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The Death-Bound-Subject: Richard Wright’s Archaeology of Death (Post-Contemporary Interventi - Abdul R. JanMohamed
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The Death-Bound-Subject: Richard Wright’s Archaeology of Death (Post-Contemporary Interventi - Taschenbuch

ISBN: 0822334887

[SR: 1288079], Paperback, [EAN: 9780822334880], Duke University Press Books, Duke University Press Books, Book, [PU: Duke University Press Books], Duke University Press Books, During the 1940s, in response to the charge that his writing was filled with violence, Richard Wright replied that the manner came from the matter, that the “relationship of the American Negro to the American scene [was] essentially violent,” and that he could deny neither the violence he had witnessed nor his own existence as a product of racial violence. Abdul R. JanMohamed provides extraordinary insight into Wright’s position in this first study to explain the fundamental ideological and political functions of the threat of lynching in Wright’s work and thought. JanMohamed argues that Wright’s oeuvre is a systematic and thorough investigation of what he calls the death-bound-subject, the subject who is formed from infancy onward by the imminent threat of death. He shows that with each successive work, Wright delved further into the question of how living under a constant menace of physical violence affected his protagonists and how they might “free” themselves by overcoming their fear of death and redeploying death as the ground for their struggle.Drawing on psychoanalytic, Marxist, and phenomenological analyses, and on Orlando Patterson’s notion of social death, JanMohamed develops comprehensive, insightful, and original close readings of Wright’s major publications: his short-story collection Uncle Tom’s Children; his novels Native Son, The Outsider, Savage Holiday, and The Long Dream; and his autobiography Black Boy/American Hunger. The Death-Bound-Subject is a stunning reevaluation of the work of a major twentieth-century American writer, but it is also much more. In demonstrating how deeply the threat of death is involved in the formation of black subjectivity, JanMohamed develops a methodology for understanding the presence of the death-bound-subject in African American literature and culture from the , 10207, Criticism & Theory, 10204, History & Criticism, 17, Literature & Fiction, 1000, Subjects, 283155, Books, 10159376011, African American, 9928, United States, 10159358011, Regional & Cultural, 10204, History & Criticism, 17, Literature & Fiction, 1000, Subjects, 283155, Books, 11300, African-American Studies, 11298, Specific Demographics, 11232, Social Sciences, 3377866011, Politics & Social Sciences, 1000, Subjects, 283155, Books, 11237, General, 11233, Anthropology, 3377866011, Politics & Social Sciences, 1000, Subjects, 283155, Books

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During the 1940s, in response to the charge that his writing was filled with violence, Richard Wright replied that the manner came from the matter, that the relationship of the American Negro to the American scene [was] essentially violent, and that he could deny neither the violence he had witnessed nor his own existence as a product of racial violence. Abdul R. JanMohamed provides extraordinary insight into Wright''s position in this first study to explain the fundamental ideological and political functions of the threat of lynching in Wright''s work and thought. JanMohamed argues that Wright''s oeuvre is a systematic and thorough investigation of what he calls the death-bound-subject, the subject who is formed from infancy onward by the imminent threat of death. He shows that with each successive work, Wright delved further into the question of how living under a constant menace of physical violence affected his protagonists and how they might free themselves by overcoming their fear of death and redeploying death as the ground for their struggle.Drawing on psychoanalytic, Marxist, and phenomenological analyses, and on Orlando Patterson''s notion of social death, JanMohamed develops comprehensive, insightful, and original close readings of Wright''s major publications: his short-story collection Uncle Tom''s Children; his novels Native Son, The Outsider, Savage Holiday, and The Long Dream; and his autobiography Black Boy/American Hunger, The Death-Bound-Subject is a stunning reevaluation of the work of a major twentieth-century American writer, but it is also much more. In demonstrating how deeply the threat of death is involved in the formation of black subjectivity, JanMohamed develops a methodology for understanding the presence of the death-bound-subject in African American literature and culture from the earliest slave narratives forward. Abdul R. JanMohamed, Books, Fiction and Literature, The Death-Bound-Subject: Richard Wright's Archaeology of Death Books>Fiction and Literature, Duke University Press

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During the 1940s, in response to the charge that his writing was filled with violence, Richard Wright replied that the manner came from the matter, that the "relationship of the American Negro to the American scene [was] essentially violent," and that he could deny neither the violence he had witnessed nor his own existence as a product of racial violence. Abdul R. JanMohamed provides extraordinary insight into Wright's position in this first study to explain the fundamental ideological and political functions of the threat of lynching in Wright's work and thought. JanMohamed argues that Wright's oeuvre is a systematic and thorough investigation of what he calls the death-bound-subject, the subject who is formed from infancy onward by the imminent threat of death. He shows that with each successive work, Wright delved further into the question of how living under a constant menace of physical violence affected his protagonists and how they might "free" themselves by overcoming their fear of death and redeploying death as the ground for their struggle.Drawing on psychoanalytic, Marxist, and phenomenological analyses, and on Orlando Patterson's notion of social death, JanMohamed develops comprehensive, insightful, and original close readings of Wright's major publications: his short-story collection Uncle Tom's Children; his novels Native Son, The Outsider, Savage Holiday, and The Long Dream; and his autobiography Black Boy/Amer 20th century,african-american studies,anthropology,classics,criticism and theory,history,history and criticism,literature and fiction,modern (16th-21st centuries),politics and social sciences Politics & Social Sciences, Duke University Press Books

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The Death-Bound-Subject: Richard Wright's Archaeology of Death - Abdul R. JanMohamed, Fredric Jameson (Editor), Stanley Fish (Editor)
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A literary exploration of the prevalence of death-its connection to political oppression and its use as salvation-in Richard Wright's work. Textbooks New, Books~~Literary Criticism~~American~~African American, Death-Bound-Subject~~Abdul-R-Jan Mohamed, 999999999, The Death-Bound-Subject: Richard Wright's Archaeology of Death, Abdul R. JanMohamed, Fredric Jameson (Editor), Stanley Fish (Editor), 0822334887, Duke University Press Books, , , , , Duke University Press Books

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The Death-Bound-Subject: Richard Wright's Archaeology of Death (Post-Contemporary Interventions) Author :Abdul R.JanMohamed 9780822334880 0822334887, [PU: Duke University Press]

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The Death-Bound-Subject: Richard Wright's Archaeology of Death
Autor:

Janmohamed, Abdul R.

Titel:

The Death-Bound-Subject: Richard Wright's Archaeology of Death

ISBN-Nummer:

9780822334880

A literary exploration of the prevalence of death--its connection to political oppression and its use as salvation--in Richard Wright's work.

Detailangaben zum Buch - The Death-Bound-Subject: Richard Wright's Archaeology of Death


EAN (ISBN-13): 9780822334880
ISBN (ISBN-10): 0822334887
Taschenbuch
Erscheinungsjahr: 2005
Herausgeber: DUKE UNIV PR
327 Seiten
Gewicht: 0,485 kg
Sprache: eng/Englisch

Buch in der Datenbank seit 03.03.2007 03:46:45
Buch zuletzt gefunden am 14.08.2016 23:03:31
ISBN/EAN: 9780822334880

ISBN - alternative Schreibweisen:
0-8223-3488-7, 978-0-8223-3488-0

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