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The New Brutality Film: Race and Affect in Contemporary American Cinema - Paul Gormley
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The New Brutality Film: Race and Affect in Contemporary American Cinema - Taschenbuch

2005, ISBN: 1841501190

[SR: 1754588], Paperback, [EAN: 9781841501192], University of Chicago Press, University of Chicago Press, Book, [PU: University of Chicago Press], 2005-08-01, University of Chicago Press, The 1990s saw the emergence of a new kind of American cinema, which this book calls the 'new-brutality film'. Violence and race have been at the heart of Hollywood cinema since its birth, but the new-brutality film was the first kind of popular American cinema to begin making this relationship explicit. The rise of this cinema coincided with the rebirth of a long-neglected strand of film theory, which seeks to unravel the complex relations of affect between the screen and the viewer. This book analyses and connects both of these developments, arguing that films like Falling Down, Reservoir Dogs, Se7en and Strange Days sought to reanimate the affective impact of white Hollywood cinema by miming the power of African-American and particularly hip-hop culture., 269265, Computer Science, 269709, Algorithms, 269656, Architecture & Microprocessors, 404260, Artificial Intelligence, 269899, Databases, 269279, Information Systems, 269955, Interface Design, 269520, Networking & Security, 269622, Operating Systems, 269678, Programming, 269507, Security, 14159921, Software Design & Engineering, 269349, Systems Analysis & Design, 71, Computing & Internet, 1025612, Subjects, 266239, Books, 14288281, Amazon, 14288271, Online Shopping, 14288081, Digital Lifestyle, 71, Computing & Internet, 1025612, Subjects, 266239, Books, 404158, Animation & Multimedia, 269938, Graphics & Multimedia, 269870, Software & Graphics, 71, Computing & Internet, 1025612, Subjects, 266239, Books, 772162, Cultural History, 772188, Local & Urban History, 772192, London, 271405, Multicultural History, 65, History, 1025612, Subjects, 266239, Books, 270447, Criticism & Theory, 270433, Film, 73, Music, Stage & Screen, 1025612, Subjects, 266239, Books, 513000, Computers & Film, 512984, Production & Technology, 270433, Film, 73, Music, Stage & Screen, 1025612, Subjects, 266239, Books, 270524, Performing Arts, 270541, Circus, 274080, Comedy & Stand-up, 270525, Dance, 270542, Magic, 270564, Musicals, 515318, Plays & Drama, 270568, Puppetry, 270562, History, 515316, Stagecraft, 73, Music, Stage & Screen, 1025612, Subjects, 266239, Books, 278320, Mathematics, 278321, Algebra, 278329, Applied Mathematics, 278337, Calculus & Mathematical Analysis, 922518, Chaos, 278348, Combinatorics & Graph Theory, 278350, Discrete Mathematics, 922526, Education, 278353, Geometry & Topology, 278362, History of Mathematics, 278363, Mathematical Foundations, 922522, Mathematical Theory, 922530, Modelling, 278373, Numbers, 278380, Optimisation, 278384, Philosophy of Mathematics, 922520, Popular Maths, 278385, Probability & Statistics, 922944, Recreational, 278386, Reference, 57, Science & Nature, 1025612, Subjects, 266239, Books, 922942, Maths, 922868, Popular Science, 57, Science & Nature, 1025612, Subjects, 266239, Books, 564352, Mathematics, 570902, Algebra, 570874, Applied Mathematics, 570912, Calculus & Mathematical Analysis, 570934, Combinatorics & Graph Theory, 570936, Geometry, 570964, Mathematical Theory, 564334, Scientific, Technical & Medical, 1025612, Subjects, 266239, Books

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The 1990s saw the emergence of a new kind of American cinema, which this book calls the newbrutality film. Violence and race have been at the heart of Hollywood cinema since its birth, but the newbrutality film was the first kind of popular American cinema to begin making this relationship explicit. The rise of this cinema coincided with the rebirth of a longneglected strand of film theory, which seeks to unravel the complex relations of affect between the screen and the viewer. This book analyses and connects both of these developments, arguing that films like Falling Down, Reservoir Dogs, Se7en and Strange Days sought to reanimate the affective impact of white Hollywood cinema by miming the power of AfricanAmerican and particularly hiphop culture. The book uses several films as casestudies to chart these developments: Business Business eBook, Intellect

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New-Brutality Film: Race and Affect in Contemporary Hollywood Cinema - Paul Gormley
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New-Brutality Film: Race and Affect in Contemporary Hollywood Cinema New-Brutality-Film~~Paul-Gormley Film/Tv/Radio/Vid>Film Studies>Film Studies Paperback, Intellect, Limited

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The New Brutality Film: Race and Affect in Contemporary Hollywood Cinema
Autor:

Gormley, Paul

Titel:

The New Brutality Film: Race and Affect in Contemporary Hollywood Cinema

ISBN-Nummer:

9781841501192

The 1990s saw the emergence of a new kind of American cinema, which this book calls the 'new-brutality film'. Violence and race have been at the heart of Hollywood cinema since its birth, but the new-brutality film was the first kind of popular American cinema to begin making this relationship explicit. The rise of this cinema coincided with the rebirth of a long-neglected strand of film theory, which seeks to unravel the complex relations of affect between the screen and the viewer. This book analyses and connects both of these developments, arguing that films like Falling Down, Reservoir Dogs, Se7en and Strange Days sought to reanimate the affective impact of white Hollywood cinema by miming the power of African-American and particularly hip-hop culture.

Detailangaben zum Buch - The New Brutality Film: Race and Affect in Contemporary Hollywood Cinema


EAN (ISBN-13): 9781841501192
ISBN (ISBN-10): 1841501190
Gebundene Ausgabe
Taschenbuch
Erscheinungsjahr: 2005
Herausgeber: Intellect (UK)
220 Seiten
Gewicht: 0,431 kg
Sprache: eng/Englisch

Buch in der Datenbank seit 13.01.2008 18:34:54
Buch zuletzt gefunden am 15.10.2016 07:26:37
ISBN/EAN: 9781841501192

ISBN - alternative Schreibweisen:
1-84150-119-0, 978-1-84150-119-2

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