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Modern Bodies: Dance and American Modernism from Martha Graham to Alvin Ailey - Julia L. Foulkes
Vergriffenes Buch, derzeit bei uns nicht verfügbar.
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Julia L. Foulkes:

Modern Bodies: Dance and American Modernism from Martha Graham to Alvin Ailey - Taschenbuch

2002, ISBN: 0807853674

[SR: 788524], Paperback, [EAN: 9780807853672], The University of North Carolina Press, The University of North Carolina Press, Book, [PU: The University of North Carolina Press], 2002-09-09, The University of North Carolina Press, In 1930, dancer and choreographer Martha Graham proclaimed the arrival of "dance as an art of and from America." Dancers such as Doris Humphrey, Ted Shawn, Katherine Dunham, and Helen Tamiris joined Graham in creating a new form of dance, and, like other modernists, they experimented with and argued over their aesthetic innovations, to which they assigned great meaning.Their innovations, however, went beyond aesthetics. While modern dancers devised new ways of moving bodies in accordance with many modernist principles, their artistry was indelibly shaped by their place in society. Modern dance was distinct from other artistic genres in terms of the people it attracted: white women (many of whom were Jewish), gay men, and African American men and women. Women held leading roles in the development of modern dance on stage and off; gay men recast the effeminacy often associated with dance into a hardened, heroic, American athleticism; and African Americans contributed elements of social, African, and Caribbean dance, even as their undervalued role defined the limits of modern dancers' communal visions. Through their art, modern dancers challenged conventional roles and images of gender, sexuality, race, class, and regionalism with a view of American democracy that was confrontational and participatory, authorial and populist. Modern Bodies exposes the social dynamics that shaped American modernism and moved modern dance to the edges of society, a place both provocative and perilous., 1516, Modern, 1474, Dance, 521000, Performing Arts, 1, Arts & Photography, 1000, Subjects, 283155, Books, 2154, Theater, 2155, Acting & Auditioning, 2156, Broadway & Musicals, 2157, Circus, 2158, Direction & Production, 2221, History & Criticism, 2224, Miming, 2225, Playwriting, 2227, Puppets & Puppetry, 2229, Stagecraft, 8622807011, Stage Lighting, 521000, Performing Arts, 1, Arts & Photography, 1000, Subjects, 283155, Books, 5035, World, 15812171, Civilization & Culture, 3825131, Expeditions & Discoveries, 4992, Jewish, 6343224011, Religious, 16244141, Slavery & Emancipation, 15812211, Women in History, 9, History, 1000, Subjects, 283155, Books, 11325, Women's Studies, 271632011, Abortion & Birth Control, 11332, Feminist Theory, 11336, History, 11388, Motherhood, 11344, Women Writers, 3377866011, Politics & Social Sciences, 1000, Subjects, 283155, Books, 468230, History, 491410, Africa, 684268011, Ancient, 491412, Asia, 491414, Europe, 491418, Latin America, 684269011, Middle East, 684270011, Military, 491422, United States, 468206, Humanities, 465600, New, Used & Rental Textbooks, 2349030011, Specialty Boutique, 283155, Books, 684278011, Dance, 684277011, Performing Arts, 468206, Humanities, 465600, New, Used & Rental Textbooks, 2349030011, Specialty Boutique, 283155, Books, 491458, Gender Studies, 468214, Social Sciences, 465600, New, Used & Rental Textbooks, 2349030011, Specialty Boutique, 283155, Books

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Modern Bodies: Dance and American Modernism from Martha Graham to Alvin Ailey - Julia L. Foulkes
Vergriffenes Buch, derzeit bei uns nicht verfügbar.
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Julia L. Foulkes:

Modern Bodies: Dance and American Modernism from Martha Graham to Alvin Ailey - Taschenbuch

