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Tennyson´s Poetry as Inspiration for Pre-Raphaelite Art - Natalie Lewis
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Natalie Lewis:

Tennyson´s Poetry as Inspiration for Pre-Raphaelite Art - neues Buch

2003, ISBN: 9783638643863

ID: 81499959

Seminar paper from the year 2003 in the subject English Language and Literature Studies - Literature, grade: 1,0 (A), Free University of Berlin (Institute for English Philology), course: The Pre-Raphaelites in Art and Literature, 19 entries in the bibliography, language: English, comment: Analysis of the Poems ´´Mariana´´ and ´´Lady of Shalott´´ from A. Lord Tennyson. Juxtaposition of poems and picture interpretations: Comparision between the poem ´´Mariana´´ (1830) and J. E. Millais´ paintings(1851), Comparison between Tennysons ´´Lady of Shalott´´ and the paintings of W. Hunt (1889-92) and J. W. Waterhouse (1888) With bibliography and appendix (3 paintings) , abstract: In 1848, at the peak of British industrialism and urbanization, a group of artists founded the Pre-Raphaelite Brotherhood, a movement which revolted against contemporary academic art. Searching for new themes of a higher truth and purity, the group did not only turn to artistic and literary sources of the Medieval Ages, the Renaissance and Romanticism but also to the poetic work of the contemporary Victorian Alfred Lord Tennyson. The Pre-Raphaelite Brotherhood and the poet laureate shared a poetic affinity with medieval literature and culture. The Middle Ages provided an ideal counter world of romance, chivalry, simple order, and religious faith. In an era of modern science, Darwinism, and religious scepticism, Tennyson found his sources of inspiration in Arthurian legends and Shakespearian drama. Between the mid 19th century and the end of World War I, Pre-Raphaelite artists produced a great number of paintings and illustrations, ie. the illustrated Moxon Edition of Poems (1857), based on the work of Alfred Tennyson. Significant thematic fascination was directed towards early romantic maiden poems, i.e. ´´Mariana´´ and ´´The Lady of Shalott´´, both published in 1832 and revised in 1842. This research paper will examine the structure, atmosphere, and symbolism of these Tennysonian ballads and analyze the corresponding paintings of John Everett Millais, William Holman Hunt, and John William Waterhouse. Tennyson´s Poetry as Inspiration for Pre-Raphaelite Art Buch (fremdspr.) Bücher>Fremdsprachige Bücher>Englische Bücher, GRIN

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Tennyson's Poetry as Inspiration for Pre-Raphaelite Art - Natalie Lewis
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Natalie Lewis:

Tennyson's Poetry as Inspiration for Pre-Raphaelite Art - neues Buch

2003, ISBN: 9783638643863

ID: e2bcca84cddc36d6e271f228b16204ef

Tennyson's Poetry as Inspiration for Pre-Raphaelite Art Seminar paper from the year 2003 in the subject English Language and Literature Studies - Literature, grade: 1,0 (A), Free University of Berlin (Institute for English Philology), course: The Pre-Raphaelites in Art and Literature, 19 entries in the bibliography, language: English, comment: Analysis of the Poems "Mariana" and "Lady of Shalott" from A. Lord Tennyson. Juxtaposition of poems and picture interpretations: Comparision between the poem "Mariana" (1830) and J. E. Millais' paintings(1851), Comparison between Tennysons "Lady of Shalott" and the paintings of W. Hunt (1889-92) and J. W. Waterhouse (1888) With bibliography and appendix (3 paintings) , abstract: In 1848, at the peak of British industrialism and urbanization, a group of artists founded the Pre-Raphaelite Brotherhood, a movement which revolted against contemporary academic art. Searching for new themes of a higher truth and purity, the group did not only turn to artistic and literary sources of the Medieval Ages, the Renaissance and Romanticism but also to the poetic work of the contemporary Victorian Alfred Lord Tennyson. The Pre-Raphaelite Brotherhood and the poet laureate shared a poetic affinity with medieval literature and culture. The Middle Ages provided an ideal counter world of romance, chivalry, simple order, and religious faith. In an era of modern science, Darwinism, and religious scepticism, Tennyson found his sources of inspiration in Arthurian legends and Shakespearian drama. Between the mid 19th century and the end of World War I, Pre-Raphaelite artists produced a great number of paintings and illustrations, ie. the illustrated Moxon Edition of Poems (1857), based on the work of Alfred Tennyson. Significant thematic fascination was directed towards early romantic maiden poems, i.e. "Mariana" and "The Lady of Shalott", both published in 1832 and revised in 1842. This research paper will examine the structure, atmosphere, and symbolism of these Tennysonian ballads and analyze the corresponding paintings of John Everett Millais, William Holman Hunt, and John William Waterhouse. Bücher / Fremdsprachige Bücher / Englische Bücher 978-3-638-64386-3, GRIN

