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Blue Print Reading Interpreting Working Drawings - Edwin Mather Wyatt
Vergriffenes Buch, derzeit bei uns nicht verfügbar.
(*)
Edwin Mather Wyatt:

Blue Print Reading Interpreting Working Drawings - signiertes Exemplar

2008, ISBN: 9781406723960

Taschenbuch, Gebundene Ausgabe, Erstausgabe, ID: 37572751

PBC International And Rizzoli International Publications. Fine in Fine Dust Jacket. 1999. First Edition: First Printing. Hard Cover. 9.25 x 11.25 in.: 176 pages. 0866366873 . Foreword by Kate Spade, New York. Dustjacket now protected by a new Brodart Mylar Cover. Scarce, Out Of Print, Book. This book "illustrates the leading trends in international retail design. More than 250 full color photographs in this first-of-its-kind volume showcase the world's most recognized brands in their own unique retail environments. ... Each of the 50 trend-setting stores pictured in this volume expresses its designer's aesthetic sensibility through inventive architecture and interior design that espouses an identity or captures a lifestyle. All possess levels of sophistication and creativity that cleverly transform traditional store merchandising into dramatic stage sets, placing the designers' collections on view for the whole world to see. These innovative shops and boutiques are influencing store design today and will determine retail trends in the twenty-first century. " ., PBC International And Rizzoli International Publications, 1999, RareBooksClub. Paperback. New. This item is printed on demand. Paperback. 118 pages. Dimensions: 9.7in. x 7.4in. x 0.2in.This historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1921 Excerpt: . . . equation of three moments for concentrated loads, for the case when all the supports are on the same level or on the same uniform gradient, and the section of the girder is uniform throughout its length, may be expressed as follows: --The use of this equation will be illustrated in the following example A bressutnmer beam of two spans, continuous over one support Fio. 276. carries a shop-front and portions of the floors above. The whole of the load is applied to the beam through masonry piers built upon the upper flange. The magnitudes and points of application of these loads are illustrated in Figs. 277 and 278. In this case Mt M, 0, and the equation becomes--23-1 oxXiol10-2 0. -. 7-7M2 502-5 02-1 51 03 74-94 2231 0. -. 7-7M2 -913-67. -. M2 -118-6 foot-tons. The diagram of bending moments AbcdTS and BVC, for the spans AB and BC considered as detached girders, should be plotted to a sufficiently large scale, as well as the diagram of upward bending moments APC, and their intersections noted, from which the points of contra-flexure xx and xt are obtained, 3 7 ft. from B in the first span, and 1-8 ft. from B in the second span. The shearing-stress diagram is drawn by considering Aa-, and Cxt as detached spans. The cantilever ajB is loaded at its extremity with the shearing stress at x1; it is also loaded with 11-5 tons concentrated at a point 1-6 ft. from B. The cantilever Bx is loaded at its extremity with 65-4 tons. The diagrams of bending moments and shearing stresses are illustrated in Figs. 278 and 279. The maximum bending moment occurs at B, viz. , foot-tons. The beam is constructed of two Dorman rolled stel girders 12 in. deep, with flanges 6 in. x 1 in. , and webs J in. thick. The flanges are connected together on the top by . . . This item ships from La Vergne,TN., RareBooksClub, New York : Rizzoli, 2006. 1st Edition. Fine cloth copy in an equally fine dw. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new and still in the publisher's protective shrink-wrap. Description: 275 p. : ill. (some col. ) ; 32 cm. Includes bibliographical references (p. 267-270) and index. Subjects: Jones, Owen (1809-1874) --Design --Great Britain --History --19th century --Architecture --Decoration and ornament --History --Decoration and ornament, Architectural. Summary: Owen Jones was, and still remains, a highly influential force in the world of architecture and design. His prolific and impressive work-captured here in its various stages through drawings, architectural plans, and photographs-is as current, imaginative, and important now as when it first emerged more than 125 years ago. Owen Jones: Design, Ornament, Architecture & Theory in an Age in Transition fills a serious gap in the history of Victorian design. In his early career Jones was recognized as an authority on Oriental design. In the 1850s he was commissioned to decorate the interior of Joseph Paxton's magnificent World's Fair Crystal Palace in London. Other signature projects include St. James' Hall, the Crystal Palace Bazaar, Osler's Glass Shop, and Eynsham Hall at Oxford. In 1856 he completed his monumental Grammar of Ornament, which remains one of the most influential works on design ever published and is a source for many artists and designers today. More than just an architect, Jones' skills were applied to designing interiors, books, textiles, furniture, and carpet. His philosophy can most accurately be expressed in his words, "Form without color is like a body without a soul.", New York : Rizzoli, 2006, New York : Rizzoli, 2006. 1st Edition. An exceptional copy; fine in an equally fine dw, now mylar-sleeved. