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Robert Rauschenberg (October Files) - Branden W. Joseph
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ISBN: 0262100967

[SR: 5057590], Hardcover, [EAN: 9780262100960], The MIT Press, The MIT Press, Book, [PU: The MIT Press], The MIT Press, From the moment art historian Leo Steinberg championed his work in opposition to Clement Greenberg's rigid formalism, Robert Rauschenberg has played a pivotal role in the development and understanding of postmodern art. Challenging nearly all the prevailing assumptions about the visual arts of his time, he pioneered the postwar revival of collage, photography, silkscreen, technology, and performance.This book focuses on Rauschenberg's work during the critical period of the 1950s and 1960s. It opens with a newly prefaced version of Leo Steinberg's "Reflections on the State of Criticism," the first published version of his famous 1972 essay, "Other Criteria," which remains the single most important text on Rauschenberg. Rosalind Krauss's "Rauschenberg and the Materialized Image" builds on Steinberg's essay, arguing that Rauschenberg's work represents a decisive shift in contemporary art. Douglas Crimp's "On the Museum's Ruins" examines Rauschenberg's silkscreens in the context of the modern museum. Helen Molesworth's "Before Bed" uses psychoanalytic and economic structures to examine the artist's Black Paintings of the early 1950s. A second essay by Krauss, "Perpetual Inventory," revisits both her and Steinberg's articles of nearly twenty-five years earlier. Finally, Branden Joseph's "A Duplication Containing Duplications" views Rauschenberg's silkscreens in relation to the artist's interests in technology, particularly television., 1104, Individual Artists, 8947733011, Artists' Books, 8947734011, Essays, 8947735011, Monographs, 1, Arts & Photography, 1000, Subjects, 283155, Books, 713036011, History, 1064, History & Criticism, 1, Arts & Photography, 1000, Subjects, 283155, Books, 2329, Artists, Architects & Photographers, 2327, Arts & Literature, 2, Biographies & Memoirs, 1000, Subjects, 283155, Books

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ISBN: 0262100967

[SR: 5057590], Hardcover, [EAN: 9780262100960], The MIT Press, The MIT Press, Book, [PU: The MIT Press], The MIT Press, From the moment art historian Leo Steinberg championed his work in opposition to Clement Greenberg's rigid formalism, Robert Rauschenberg has played a pivotal role in the development and understanding of postmodern art. Challenging nearly all the prevailing assumptions about the visual arts of his time, he pioneered the postwar revival of collage, photography, silkscreen, technology, and performance.This book focuses on Rauschenberg's work during the critical period of the 1950s and 1960s. It opens with a newly prefaced version of Leo Steinberg's "Reflections on the State of Criticism," the first published version of his famous 1972 essay, "Other Criteria," which remains the single most important text on Rauschenberg. Rosalind Krauss's "Rauschenberg and the Materialized Image" builds on Steinberg's essay, arguing that Rauschenberg's work represents a decisive shift in contemporary art. Douglas Crimp's "On the Museum's Ruins" examines Rauschenberg's silkscreens in the context of the modern museum. Helen Molesworth's "Before Bed" uses psychoanalytic and economic structures to examine the artist's Black Paintings of the early 1950s. A second essay by Krauss, "Perpetual Inventory," revisits both her and Steinberg's articles of nearly twenty-five years earlier. Finally, Branden Joseph's "A Duplication Containing Duplications" views Rauschenberg's silkscreens in relation to the artist's interests in technology, particularly television., 1104, Individual Artists, 8947733011, Artists' Books, 8947734011, Essays, 8947735011, Monographs, 1, Arts & Photography, 1000, Subjects, 283155, Books, 713036011, History, 1064, History & Criticism, 1, Arts & Photography, 1000, Subjects, 283155, Books, 2329, Artists, Architects & Photographers, 2327, Arts & Literature, 2, Biographies & Memoirs, 1000, Subjects, 283155, Books

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Robert Rauschenberg (October Files) - Branden W. Joseph
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Branden W. Joseph:
Robert Rauschenberg (October Files) - gebunden oder broschiert

