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The Conversational Circle: Rereading the English Novel, 1740-1775 - Betty Schellenberg
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Betty Schellenberg:

The Conversational Circle: Rereading the English Novel, 1740-1775 - gebunden oder broschiert

1997, ISBN: 9780813119908

ID: 35363410

Greenwood Press, Westport, first edition, 1997. Cloth, 8vo, 24 cm,. xiv, 534 pp. Provides comprehensive entries on more than 70 American women writers who published during the 19th century, covering both famous names and now forgotten but once-popular writers. Each entry includes a biographical sketch, a discussion of the writer's major works and themes, an overview of the critical response to the writer, and a bibliography of works by and about the writer. There is also a general bibliography of significant studies of nineteenth-century American women writers. The authors included are: Louisa May Alcott; Anne Charlotte Lynch Botta; Maria Gowen Brooks (Maria Del Occidente); Frances Hodgson Burnett; Alice Cary; Phoebe Cary; Caroline Chesebro' (Caroline Cheseborough); Lydia Maria Child; Kate Chopin; Louise Amelia Knapp Smith Clappe (Dame Shirley); Rose Terry Cooke; Ina Donna Coolbrith; Anna Julia Cooper; Maria Susanna Cummins; Rebecca Harding Davis; Emily Dickinson; Alice Ruth Moore Dunbar-Nelson; Emma Embury; Fanny Fern (Sara Payson Willis Parton); Kate Field; Martha Finley (Martha Farquharson); Mary Eleanor Wilkins Freeman; Margaret Fuller; Charlotte Perkins Gilman; Anna Katherine Green; Sarah Pratt McLean Greene; Grace Greenwood (Sarah Jane Clarke Lippincott); Angelina Grimke; Sarah Grimke; Sarah Josepha Hale; Gail Hamilton (Mary Abigail Dodge); Marion Harland (Mary Virginia Hawes Terhune); Frances E.W. Harper; Caroline Lee Whiting Hentz; Marietta Holley (Josiah Allen's Wife); Mary Jane Hawes Holmes; Pauline Elizabeth Hopkins; Sarah Winnemucca Hopkins; Julia Ward Howe; Helen Hunt Jackson; Harriet A. Jacobs (Linda Brent); Sarah Orne Jewett; Grace Elizabeth King; Caroline Kirkland; Lucy Larcom; Rose Hawthorne Lathrop (Mother Mary Alphonsa); Emma Lazarus; Maria Jane McIntosh; Adah Isaacs Menken; Anna Cora Ogden Mowatt (Ritchie); Mary Noailles Murfree (Charles Egbert Craddock); Elizabeth Oakes Smith; Frances Sargent Osgood; Elizabeth Stuart Phelps; Henrietta Cordelia Ray; Lizette Woodworth Reese; Catharine Maria Sedgwick; Lydia Howard Huntley Sigourney; E.D.E.N. Southworth (Emma Dorothy Eliza Nevett Southworth); Harriet Spofford; Ann Sophia Stephens; Maria Stewart; Elizabeth Drew Barstow Stoddard; Harriet Beecher Stowe; Ruth McEnery Stuart; Octave Thanet (Alice French); Celia Laighton Thaxter; Metta Victoria Fuller Victor; Elizabeth Stuart Phelps Ward; Susan Warner; Frances Miriam Berry Whitcher; Sarah Helen Whitman; A.D.T. Whitney (Adeline Dutton Train Whitney); Augusta Jane Evans Wilson; Harriet E. Wilson; Sally S. Wood; Constance Fenimore Woolson, Fine., Greenwood Press, Westport, first edition, 1997, 1997, The University Press of Kentucky. Hardcover. New. Hardcover. 176 pages. Dimensions: 9.3in. x 6.3in. x 0.9in. The Conversational Circle offers a model for exploring a range of novels that experiment with narrative patterns. It makes a compelling case that teleological approaches to novel history that privilege the conflict between the individual and society are, quite simply, ahistorical. Twentieth-century historians of the early novel, most prominently Ian Watt, Mikhail Bakhtin, and Terry Castle, have canonized fictions that portray the individual in sustained tension with the social environment. Such fictions privilege a strongly linear structure. Recent reexaminations of the canon, however, have revealed a number of early novels that do not fit this mold. Betty Schellenberg identifies another kind of plot, one that focuses on the social group -- the conversational circle -- as a model that can affirm traditional values but just as often promotes an alternative sense of community. Schellenberg selects a group of mid-eighteenth-century novels that experiment with this alternative plot structure, embodied by the social circle. Both satirical and sentimental, canonical and non-canonical, these novels demonstrate a concern that individualistic desire threatened to destabilize society. Writing that reflects a circular structure emphasizes conversation and consensus over individualism and conquest. As a discourse that highlights negotiation and harmony, conversation privileges the social group over the individual. These fictions of the conversation circle include lesser-known works by canonical authors (Henry Fieldings Amelia and Richardss Sir Charles Grandison as well as his sequel to Pamela ), long-neglected novels by women (Sarah Fieldings David Simple and its sequel Volume the Last, and Sarah Scotts Millenium Hall ), and Tobias Smollets last novel, Humphrey Clinker. Because they do not fit the linear model, such works have long been dismissed as idealogicall flawed and ideologically irrelevant. This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN., The University Press of Kentucky

