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Aesthetic Frontiers: The Machiavellian Tradition and the Southern Imagination - Richard Nelson
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Aesthetic Frontiers: The Machiavellian Tradition and the Southern Imagination - Taschenbuch

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Oxford University Press, USA. Paperback. New. Paperback. 432 pages. Dimensions: 9.1in. x 6.1in. x 1.1in.American literary works written in the heyday of modernism between the 1890s and 1940s were playfully, painfully, and ambivalently engaged with language politics. The immigrant waves of the period fed into writers aesthetic experimentation; their works, in turn, rewired ideas about national identity along with literary form. Accented America looks at the long history of English-Only Americanism-the political claim that U. S. citizens must speak a singular, shared American tongue-and traces its action in the language workshop that is literature. The broadly multi-ethnic set of writers brought into conversation here-including Gertrude Stein, Jean Toomer, Henry Roth, Nella Larsen, John Dos Passos, Lionel Trilling, Amrico Paredes, and Carlos Bulosan-reflect the massive demographic shifts taking place during the interwar years. These authors share an acute awareness of linguistic standardization while also following the defamiliarizing sway produced by experimentation with invented and improper literary vernaculars. Rather than confirming the powerfully seductive subtext of monolingualism-that those who speak alike are ethically and politically likeminded-multilingual modernists compose literature that speaks to a country of synthetic syntaxes, singular hybrids, and enduring strangeness. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN., Oxford University Press, USA, Oxford University Press. Paperback. New. Paperback. 416 pages. Dimensions: 8.8in. x 6.0in. x 1.2in.An insightful examination of the impact of the Civil Rights Movement and African Independence on jazz in the 1950s and 60s, Freedom Sounds traces the complex relationships among music, politics, aesthetics, and activism through the lens of the hot button racial and economic issues of the time. Ingrid Monson illustrates how the contentious and soul-searching debates in the Civil Rights, African Independence, and Black Power movements shaped aesthetic debates and exerted a moral pressure on musicians to take action. Throughout, her arguments show how jazz musicians quest for self-determination as artists and human beings also led to fascinating and far reaching musical explorations and a lasting ethos of social critique and transcendence. Across a broad body of issues of cultural and political relevance, Freedom Sounds considers the discursive, structural, and practical aspects of life in the jazz world in the 1950s and 1960s. In domestic politics, Monson explores the desegregation of the American Federation of Musicians, the politics of playing to segregated performance venues in the 1950s, the participation of jazz musicians in benefit concerts, and strategies of economic empowerment. Issues of transatlantic importance such as the effects of anti-colonialism and African nationalism on the politics and aesthetics of the music are also examined, from Paul Robesons interest in Africa, to the State Department jazz tours, to the interaction of jazz musicians such Art Blakey and Randy Weston with African and African diasporic aesthetics. Monson deftly explores musicians aesthetic agency in synthesizing influential forms of musical expression from a multiplicity of stylistic and cultural influences--African American music, popular song, classical music, African diasporic aesthetics, and other world musics--through examples from cool jazz, hard bop, modal jazz, and the avant-garde. By considering the differences between aesthetic and socio-economic mobility, she presents a fresh interpretation of debates over cultural ownership, racism, reverse racism, and authenticity. Freedom Sounds will be avidly read by students and academics in musicology, ethnomusicology, anthropology, popular music, African American Studies, and African diasporic studies, as well as fans of jazz, hip hop, and African American music. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN., Oxford University Press, University Press of Mississippi. Paperback. New. Paperback. 298 pages. Dimensions: 9.0in. x 6.0in. x 0.7in.In this stirring book Richard Nelson offers a new interpretation of the transformation of Anglo-American intellectual and aesthetic culture since 1890. He shows that southern intellectuals--aesthetic theorists, literary critics, historians, and political thinkers--confronted head on the tensions Machiavelli observed between power and value, creativity and tradition, and romanticism and realism while seeking a cultural ideal that balances politics and aesthetics. The Antebellum South, the most militant hotbed of republicanism in the antebellum period, remained at the center of the effort to undergo revision after 1890. In the work of New Agrarians and the New Critics Nelson sees intellectuals of the South attempting to gain aesthetic distance from a rejected heroic tradition of republicanism while at the same time reinforcing many of its ideals. He shows that literary devices such as irony form a powerful aesthetic formula in the work of such figures as Frederick Jackson Turner, Tom Watson, Thomas Dixon, Jr. , W. J. Cash, C. Vann Woodward, Langston Hughes, Allen Tate, and Robert Penn Warren. Each of these, he shows, explored the inner contradictions of a Machiavellian tradition, with its desire to preserve both authority and innovation. Confronting a series of crises beginning with the perceived loss of the frontier in the 1890s and culminating in the complete separation of politics and aesthetics during World War II, these agrarian critics, as Nelson perceives them, south to transform political decay into aesthetic vitality. By drawing upon and transforming formulas like the southern romance, the jeremiad, and the metaphor of the frontier, these thinkers intuitively drew upon the Machiavellian aesthetic of reinventing the heroic idea in order to preserve political authority that has lost its legitimacy. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN., University Press of Mississippi