2002, ISBN: 0807853674

[SR: 788524], Paperback, [EAN: 9780807853672], The University of North Carolina Press, The University of North Carolina Press, Book, [PU: The University of North Carolina Press], 2002-09-09, The University of North Carolina Press, In 1930, dancer and choreographer Martha Graham proclaimed the arrival of "dance as an art of and from America." Dancers such as Doris Humphrey, Ted Shawn, Katherine Dunham, and Helen Tamiris joined Graham in creating a new form of dance, and, like other modernists, they experimented with and argued over their aesthetic innovations, to which they assigned great meaning.Their innovations, however, went beyond aesthetics. While modern dancers devised new ways of moving bodies in accordance with many modernist principles, their artistry was indelibly shaped by their place in society. Modern dance was distinct from other artistic genres in terms of the people it attracted: white women (many of whom were Jewish), gay men, and African American men and women. Women held leading roles in the development of modern dance on stage and off; gay men recast the effeminacy often associated with dance into a hardened, heroic, American athleticism; and African Americans contributed elements of social, African, and Caribbean dance, even as their undervalued role defined the limits of modern dancers' communal visions. Through their art, modern dancers challenged conventional roles and images of gender, sexuality, race, class, and regionalism with a view of American democracy that was confrontational and participatory, authorial and populist. Modern Bodies exposes the social dynamics that shaped American modernism and moved modern dance to the edges of society, a place both provocative and perilous., 1516, Modern, 1474, Dance, 521000, Performing Arts, 1, Arts & Photography, 1000, Subjects, 283155, Books, 2154, Theater, 2155, Acting & Auditioning, 2156, Broadway & Musicals, 2157, Circus, 2158, Direction & Production, 2221, History & Criticism, 2224, Miming, 2225, Playwriting, 2227, Puppets & Puppetry, 2229, Stagecraft, 8622807011, Stage Lighting, 521000, Performing Arts, 1, Arts & Photography, 1000, Subjects, 283155, Books, 5035, World, 15812171, Civilization & Culture, 3825131, Expeditions & Discoveries, 4992, Jewish, 6343224011, Religious, 16244141, Slavery & Emancipation, 15812211, Women in History, 9, History, 1000, Subjects, 283155, Books, 11325, Women's Studies, 271632011, Abortion & Birth Control, 11332, Feminist Theory, 11336, History, 11388, Motherhood, 11344, Women Writers, 3377866011, Politics & Social Sciences, 1000, Subjects, 283155, Books, 468230, History, 491410, Africa, 684268011, Ancient, 491412, Asia, 491414, Europe, 491418, Latin America, 684269011, Middle East, 684270011, Military, 491422, United States, 468206, Humanities, 465600, New, Used & Rental Textbooks, 2349030011, Specialty Boutique, 283155, Books, 684278011, Dance, 684277011, Performing Arts, 468206, Humanities, 465600, New, Used & Rental Textbooks, 2349030011, Specialty Boutique, 283155, Books, 491458, Gender Studies, 468214, Social Sciences, 465600, New, Used & Rental Textbooks, 2349030011, Specialty Boutique, 283155, Books

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Modern Bodies: Dance and American Modernism From Martha Graham to Alvin Ailey - Julia L. Foulkes
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ISBN: 9780807853672

ID: 978080785367

In 1930, dancer and choreographer Martha Graham proclaimed the arrival of dance as an art of and from America. Dancers such as Doris Humphrey, Ted Shawn, Katherine Dunham, and Helen Tamiris joined Graham in creating a new form of dance, and, like other modernists, they experimented with and argued over their aesthetic innovations, to which they assigned great meaning. Their innovations, however, went beyond aesthetics. While modern dancers devised new ways of moving bodies in accordance with many modernist principles, their artistry was indelibly shaped by their place in society. Modern dance was distinct from other artistic genres in terms of the people it attracted: white women (many of whom were Jewish), gay men, and African American men and women. Women held leading roles in the development of modern dance on stage and off; gay men recast the effeminacy often associated with dance into a hardened, heroic, American athleticism; and African Americans contributed elements of social, African, and Caribbean dance, even as their undervalued role defined the limits of modern dancers'' communal visions. Through their art, modern dancers challenged conventional roles and images of gender, sexuality, race, class, and regionalism with a view of American democracy that was confrontational and participatory, authorial and populist. Modern Bodies exposes the social dynamics that shaped American modernism and moved modern dance to the edges of society, a place both provocative and perilous. Julia L. Foulkes, Books, Entertainment, Modern Bodies: Dance and American Modernism From Martha Graham to Alvin Ailey Books>Entertainment, University of North Carolina Press

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Modern Bodies: Dance and American Modernism from Martha Graham to Alvin Ailey - Foulkes, Julia L.
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Modern Bodies: Dance and American Modernism from Martha Graham to Alvin Ailey - gebrauchtes Buch