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Literally as new. Description: 275 p. : ill. (some col. ) ; 32 cm. Includes bibliographical references (p. 267-270) and index. Subjects: Jones, Owen (1809-1874) --Design --Architecture --Great Britain --History --19th century. Summary: Owen Jones was, and still remains, a highly influential force in the world of architecture and design. His prolific and impressive work-captured here in its various stages through drawings, architectural plans, and photographs-is as current, imaginative, and important now as when it first emerged more than 125 years ago. Owen Jones: Design, Ornament, Architecture & Theory in an Age in Transition fills a serious gap in the history of Victorian design. In his early career Jones was recognized as an authority on Oriental design. In the 1850s he was commissioned to decorate the interior of Joseph Paxton's magnificent World's Fair Crystal Palace in London. Other signature projects include St. James' Hall, the Crystal Palace Bazaar, Osler's Glass Shop, and Eynsham Hall at Oxford. In 1856 he completed his monumental Grammar of Ornament, which remains one of the most influential works on design ever published and is a source for many artists and designers today. More than just an architect, Jones' skills were applied to designing interiors, books, textiles, furniture, and carpet. His philosophy can most accurately be expressed in his words, "Form without color is like a body without a soul"., New York : Rizzoli, 2006, Huazhong University of Science and Technology Press, 2008-10-01. paperback. New. Ship out in 2 business day, And Fast shipping, Free Tracking number will be provided after the shipment.Paperback. Pub Date :2008-10-01 Pages: 287 Language: Chinese Publisher: Huazhong University of Science and Technology Press book shop books are all part of the spot genuine special inventory book Whilst stock will contact you promptly refund ! Profits. refused to bargain . Shop default hair rhyme delivery . less places to choose other courier . alternative delivery prices need to increase. about three days to express . 7-15 days to the surface ( surface is not guaranteed for delivery or picku... Satisfaction guaranteed,or money back., Huazhong University of Science and Technology Press, 2008-10-01, Envins Press. Paperback. New. Paperback. 88 pages. Dimensions: 8.3in. x 5.5in. x 0.4in.This book is the result of several years teaching of blueprint reading in night schools and several years teaching of drafting preceding used for three years in blueprint and mimeographed tried out. In it. The material was form. In this form it was thoroughly preparing it for book form the drawings have been carefully redrawn and the text improved upon as ex- perience suggested to be desirable. Essentially it is, however, a tried text, one that has been used to teach the reading of drawings to one class of mixed trades, one class of ship carpenters, two classes of house car- penters, and one class of machinists. It has been designed to suit as wide a range of trades as possible. Usually each new principle is illustrated by example. both a machine and an architectural In recognition of the principle that we learn by doing a number of drawings are included to give practise in reading. At the end of each chapter a number of questions are placed, a few for the purpose of re- view, but more to stimulate the study of the drawings. The study of mechanical drawing has long been recognized as a sure method of learning to read draw- ings. The Author knows it to be effective but round about, long and tedious. The Author finds shop sketching just as effective and much quicker. It is essential that students have some method of expression of the principles discussed in the text and shop sketching provides this admirably. When time permits the book can well be supplemented with the study of many blueprints supplied by the teacher or the students and much more sketching than called for herein can also be effectively required. The Author believes the book to be well suited to individual study aside from its use as a class text. When so used he urges that the shop sketching be not neglected, and that the student seek criticism of his drawings by some draftsman. Most of the drawings used herein have been de- signed especially to illustrate the text. The drawings For 8 Bench Grinder, however, are taken from the excellent little books First Year Lathe Work and How to Run a Lathe published by the South Bend Lathe Works. The Author gratefully acknowledges the courteous privilege granted him to use them in this work. THE AUTHOR. TABLE OF CONTENTS Page Preface 3 I Introduction 7 II Kinds of Drawings III The Theory of Orthographic Projection IV Meaning of Various Kinds of Lines 17 V Foreshortened Lines, Inclined Surfaces, Auxiliary Projection. . 9 12 22 VI Scale Drawing, Dimensions 27 VII Breaks, Representing Drawings as Broken 35 VIII Sections 38 IX Bolts, Screw Threads, Machining or Finish 43 X Rivets Structural Steel 46 XI Architectural Conventions 49 XII Study of a Set of House Plans 55 XIII Study of the Bench Grinder 71 Mechanical drawing is a universal language under- stood by the artisans of all nations. The drawings made by a skillful French draftsman are just INTRODUCTION as read- able to an American draftsman as those made by his fellow draftsmen though he may know no tongue but his native one. It is a language with rules of gram- mar just as any other language, and a draftsman is a good or poor draftsman very largely or violates these rules. as he observes It is a valuable business asset to many of us to be able to understand and speak French, Spanish or some other language than our own. It may be of no value to us to be fluent writers or speakers in the tongue. Just so, a great many men in this great industrial age are finding it necessary to understand the great uni- versal language of mechanical drawing. . . This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN., Envins Press