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The Conversational Circle: Rereading the English Novel, 1740-1775 - Schellenberg, Betty A.
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Schellenberg, Betty A.:

The Conversational Circle: Rereading the English Novel, 1740-1775 - gebrauchtes Buch

ISBN: 9780813119908

ID: 3415793

" The Conversational Circle offers a model for exploring a range of novels that experiment with narrative patterns. It makes a compelling case that teleological approaches to novel history that privilege the conflict between the individual and society are, quite simply, ahistorical. Twentieth-century historians of the early novel, most prominently Ian Watt, Mikhail Bakhtin, and Terry Castle, have canonized fictions that portray the individual in sustained tension with the social environment. Such fictions privilege a strongly linear structure. Recent reexaminations of the canon, however, have revealed a number of early novels that do not fit this mold. Betty Schellenberg identifies another kind of plot, one that focuses on the social group -- the "conversational circle" -- as a model that can affirm traditional values but just as often promotes an alternative sense of community. Schellenberg selects a group of mid-eighteenth-century novels that experiment with this alternative plot structure, embodied by the social circle. Both satirical and sentimental, canonical and non-canonical, these novels demonstrate a concern that individualistic desire threatened to destabilize society. Writing that reflects a circular structure emphasizes conversation and consensus over individualism and conquest. As a discourse that highlights negotiation and harmony, conversation privileges the social group over the individual. These fictions of the conversation circle include lesser-known works by canonical authors (Henry Fielding's Amelia and Richards's Sir Charles Grandison as well as his sequel to Pamela ), long-neglected novels by women (Sarah Fielding's David Simple and its sequel Volume the Last, and Sarah Scott's Millenium Hall ), and Tobias Smollet's last novel, Humphrey Clinker. Because they do not fit the linear model, such works have long been dismissed as idealogicall flawed and ideologically irrelevant. The Conversational Circle: Rereading the English Novel, 1740-1775 Schellenberg, Betty A., University Press of Kentucky

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The Conversational Circle - Schellenberg, Betty A.
Vergriffenes Buch, derzeit bei uns nicht verfügbar.
(*)
Schellenberg, Betty A.:
The Conversational Circle - gebunden oder broschiert

ISBN: 9780813119908

[ED: Hardcover], [PU: The University Press of Kentucky], " The Conversational Circle offers a model for exploring a range of novels that experiment with narrative patterns. It makes a compelling case that teleological approaches to novel history that privilege the conflict between the individual and society are, quite simply, ahistorical. Twentieth-century historians of the early novel, most prominently Ian Watt, Mikhail Bakhtin, and Terry Castle, have canonized fictions that portray the individual in sustained tension with the social environment. Such fictions privilege a strongly linear structure. Recent reexaminations of the canon, however, have revealed a number of early novels that do not fit this mold. Betty Schellenberg identifies another kind of plot, one that focuses on the social group-the "conversational circle"-as a model that can affirm traditional values but just as often promotes an alternative sense of community. Schellenberg selects a group of mid-eighteenth-century novels that experiment with this alternative plot structure, embodied by the social circle. Both satirical and sentimental, canonical and non-canonical, these novels demonstrate a concern that individualistic desire threatened to destabilize society. Writing that reflects a circular structure emphasizes conversation and consensus over individualism and conquest. As a discourse that highlights negotiation and harmony, conversation privileges the social group over the individual. These fictions of the conversation circle include lesser-known works by canonical authors (Henry Fielding's Amelia and Richards's Sir Charles Grandison as well as his sequel to Pamela ), long-neglected novels by women (Sarah Fielding's David Simple and its sequel Volume the Last , and Sarah Scott's Millenium Hall ), and Tobias Smollet's last novel, Humphrey Clinker . Because they do not fit the linear model, such works have long been dismissed as idealogicall flawed and ideologically irrelevant. Versandfertig in 3-5 Tagen, [SC: 0.00], Neuware, gewerbliches Angebot