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Aesthetic Frontiers: The Machiavellian Tradition and the Southern Imagination - Richard Nelson
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Aesthetic Frontiers: The Machiavellian Tradition and the Southern Imagination by Richard NelsonA re-evaluation of the literary and historical origins and implications of the Southern Literary Renaissance and its pivotal role in the transformation of Anglo-American political culture in the twentieth century. Opening a new vista for the study of southern literature and southern history, this provocative assessment of political and literary currents in the New South sees them as flowing Aesthetic Frontiers: The Machiavellian Tradition and the Southern Imagination by Richard NelsonA re-evaluation of the literary and historical origins and implications of the Southern Literary Renaissance and its pivotal role in the transformation of Anglo-American political culture in the twentieth century. Opening a new vista for the study of southern literature and southern history, this provocative assessment of political and literary currents in the New South sees them as flowing from the mainstream of Machiavellian tradition. Richard Nelson offers a new interpretation of the transformation of Anglo-American intellectual and aesthetic culture since 1890. He shows that southern intellectuals-aesthetic theorists, literary critics, historians, and political thinkers-confronted head on the tensions Machiavelli observed between power and value, creativity and tradition, and romanticism and realism while seeking a cultural ideal that balances politics and aesthetics. The American South, the most militant hotbed of republicanism in the antebellum period, remained at the center of the effort to undergo revision after 1890. In the work of the New Agrarians and the New Critics Nelson sees intellectuals of the South attempting to gain aesthetic distance from a rejected heroic tradition of republicanism while at the same time reinforcing many of its ideals. He shows that literary devices such as irony form a powerful aesthetic formula in the work of such figures as Frederick Jackson Turner, Tom Watson, Thomas Dixon, Jr, W.J. Cash, C. Vann Woodward, Langston Hughes, Allen Tate, and Robert Penn Warren. Each of these, he shows, explored the inner contradictions of a Machiavellian tradition, with its desire to preserve both authority and innovation. Confronting a series of crises beginning with the perceived loss of the frontier in the 1890s and culminating in the complete separation of politics and aesthetics during World War II, these agrarian critics, as Books, Literary Criticism~~American~~General, Aesthetic-Frontiers~~Richard-Nelson, 999999999, Aesthetic Frontiers: The Machiavellian Tradition and the Southern Imagination, Richard Nelson, 1604735309, University Press of Mississippi, , , , , University Press of Mississippi

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[ED: Taschenbuch], [PU: UNIV PR OF MISSISSIPPI], Aesthetic Frontiers: The Machiavellian Tradition and the Southern Imagination by Richard Nelson A re-evaluation of the literary and historical origins and implications of the Southern Literary Renaissance and its pivotal role in the transformation of Anglo-American political culture in the twentieth century. Opening a new vista for the study of southern literature and southern history, this provocative assessment of political and literary currents in the New South sees them as flowing from the mainstream of Machiavellian tradition. Richard Nelson offers a new interpretation of the transformation of Anglo-American intellectual and aesthetic culture since 1890. He shows that southern intellectuals-aesthetic theorists, literary critics, historians, and political thinkers-confronted head on the tensions Machiavelli observed between power and value, creativity and tradition, and romanticism and realism while seeking a cultural ideal that balances politics and aesthetics. The American South, the most militant hotbed of republicanism in the antebellum period, remained at the center of the effort to undergo revision after 1890. In the work of the New Agrarians and the New Critics Nelson sees intellectuals of the South attempting to gain aesthetic distance from a rejected heroic tradition of republicanism while at the same time reinforcing many of its ideals. He shows that literary devices such as irony form a powerful aesthetic formula in the work of such figures as Frederick Jackson Turner, Tom Watson, Thomas Dixon, Jr., W. J. Cash, C. Vann Woodward, Langston Hughes, Allen Tate, and Robert Penn Warren. Each of these, he shows, explored the inner contradictions of a Machiavellian tradition, with its desire to preserve both authority and innovation. Confronting a series of crises beginning with the perceived loss of the frontier in the 1890s and culminating in the complete separation of politics and aesthetics during World War II, these agrarian critics, as Nelson perceives them, sought to transform political decay into aesthetic vitality. By drawing upon and transforming formulas like the southern romance, the jeremiad, and the metaphor of the frontier, these thinkers intuitively drew upon the Machiavellian aesthetic of reinventing the heroic ideal in order to preserve political authority that has lost its legitimacy. Richard Nelson is a professor of history at the University of Maine at Machias.Versandfertig in über 4 Wochen, [SC: 0.00]

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Aesthetic Frontiers - Nelson, Richard
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Nelson, Richard:
Aesthetic Frontiers - Taschenbuch