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Blue Print Reading Interpreting Working Drawings - Wyatt, Edwin Mather
Vergriffenes Buch, derzeit bei uns nicht verfügbar.
(*)

Wyatt, Edwin Mather:

Blue Print Reading Interpreting Working Drawings - signiertes Exemplar

ISBN: 9781406723960

Taschenbuch

[ED: Taschenbuch], [PU: Envins Press], This book is the result of several years teaching of blueprint reading in night schools and several years teaching of drafting preceding used for three years in blueprint and mimeographed tried out. In it. The material was form. In this form it was thoroughly preparing it for book form the drawings have been carefully redrawn and the text improved upon as ex- perience suggested to be desirable. Essentially it is, however, a tried text, one that has been used to teach the reading of drawings to one class of mixed trades, one class of ship carpenters, two classes of house car- penters, and one class of machinists. It has been designed to suit as wide a range of trades as possible. Usually each new principle is illustrated by example. both a machine and an architectural In recognition of the principle that we learn by doing a number of drawings are included to give practise in reading. At the end of each chapter a number of questions are placed, a few for the purpose of re- view, but more to stimulate the study of the drawings. The study of mechanical drawing has long been recognized as a sure method of learning to read draw- ings. The Author knows it to be effective but round about, long and tedious. The Author finds shop sketching just as effective and much quicker. It is essential that students have some method of expression of the principles discussed in the text and shop sketching provides this admirably. When time permits the book can well be supplemented with the study of many blueprints supplied by the teacher or the students and much more sketching than called for herein can also be effectively required. The Author believes the book to be well suited to individual study aside from its use as a class text. When so used he urges that the shop sketching be not neglected, and that the student seek criticism of his drawings by some draftsman. Most of the drawings used herein have been de- signed especially to illustrate the text. The drawings For 8 Bench Grinder, however, are taken from the excellent little books First Year Lathe Work and How to Run a Lathe published by the South Bend Lathe Works. The Author gratefully acknowledges the courteous privilege granted him to use them in this work. THE AUTHOR. TABLE OF CONTENTS Page Preface 3 I Introduction 7 II Kinds of Drawings III The Theory of Orthographic Projection IV Meaning of Various Kinds of Lines 17 V Foreshortened Lines, Inclined Surfaces, Auxiliary Projection. . 9 12 22 VI Scale Drawing, Dimensions 27 VII Breaks, Representing Drawings as Broken 35 VIII Sections 38 IX Bolts, Screw Threads, Machining or Finish 43 X Rivets Structural Steel 46 XI Architectural Conventions 49 XII Study of a Set of House Plans 55 XIII Study of the Bench Grinder 71 Mechanical drawing is a universal language under- stood by the artisans of all nations. The drawings made by a skillful French draftsman are just INTRODUCTION as read- able to an American draftsman as those made by his fellow draftsmen though he may know no tongue but his native one. It is a language with rules of gram- mar just as any other language, and a draftsman is a good or poor draftsman very largely or violates these rules. as he observes It is a valuable business asset to many of us to be able to understand and speak French, Spanish or some other language than our own. It may be of no value to us to be fluent writers or speakers in the tongue. Just so, a great many men in this great industrial age are finding it necessary to understand the great uni- versal language of mechanical drawing...Versandfertig in 3-5 Tagen, [SC: 0.00], Neuware, gewerbliches Angebot