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ISBN: 9780813119908

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The Conversational Circle offers a model for exploring a range of novels that experiment with narrative patterns. It makes a compelling case that teleological approaches to novel history that privilege the conflict between the individual and society are, quite simply, ahistorical. Twentieth-century historians of the early novel, most prominently Ian Watt, Mikhail Bakhtin, and Terry Castle, have canonized fictions that portray the individual in sustained tension with the social environment. Such fictions privilege a strongly linear structure. Recent reexaminations of the canon, however, have revealed a number of early novels that do not fit this mold. Betty Schellenberg identifies another kind of plot, one that focuses on the social group -- the "conversational circle" -- as a model that can affirm traditional values but just as often promotes an alternative sense of community. Schellenberg selects a group of mid-eighteenth-century novels that experiment with this alternative plot structure, embodied by the social circle. Both satirical and sentimental, canonical and non-canonical, these novels demonstrate a concern that individualistic desire threatened to destabilize society. Writing that reflects a circular structure emphasizes conversation and consensus over individualism and conquest. As a discourse that highlights negotiation and harmony, conversation privileges the social group over the individual. These fictions of the conversation circle include lesser-known works by canonical authors (Henry Fielding's Amelia and Richards's Sir Charles Grandison as well as his sequel to Pamela ), long-neglected novels by women (Sarah Fielding's David Simple and its sequel Volume the Last , and Sarah Scott's Millenium Hall ), and Tobias Smollet's last novel, Humphrey Clinker . Because they do not fit the linear model, such works have long been dismissed as ideologically flawed and irrelevant. Literary Criticism Literary Criticism eBook, The University Press of Kentucky

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Conversational Circle - Betty A. Schellenberg
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Betty A. Schellenberg:
Conversational Circle - gebunden oder broschiert

1996, ISBN: 9780813119908

ID: 1146763

Hardcover, Buch, [PU: The University Press of Kentucky]

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The Conversational Circle: Rereading the English Novel, 1740-1775
Autor:

Schellenberg, Betty A.

Titel:

The Conversational Circle: Rereading the English Novel, 1740-1775

ISBN-Nummer:

9780813119908

Twentieth-century historians of the early novel, most prominently Ian Watt, Mikhail Bakhtin, and Terry Castle, have canonized fictions that portray the individual in sustained tension with the social environment. Such fictions privilege a strongly linear structure. Recent reexaminations of the canon, however, have revealed a number of early novels that do not fit this mold. In The Conversational Circle: Rereading the English Novel, 1740-1775, Betty Schellenberg identifies another kind of plot, one that focuses on the social group - the "conversational circle" - as a model that can affirm traditional values but just as often promotes an alternative sense of community. Schellenberg offers a model for exploring a range of novels that experiment with narrative patterns.

Detailangaben zum Buch - The Conversational Circle: Rereading the English Novel, 1740-1775


EAN (ISBN-13): 9780813119908
ISBN (ISBN-10): 0813119901
Gebundene Ausgabe
Erscheinungsjahr: 1996
Herausgeber: UNIV PR OF KENTUCKY
176 Seiten
Gewicht: 0,526 kg
Sprache: eng/Englisch

Buch in der Datenbank seit 31.05.2007 11:22:46
Buch zuletzt gefunden am 26.10.2016 12:06:55
ISBN/EAN: 9780813119908

ISBN - alternative Schreibweisen:
0-8131-1990-1, 978-0-8131-1990-8

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