ISBN: 9781604735307

[ED: Taschenbuch], [PU: University Press of Mississippi], Aesthetic Frontiers: The Machiavellian Tradition and the Southern Imagination by Richard Nelson A re-evaluation of the literary and historical origins and implications of the Southern Literary Renaissance and its pivotal role in the transformation of Anglo-American political culture in the twentieth century. Opening a new vista for the study of southern literature and southern history, this provocative assessment of political and literary currents in the New South sees them as flowing from the mainstream of Machiavellian tradition. Richard Nelson offers a new interpretation of the transformation of Anglo-American intellectual and aesthetic culture since 1890. He shows that southern intellectuals-aesthetic theorists, literary critics, historians, and political thinkers-confronted head on the tensions Machiavelli observed between power and value, creativity and tradition, and romanticism and realism while seeking a cultural ideal that balances politics and aesthetics. The American South, the most militant hotbed of republicanism in the antebellum period, remained at the center of the effort to undergo revision after 1890. In the work of the New Agrarians and the New Critics Nelson sees intellectuals of the South attempting to gain aesthetic distance from a rejected heroic tradition of republicanism while at the same time reinforcing many of its ideals. He shows that literary devices such as irony form a powerful aesthetic formula in the work of such figures as Frederick Jackson Turner, Tom Watson, Thomas Dixon, Jr., W. J. Cash, C. Vann Woodward, Langston Hughes, Allen Tate, and Robert Penn Warren. Each of these, he shows, explored the inner contradictions of a Machiavellian tradition, with its desire to preserve both authority and innovation. Confronting a series of crises beginning with the perceived loss of the frontier in the 1890s and culminating in the complete separation of politics and aesthetics during World War II, these agrarian critics, as Nelson perceives them, sought to transform political decay into aesthetic vitality. By drawing upon and transforming formulas like the southern romance, the jeremiad, and the metaphor of the frontier, these thinkers intuitively drew upon the Machiavellian aesthetic of reinventing the heroic ideal in order to preserve political authority that has lost its legitimacy. Richard Nelson is a professor of history at the University of Maine at Machias.Versandfertig in 3-5 Tagen, [SC: 0.00]

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Aesthetic Frontiers: The Machiavellian Tradition And The Southern Imagination - Richard Nelson
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Richard Nelson:
Aesthetic Frontiers: The Machiavellian Tradition And The Southern Imagination - neues Buch

ISBN: 9781604735307

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In this stirring book Richard Nelson offers a new interpretation of the transformation of Anglo-American intellectual and aesthetic culture since 1890. He shows that southern intellectuals--aesthetic theorists, literary critics, historians, and political thinkers--confronted head on the tensions Machiavelli observed between power and value, creativity and tradition, and romanticism and realism while seeking a cultural ideal that balances politics and aesthetics. The Antebellum South, the most militant hotbed of republicanism in the antebellum period, remained at the center of the effort to undergo revision after 1890. In the work of New Agrarians and the New Critics Nelson sees intellectuals of the South attempting to gain aesthetic distance from a rejected heroic tradition of republicanism while at the same time reinforcing many of its ideals. He shows that literary devices such as irony form a powerful aesthetic formula in the work of such figures as Frederick Jackson Turner, Tom Watson, Thomas Dixon, Jr., W.J. Cash, C. Vann Woodward, Langston Hughes, Allen Tate, and Robert Penn Warren. Each of these, he shows, explored the inner contradictions of a Machiavellian tradition, with its desire to preserve both authority and innovation. Confronting a series of crises beginning with the perceived loss of the frontier in the 1890s and culminating in the complete separation of politics and aesthetics during World War II, these agrarian critics, as Nelson perceives them, south to transform political decay into aesthetic vitality. By drawing upon and transforming formulas like the southern romance, the jeremiad, and the metaphor of the frontier, these thinkers intuitively drew upon the Machiavellian aesthetic of reinventing the heroic idea in order to preserve political authority that has lost its legitimacy. Richard Nelson, Books, Fiction and Literature, Aesthetic Frontiers: The Machiavellian Tradition And The Southern Imagination Books>Fiction and Literature, University Press of Mississippi

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Aesthetic Frontiers: The Machiavellian Tradition and the Southern Imagination
Autor:

Nelson, Richard

Titel:

Aesthetic Frontiers: The Machiavellian Tradition and the Southern Imagination

ISBN-Nummer:

9781604735307

Opening a new vista for the study of southern literature and southern history, this provocative assessment of political and literary currents in the New South sees them as flowing from the mainstream of Machiavellian tradition

Detailangaben zum Buch - Aesthetic Frontiers: The Machiavellian Tradition and the Southern Imagination


EAN (ISBN-13): 9781604735307
ISBN (ISBN-10): 1604735309
Taschenbuch
Erscheinungsjahr: 2010
Herausgeber: UNIV PR OF MISSISSIPPI
298 Seiten
Gewicht: 0,440 kg
Sprache: eng/Englisch

Buch in der Datenbank seit 17.06.2010 11:11:48
Buch zuletzt gefunden am 14.07.2016 02:19:20
ISBN/EAN: 9781604735307

ISBN - alternative Schreibweisen:
1-60473-530-9, 978-1-60473-530-7

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