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Blue Print Reading Interpreting Working Drawings - Wyatt, Edwin Mather
Vergriffenes Buch, derzeit bei uns nicht verfügbar.
(*)
Wyatt, Edwin Mather:
Blue Print Reading Interpreting Working Drawings - signiertes Exemplar

ISBN: 9781406723960

Taschenbuch

[ED: Taschenbuch], [PU: Envins Press], This book is the result of several years teaching of blueprint reading in night schools and several years teaching of drafting preceding used for three years in blueprint and mimeographed tried out. In it. The material was form. In this form it was thoroughly preparing it for book form the drawings have been carefully redrawn and the text improved upon as ex- perience suggested to be desirable. Essentially it is, however, a tried text, one that has been used to teach the reading of drawings to one class of mixed trades, one class of ship carpenters, two classes of house car- penters, and one class of machinists. It has been designed to suit as wide a range of trades as possible. Usually each new principle is illustrated by example. both a machine and an architectural In recognition of the principle that we learn by doing a number of drawings are included to give practise in reading. At the end of each chapter a number of questions are placed, a few for the purpose of re- view, but more to stimulate the study of the drawings. The study of mechanical drawing has long been recognized as a sure method of learning to read draw- ings. The Author knows it to be effective but round about, long and tedious. The Author finds shop sketching just as effective and much quicker. It is essential that students have some method of expression of the principles discussed in the text and shop sketching provides this admirably. When time permits the book can well be supplemented with the study of many blueprints supplied by the teacher or the students and much more sketching than called for herein can also be effectively required. The Author believes the book to be well suited to individual study aside from its use as a class text. When so used he urges that the shop sketching be not neglected, and that the student seek criticism of his drawings by some draftsman. Most of the drawings used herein have been de- signed especially to illustrate the text. The drawings For 8 Bench Grinder, however, are taken from the excellent little books First Year Lathe Work and How to Run a Lathe published by the South Bend Lathe Works. The Author gratefully acknowledges the courteous privilege granted him to use them in this work. THE AUTHOR. TABLE OF CONTENTS Page Preface 3 I Introduction 7 II Kinds of Drawings III The Theory of Orthographic Projection IV Meaning of Various Kinds of Lines 17 V Foreshortened Lines, Inclined Surfaces, Auxiliary Projection. . 9 12 22 VI Scale Drawing, Dimensions 27 VII Breaks, Representing Drawings as Broken 35 VIII Sections 38 IX Bolts, Screw Threads, Machining or Finish 43 X Rivets Structural Steel 46 XI Architectural Conventions 49 XII Study of a Set of House Plans 55 XIII Study of the Bench Grinder 71 Mechanical drawing is a universal language under- stood by the artisans of all nations. The drawings made by a skillful French draftsman are just INTRODUCTION as read- able to an American draftsman as those made by his fellow draftsmen though he may know no tongue but his native one. It is a language with rules of gram- mar just as any other language, and a draftsman is a good or poor draftsman very largely or violates these rules. as he observes It is a valuable business asset to many of us to be able to understand and speak French, Spanish or some other language than our own. It may be of no value to us to be fluent writers or speakers in the tongue. Just so, a great many men in this great industrial age are finding it necessary to understand the great uni- versal language of mechanical drawing...Versandfertig in über 4 Wochen, [SC: 0.00]

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Blue Print Reading; Interpreting Working Drawings - Edwin Mather Wyatt
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Blue Print Reading; Interpreting Working Drawings - Taschenbuch

ISBN: 9781406723960

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Blue Print Reading; Interpreting Working Drawings
Autor:

Wyatt, Edwin Mather

Titel:

Blue Print Reading; Interpreting Working Drawings

ISBN-Nummer:

9781406723960

Detailangaben zum Buch - Blue Print Reading; Interpreting Working Drawings


EAN (ISBN-13): 9781406723960
ISBN (ISBN-10): 1406723967
Gebundene Ausgabe
Taschenbuch
Erscheinungsjahr: 2007
Herausgeber: Envins Press
88 Seiten
Gewicht: 0,122 kg
Sprache: eng/Englisch

Buch in der Datenbank seit 29.07.2008 15:42:19
Buch zuletzt gefunden am 03.05.2016 14:36:55
ISBN/EAN: 9781406723960

ISBN - alternative Schreibweisen:
1-4067-2396-7, 978-1-4067-2396-0

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