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Art, Power And Modernity
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ISBN: 9780718501112

ID: 13482956

Drawing on primary and secondary materials, this is a sociological interpretation of the rise of metropolitan art institutions and their role in modernism and the modernization of art in England. It explores the complex relationships between the artist as creator, notions of class and taste, and the power of institutions (academies, museums, workshops, exhibitions, art dealers and publishing. Drawing on primary and secondary materials, this is a sociological interpretation of the rise of metropolitan art institutions and their role in modernism and the modernization of art in England. It explores the complex relationships between the artist as creator, notions of class and taste, and the power of institutions (academies, museums, workshops, exhibitions, art dealers and publishing houses) to enable or constrain creativity, and to reflect and shape artistic expression. In particular, it looks at the experiences of submerged artists (for example, reproductive engravers and the Chantrey artists) and their interpretations of the changing art world. The radicalism of engravers and their claim to be artists is an important and neglected aspect of the 19th-century art world; and the aesthetic dispute over the Chantrey Bequest epitomized conflicts of taste, cultural dependence and interdependence between opposed art institutions and the Treasury. Books, Art, Architecture and Photography~~History of Art~~History of Art & Design Styles: C 1800 To C 1900, Art, Power And Modernity~~Book~~9780718501112~~Gordon Fyfe, , , , , , , , , ,, [PU: Leicester University Press]

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Art, Power and Modernity: English Art Institutions, 1750-1950 - Gordon Fyfe
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Hwo did the rise of metropolitan art institutions influence modernism and the modernisation of art in England? This volume explores the artist as creator, notions of class and taste, and the power of institutions to affect creativity and artistic expression. Topics discussed include the radicalism of engravers and how their claim to be artists is an important and negkected aspect of the nineteenth-century art world; and how the aesthetic dispute over the Chantrey Bequest epitomized conflicts of taste, cultural independence, and interdependence between opposed art institutions and the Treasury. Gordon Fyfe, Books, Art and Architecture, Art, Power and Modernity: English Art Institutions, 1750-1950 Books>Art and Architecture, Bloomsbury Academic

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Art, Power and Modernity: English Art Institutions, 1750-1950 Art-Power-and-Modernity~~Gordon-Fyfe History>Great Britain & Ireland Hist>Great Britain Hist Hardcover, Bloomsbury Academic

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Art Power and Modernity English Art Institutions 1750-1950 1st Edition Author :Gordon Fyfe 9780718501112 071850111X, [PU: Leicester University Press]

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Art, Power and Modernity: English Art Institutions, 1750-1951
Autor:

Fyfe, Gordon

Titel:

Art, Power and Modernity: English Art Institutions, 1750-1951

ISBN-Nummer:

9780718501112

Hwo did the rise of metropolitan art institutions influence modernism and the modernisation of art in England? This volume explores the artist as creator, notions of class and taste, and the power of institutions to affect creativity and artistic expression. Topics discussed include the radicalism of engravers and how their claim to be artists is an important and negkected aspect of the nineteenth-century art world; and how the aesthetic dispute over the Chantrey Bequest epitomized conflicts of taste, cultural independence, and interdependence between opposed art institutions and the Treasury.

Detailangaben zum Buch - Art, Power and Modernity: English Art Institutions, 1750-1951


EAN (ISBN-13): 9780718501112
ISBN (ISBN-10): 071850111X
Gebundene Ausgabe
Erscheinungsjahr: 2000
Herausgeber: CONTINUUM
224 Seiten
Gewicht: 0,485 kg
Sprache: eng/Englisch

Buch in der Datenbank seit 09.07.2007 16:06:31
Buch zuletzt gefunden am 16.09.2016 20:32:45
ISBN/EAN: 9780718501112

ISBN - alternative Schreibweisen:
0-7185-0111-X, 978-0-7185-0111-2

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