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Freedom Is, Freedom Ain't: Jazz and the Making of the Sixties - Scott Saul
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ISBN: 9780674018532

ID: 978067401853

In the long decade between the mid-fifties and the late sixties, jazz was changing more than its sound. The age of Max Roach''s Freedom Now Suite, John Coltrane''s A Love Supreme, and Charles Mingus''s The Black Saint and the Sinner Lady was a time when jazz became both newly militant and newly seductive, its example powerfully shaping the social dramas of the Civil Rights movement, the Black Power movement, and the counterculture. Freedom Is, Freedom Ain''t is the first book to tell the broader story of this period in jazz--and American--history.The story''s central figures are jazz musicians like Coltrane and Mingus, who rewrote the conventions governing improvisation and composition as they sought to infuse jazz with that gritty exuberance known as soul. Scott Saul describes how these and other jazz musicians of the period engaged in a complex cultural balancing act: utopian and skeptical, race-affirming and cosmopolitan, they tried to create an art that would make uplift into something forceful, undeniable in its conviction, and experimental in its search for new possibilities. Freedom Is, Freedom Ain''t considers these musicians and their allies as a cultural front of the Civil Rights movement, a constellation of artists and intellectuals whose ideas of freedom pushed against a cold-war consensus that stressed rational administration and collective security. Capturing the social resonance of the music''s marriage of discipline and play, the book conveys the artistic and historical significance of the jazz culture at the start, and the heart, of the sixties. Scott Saul, Books, Entertainment, Freedom Is, Freedom Ain't: Jazz and the Making of the Sixties Books>Entertainment, Harvard

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In the long decade between the mid-fifties and the late sixties, jazz was changing more than its sound. The age of Max Roach's "Freedom Now Suite," John Coltrane's "A Love Supreme," and Charles Mingus's "The Black Saint and the Sinner Lady" was a time when jazz became both newly militant and newly seductive, its example powerfully shaping the social dramas of the Civil Rights movement, the Black Power movement, and the counterculture. "Freedom Is, Freedom Ain't" is the first book to tell the broader story of this period in jazz--and American--history. The story's central figures are jazz musicians like Coltrane and Mingus, who rewrote the conventions governing improvisation and composition as they sought to infuse jazz with that gritty exuberance known as "soul." Scott Saul describes how these and other jazz musicians of the period engaged in a complex cultural balancing act: utopian and skeptical, race-affirming and cosmopolitan, they tried to create an art that would make uplift into something forceful, undeniable in its conviction, and experimental in its search for new possibilities. "Freedom Is, Freedom Ain't" considers these musicians and their allies as a cultural front of the Civil Rights movement, a constellation of artists and intellectuals whose ideas of freedom pushed against a cold-war consensus that stressed rational administration and collective security. Capturing the social resonance of the music's marriage of discipline and play, the book conveys the artistic and historical significance of the jazz culture at the start, and the heart, of the sixties. Freedom Is, Freedom Ain't: Jazz and the Making of the Sixties Saul, Scott, Harvard University Press

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Freedom Is, Freedom Ain't: Jazz and the Making of the Sixties - Scott Saul
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Scott Saul:
Freedom Is, Freedom Ain't: Jazz and the Making of the Sixties - gebrauchtes Buch

ISBN: 0674018532

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In the long decade between the mid-fifties and the late sixties, jazz was changing more than its sound. The age of Max Roach's Freedom Now Suite, John Coltrane's A Love Supreme, and Charles Mingus's The Black Saint and the Sinner Lady was a time when jazz became both newly militant and newly seductive, its example powerfully shaping the social dramas of the Civil Rights movement, the Black Power movement, and the counterculture. Freedom Is, Freedom Ain't is the first book to tell the broader story of this period in jazz--and American--history. The story's central figures are jazz musicians like Coltrane and Mingus, who rewrote the conventions governing improvisation and composition as they sought to infuse jazz with that gritty exuberance known as "soul." Scott Saul describes how these and other jazz musicians of the period engaged in a complex cultural balancing act: utopian and skeptical, race-affirming and cosmopolitan, they tried to create an art that would make uplift into something forceful, undeniable in its conviction, and experimental in its search for new possibilities. Freedom Is, Freedom Ain't considers these musicians and their allies as a cultural front of the Civil Rights movement, a constellation of artists and intellectuals whose ideas of freedom pushed against a cold-war consensus that stressed rational administration and collective security. Capturing the social resonance of the music's marriage of discipline and play, the 20th century,americas,arts and literature,arts music and photography,biographies,composers and musicians,home and garden,history,history and criticism,humanities Performing Arts, Harvard University Press

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2003, ISBN: 0674018532

Taschenbuch, ID: 4914789273

[EAN: 9780674018532], Neubuch, [PU: Harvard University Press, Cambridge], "Saul shows in very specific detail that the music that most accurately mirrors the Civil Rights movement of the 1960s is jazz--specifically hard bop, placing jazz in the larger cultural and political context of the late 1950s and early 1960s." [from publisher] Includes black and white photographs, bibliographical references, and index.

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ISBN: 9780674018532

ID: f3fdf945dab743758fc3976010096d30

Jazz and the Making of the Sixties Mining the rich history of jazz for source material, the author shows how the music transcended its own definitions in the 1960s by pushing the boundaries of improvisation and participating in the cultural and political foment of the era. (Performing Arts) Bücher / Fremdsprachige Bücher / Englische Bücher 978-0-674-01853-2, Harvard University Press

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Freedom Is, Freedom Ain't: Jazz and the Making of the Sixties
Autor:

Saul, Scott

Titel:

Freedom Is, Freedom Ain't: Jazz and the Making of the Sixties

ISBN-Nummer:

9780674018532

Capturing the social resonance of the music's marriage of discipline and play, the book conveys the artistic and historical significance of the jazz culture at the start, and the heart, of the sixties.

Detailangaben zum Buch - Freedom Is, Freedom Ain't: Jazz and the Making of the Sixties


EAN (ISBN-13): 9780674018532
ISBN (ISBN-10): 0674018532
Taschenbuch
Erscheinungsjahr: 2005
Herausgeber: HARVARD UNIV PR
394 Seiten
Gewicht: 0,599 kg
Sprache: eng/Englisch

Buch in der Datenbank seit 02.03.2007 23:21:35
Buch zuletzt gefunden am 06.11.2016 14:25:11
ISBN/EAN: 9780674018532

ISBN - alternative Schreibweisen:
0-674-01853-2, 978-0-674-01853-2

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