ISBN: 0262100967

[SR: 2049318], Hardcover, [EAN: 9780262100960], The MIT Press, The MIT Press, Book, [PU: The MIT Press], The MIT Press, From the moment art historian Leo Steinberg championed his work in opposition to Clement Greenberg's rigid formalism, Robert Rauschenberg has played a pivotal role in the development and understanding of postmodern art. Challenging nearly all the prevailing assumptions about the visual arts of his time, he pioneered the postwar revival of collage, photography, silkscreen, technology, and performance.This book focuses on Rauschenberg's work during the critical period of the 1950s and 1960s. It opens with a newly prefaced version of Leo Steinberg's "Reflections on the State of Criticism," the first published version of his famous 1972 essay, "Other Criteria," which remains the single most important text on Rauschenberg. Rosalind Krauss's "Rauschenberg and the Materialized Image" builds on Steinberg's essay, arguing that Rauschenberg's work represents a decisive shift in contemporary art. Douglas Crimp's "On the Museum's Ruins" examines Rauschenberg's silkscreens in the context of the modern museum. Helen Molesworth's "Before Bed" uses psychoanalytic and economic structures to examine the artist's Black Paintings of the early 1950s. A second essay by Krauss, "Perpetual Inventory," revisits both her and Steinberg's articles of nearly twenty-five years earlier. Finally, Branden Joseph's "A Duplication Containing Duplications" views Rauschenberg's silkscreens in relation to the artist's interests in technology, particularly television., 1104, Individual Artists, 8947733011, Artists' Books, 8947734011, Essays, 8947735011, Monographs, 1, Arts & Photography, 1000, Subjects, 283155, Books, 713036011, History, 1064, History & Criticism, 1, Arts & Photography, 1000, Subjects, 283155, Books, 2329, Artists, Architects & Photographers, 2327, Arts & Literature, 2, Biographies & Memoirs, 1000, Subjects, 283155, Books

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[EAN: 9780262100960], Neubuch, [PU: MIT Press Ltd, United States], Art|Individual Artist, Art|History|General, Biography & Autobiography|Artists, Architects, Photographers, Biography & Autobiography|General, Biography & Autobiography|Reference, Language: English . Brand New Book. From the moment art historian Leo Steinberg championed his work in opposition to Clement Greenberg s rigid formalism, Robert Rauschenberg has played a pivotal role in the development and understanding of postmodern art. Challenging nearly all the prevailing assumptions about the visual arts of his time, he pioneered the postwar revival of collage, photography, silkscreen, technology, and performance.This book focuses on Rauschenberg s work during the critical period of the 1950s and 1960s. It opens with a newly prefaced version of Leo Steinberg s Reflections on the State of Criticism, the first published version of his famous 1972 essay, Other Criteria, which remains the single most important text on Rauschenberg. Rosalind Krauss s Rauschenberg and the Materialized Image builds on Steinberg s essay, arguing that Rauschenberg s work represents a decisive shift in contemporary art. Douglas Crimp s On the Museum s Ruins examines Rauschenberg s silkscreens in the context of the modern museum. Helen Molesworth s Before Bed uses psychoanalytic and economic structures to examine the artist s Black Paintings of the early 1950s. A second essay by Krauss, Perpetual Inventory, revisits both her and Steinberg s articles of nearly twenty-five years earlier. Finally, Branden Joseph s A Duplication Containing Duplications views Rauschenberg s silkscreens in relation to the artist s interests in technology, particularly television.

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ID: 9289728

From the moment art historian Leo Steinberg championed his work in opposition to Clement Greenberg's rigid formalism, Robert Rauschenberg has played a pivotal role in the development and understanding of postmodern art. Challenging nearly all the prevailing assumptions about the visual arts of his time, he pioneered the postwar revival of collage, photography, silkscreen, technology, and performance. This book focuses on Rauschenberg's work during the critical period of the 1950s and 1960s. It opens with a newly prefaced version of Leo Steinberg's "Reflections on the State of Criticism," the first published version of his famous 1972 essay, "Other Criteria," which remains the single most important text on Rauschenberg. Rosalind Krauss's "Rauschenberg and the Materialized Image" builds on Steinberg's essay, arguing that Rauschenberg's work represents a decisive shift in contemporary art. Douglas Crimp's "On the Museum's Ruins" examines Rauschenberg's silkscreens in the context of the modern museum. Helen Molesworth's "Before Bed" uses psychoanalytic and economic structures to examine the artist's Black Paintings of the early 1950s. A second essay by Krauss, "Perpetual Inventory," revisits both her and Steinberg's articles of nearly twenty-five years earlier. Finally, Branden Joseph's "A Duplication Containing Duplications" views Rauschenberg's silkscreens in relation to the artist's interests in technology, particularly television. arts music and photography,biographies,education and reference,history,history and criticism,individual artists,reference and collections Individual Artists, The MIT Press

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Robert Rauschenberg
Autor:

Joseph, Branden W. (ed.)

Titel:

Robert Rauschenberg

ISBN-Nummer:

9780262100960

Detailangaben zum Buch - Robert Rauschenberg


EAN (ISBN-13): 9780262100960
ISBN (ISBN-10): 0262100967
Gebundene Ausgabe
Erscheinungsjahr: 2002
Herausgeber: MIT PR
175 Seiten
Gewicht: 0,408 kg
Sprache: eng/Englisch

Buch in der Datenbank seit 26.05.2007 22:53:05
Buch zuletzt gefunden am 10.11.2016 11:16:23
ISBN/EAN: 9780262100960

ISBN - alternative Schreibweisen:
0-262-10096-7, 978-0-262-10096-0

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