ISBN: 9780807853672

ID: 3342593

In 1930, dancer and choreographer Martha Graham proclaimed the arrival of "dance as an art of and from America." Dancers such as Doris Humphrey, Ted Shawn, Katherine Dunham, and Helen Tamiris joined Graham in creating a new form of dance, and, like other modernists, they experimented with and argued over their aesthetic innovations, to which they assigned great meaning. Their innovations, however, went beyond aesthetics. While modern dancers devised new ways of moving bodies in accordance with many modernist principles, their artistry was indelibly shaped by their place in society. Modern dance was distinct from other artistic genres in terms of the people it attracted: white women (many of whom were Jewish), gay men, and African American men and women. Women held leading roles in the development of modern dance on stage and off; gay men recast the effeminacy often associated with dance into a hardened, heroic, American athleticism; and African Americans contributed elements of social, African, and Caribbean dance, even as their undervalued role defined the limits of modern dancers' communal visions. Through their art, modern dancers challenged conventional roles and images of gender, sexuality, race, class, and regionalism with a view of American democracy that was confrontational and participatory, authorial and populist. "Modern Bodies" exposes the social dynamics that shaped American modernism and moved modern dance to the edges of society, a place both provocative and perilous. Modern Bodies: Dance and American Modernism from Martha Graham to Alvin Ailey Foulkes, Julia L., University of North Carolina Press

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Modern Bodies - Foulkes, Julia L.
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Modern Bodies - neues Buch

ISBN: 9780807853672

ID: 427126

In 1930, dancer and choreographer Martha Graham proclaimed the arrival of "dance as an art of and from America." Dancers such as Doris Humphrey, Ted Shawn, Katherine Dunham, and Helen Tamiris joined Graham in creating a new form of dance, and, like other modernists, they experimented with and argued over their aesthetic innovations, to which they assigned great meaning. Their innovations, however, went beyond aesthetics. While modern dancers devised new ways of moving bodies in accordance with many modernist principles, their artistry was indelibly shaped by their place in society. Modern dance was distinct from other artistic genres in terms of the people it attracted: white women (many of whom were Jewish), gay men, and African American men and women. Women held leading roles in the development of modern dance on stage and off; gay men recast the effeminacy often associated with dance into a hardened, heroic, American athleticism; and African Americans contributed elements of social, African, and Caribbean dance, even as their undervalued role defined the limits of modern dancers' communal visions. Through their art, modern dancers challenged conventional roles and images of gender, sexuality, race, class, and regionalism with a view of American democracy that was confrontational and participatory, authorial and populist. Modern Bodies exposes the social dynamics that shaped American modernism and moved modern dance to the edges of society, a place both provocative and perilous. Performing Arts Performing Arts eBook, The University of North Carolina Press

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Modern Bodies: Dance and American Modernism from Martha Graham to Alvin Ailey
Autor:

Foulkes, Julia L.

Titel:

Modern Bodies: Dance and American Modernism from Martha Graham to Alvin Ailey

ISBN-Nummer:

9780807853672

In 1930, dancer and choreographer Martha Graham proclaimed the arrival of "dance as an art of and from America." Dancers such as Doris Humphrey, Ted Shawn, Katherine Dunham, and Helen Tamiris joined Graham in creating a new form of dance, and, like other modernists, they experimented with and argued over their aesthetic innovations, to which they assigned great meaning. Their innovations, however, went beyond aesthetics. While modern dancers devised new ways of moving bodies in accordance with many modernist principles, their artistry was indelibly shaped by their place in society. Modern dance was distinct from other artistic genres in terms of the people it attracted: white women (many of whom were Jewish), gay men, and African American men and women. Women held leading roles in the development of modern dance on stage and off; gay men recast the effeminacy often associated with dance into a hardened, heroic, American athleticism; and African Americans contributed elements of social, African, and Caribbean dance, even as their undervalued role defined the limits of modern dancers' communal visions. Through their art, modern dancers challenged conventional roles and images of gender, sexuality, race, class, and regionalism with a view of American democracy that was confrontational and participatory, authorial and populist. "Modern Bodies exposes the social dynamics that shaped American modernism and moved modern dance to the edges of society, a place both provocative and perilous.

Detailangaben zum Buch - Modern Bodies: Dance and American Modernism from Martha Graham to Alvin Ailey


EAN (ISBN-13): 9780807853672
ISBN (ISBN-10): 0807853674
Taschenbuch
Erscheinungsjahr: 2002
Herausgeber: UNIV OF NORTH CAROLINA PR
272 Seiten
Gewicht: 0,445 kg
Sprache: eng/Englisch

Buch in der Datenbank seit 12.05.2007 07:35:33
Buch zuletzt gefunden am 08.11.2016 12:16:18
ISBN/EAN: 9780807853672

ISBN - alternative Schreibweisen:
0-8078-5367-4, 978-0-8078-5367-2

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