching, 13803, Reference, 173515, Engineering, 173507, Engineering & Transportation, 1000, Subjects, 283155, Books, 28, Teen & Young Adult, 10367653011, Art, Music & Photography, 17418, Biographies, 3344092011, Education & Reference, 17437, Historical Fiction, 10367802011, Hobbies & Games, 17443, Literature & Fiction, 17458, Mysteries & Thrillers, 171181, Personal Health, 171119, Religion & Spirituality, 17456, Romance, 17466, Science Fiction & Fantasy, 17496, Social Issues, 171180, Sports & Outdoors, 1000, Subjects, 283155, Books, 491378, Design, 468206, Humanities, 465600, New, Used & Rental Textbooks, 2349030011, Specialty Boutique, 283155, Books

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Studio and Cube: On the Relationship between Where Art Is Made and Where Art Is Displayed (FORuM Project Publications) - Brian O'Doherty
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Studio and Cube: On the Relationship between Where Art Is Made and Where Art Is Displayed (FORuM Project Publications) - gebrauchtes Buch

1999

ISBN: 1883584442

ID: 8108585

When does an artist's creation become art, and where? Does it occur in the solitary confines of an artist's studio or does itrequire the context of an art gallery's white cube? What is the relationship between these two culturally charged spaces? How does the site of art's presentation shape the meaning and determine even the very possibility of its existence? Studio and Cube is author Brian O'Doherty's long-awaited follow-up to his seminal 1976 essays for Artforum, republished in 1999 as Inside the White Cube: The Ideology of the Gallery Space. That critically acclaimed volume dissected the abstract, white space of the art gallery, calling it "the archetypal image of twentieth century art." In Studio and Cube he expands his interpretation to include the artist's studio, tracking the relationship between the artwork and the artist from Vermeer through late modernism. O'Doherty reflects on the differing work spaces of Courbet, Matisse, Rothko, Bacon, Warhol, and many others. This is essential reading for anyone interested in the history and issues of art and the environment in which it is produced. Studio and Cube is the first in the series of FORuM Project Publications produced by the Temple Hoyne Buell Center for the Study of American Architecture, at Columbia University. architecture,arts music and photography,criticism,decorative arts and design,design,engineering,engineering and transportation,graphic design,history and criticism,humanities Engineering & Transportation, Princeton Archit.Press

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Studio and Cube: On the Relationship between Where Art Is Made and Where Art Is Displayed (FORuM Project Publications) - O'Doherty, Brian
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O'Doherty, Brian:
Studio and Cube: On the Relationship between Where Art Is Made and Where Art Is Displayed (FORuM Project Publications) - gebunden oder broschiert

2008, ISBN: 1883584442

ID: 14098106124

[EAN: 9781883584443], [PU: Princeton Archit.Press], Architecture|General, Art|General, Art|American|Native American, This Book is in Good Condition. Clean Copy With Light Amount of Wear. 100% Guaranteed. Summary: When does an artist's creation become art, and where? Does it occur in the solitary confines of an artist's studio or does itrequire the context of an art gallery's white cube? What is the relationship between these two culturally charged spaces? How does the site of art's presentation shape the meaning and determine even the very possibility of its existence? Studio and Cube is author Brian O'Doherty's long-awaited follow-up to his seminal 1976 essays for Artforum , republished in 1999 as Inside the White Cube: The Ideology of the Gallery Space . That critically acclaimed volume dissected the abstract, white space of the art gallery, calling it "the archetypal image of twentieth century art." In Studio and Cube he expands his interpretation to include the artist's studio, tracking the relationship between the artwork and the artist from Vermeer through late modernism. O'Doherty reflects on the differing work spaces of Courbet, Matisse, Rothko, Bacon, Warhol, and many others. This is essential reading for anyone interested in the history and issues of art and the environment in which it is produced. Studio and Cube is the first in the series of FORuM Project Publications produced by the Temple Hoyne Buell Center for the Study of American Architecture, at Columbia University.

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Studio and Cube: On the Relationship Between Where Art Is Made and Where Art Is Displayed - O'Doherty, Brian
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Studio and Cube: On the Relationship Between Where Art Is Made and Where Art Is Displayed - gebrauchtes Buch

1999, ISBN: 9781883584443

ID: 7667399

When does an artist's creation become art, and where? Does it occur in the solitary confines of an artist's studio or does it require the context of an art gallery's white cube? What is the relationship between these two culturally charged spaces? How does the site of art's presentation shape the meaning and determine even the very possibility of its existence? Studio and Cube is author Brian O'Doherty's long-awaited follow-up to his seminal 1976 essays for Artforum, republished in 1999 as Inside the White Cube: The Ideology of the Gallery Space. That critically acclaimed volume dissected the abstract, white space of the art gallery, calling it 'the archetypal image of twentieth century art.' In Studio and Cube he expands his interpretation to include the artist's studio, tracking the relationship between the artwork and the artist from Vermeer through late modernism. O'Doherty reflects on the differing work spaces of Courbet, Matisse, Rothko, Bacon, Warhol, and many others. This is essential reading for anyone interested in the history and issues of art and the environment in which it is produced. Studio and Cube is the first in the series of FORuM Project Publications produced by the Temple Hoyne Buell Center for the Study of American Architecture, at Columbia University. Studio and Cube: On the Relationship Between Where Art Is Made and Where Art Is Displayed O'Doherty, Brian, Princeton Architectural Press

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Studio and Cube: On the Relationship Between Where Art Is Made and Where Art Is Displayed
Autor:

O'Doherty, Brian

Titel:

Studio and Cube: On the Relationship Between Where Art Is Made and Where Art Is Displayed

ISBN-Nummer:

9781883584443

When does an artist's creation become art, and where? Does it occur in the solitary confines of an artist's studio or does itrequire the context of an art gallery's white cube? What is the relationship between these two culturally charged spaces? How does the site of art's presentation shape the meaning and determine even the very possibility of its existence?

Studio and Cube is author Brian O'Doherty's long-awaited follow-up to his seminal 1976 essays for Artforum, republished in 1999 as Inside the White Cube: The Ideology of the Gallery Space. That critically acclaimed volume dissected the abstract, white space of the art gallery, calling it "the archetypal image of twentieth century art." In Studio and Cube he expands his interpretation to include the artist's studio, tracking the relationship between the artwork and the artist from Vermeer through late modernism. O'Doherty reflects on the differing work spaces of Courbet, Matisse, Rothko, Bacon, Warhol, and many others. This is essential reading for anyone interested in the history and issues of art and the environment in which it is produced. Studio and Cube is the first in the series of FORuM Project Publications produced by the Temple Hoyne Buell Center for the Study of American Architecture, at Columbia University.

Detailangaben zum Buch - Studio and Cube: On the Relationship Between Where Art Is Made and Where Art Is Displayed


EAN (ISBN-13): 9781883584443
ISBN (ISBN-10): 1883584442
Gebundene Ausgabe
Erscheinungsjahr: 2008
Herausgeber: PRINCETON ARCHITECTURAL P
80 Seiten
Gewicht: 0,295 kg
Sprache: eng/Englisch

Buch in der Datenbank seit 24.01.2008 01:48:11
Buch zuletzt gefunden am 13.11.2016 02:57:23
ISBN/EAN: 9781883584443

ISBN - alternative Schreibweisen:
1-883584-44-2, 978-1-883584-44-3

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