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Tennysons Poetry as Inspiration for Pre-Raphaelite Art - Natalie Lewis
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Natalie Lewis:
Tennysons Poetry as Inspiration for Pre-Raphaelite Art - Taschenbuch

2003

ISBN: 3638643867

ID: 10518564299

[EAN: 9783638643863], Neubuch, [PU: GRIN Verlag], NATALIE LEWIS,WORDS AND LANGUAGE, Paperback. 56 pages. Dimensions: 8.0in. x 5.8in. x 0.2in.Seminar paper from the year 2003 in the subject English Language and Literature Studies - Literature, grade: 1, 0 (A), Free University of Berlin (Institute for English Philology), course: The Pre-Raphaelites in Art and Literature, 19 entries in the bibliography, language: English, comment: Analysis of the Poems Mariana and Lady of Shalott from A. Lord Tennyson. Juxtaposition of poems and picture interpretations: Comparision between the poem Mariana (1830) and J. E. Millais paintings(1851), Comparison between Tennysons Lady of Shalott and the paintings of W. Hunt (1889-92) and J. W. Waterhouse (1888) With bibliography and appendix (3 paintings) , abstract: In 1848, at the peak of British industrialism and urbanization, a group of artists founded the Pre-Raphaelite Brotherhood, a movement which revolted against contemporary academic art. Searching for new themes of a higher truth and purity, the group did not only turn to artistic and literary sources of the Medieval Ages, the Renaissance and Romanticism but also to the poetic work of the contemporary Victorian Alfred Lord Tennyson. The Pre-Raphaelite Brotherhood and the poet laureate shared a poetic affinity with medieval literature and culture. The Middle Ages provided an ideal counter world of romance, chivalry, simple order, and religious faith. In an era of modern science, Darwinism, and religious scepticism, Tennyson found his sources of inspiration in Arthurian legends and Shakespearian drama. Between the mid 19th century and the end of World War I, Pre-Raphaelite artists produced a great number of paintings and illustrations, ie. the illustrated Moxon Edition of Poems (1857), based on the work of Alfred Tennyson. Significant thematic fascination was directed towards early romantic maiden poems, i. e. Mariana and The Lady of Shalott, both published in 1832 and revised in 1842. This research paper will examine the structure, atmosphere, and symbolism of these Tennysonian ballads and analyze the This item ships from multiple locations. Your book may arrive from Roseburg,OR, La Vergne,TN.

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Tennyson s Poetry as Inspiration for Pre-Raphaelite Art (Paperback) - Natalie Lewis
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Natalie Lewis:
Tennyson s Poetry as Inspiration for Pre-Raphaelite Art (Paperback) - Taschenbuch

2013, ISBN: 3638643867

ID: 18482474380

[EAN: 9783638643863], Neubuch, [PU: GRIN Verlag, Germany], Language: English Brand New Book ***** Print on Demand *****.Seminar paper from the year 2003 in the subject English Language and Literature Studies - Literature, grade: 1,0 (A), Free University of Berlin (Institute for English Philology), course: The Pre-Raphaelites in Art and Literature, 19 entries in the bibliography, language: English, comment: Analysis of the Poems Mariana and Lady of Shalott from A. Lord Tennyson. Juxtaposition of poems and picture interpretations: Comparision between the poem Mariana (1830) and J. E. Millais paintings(1851), Comparison between Tennysons Lady of Shalott and the paintings of W. Hunt (1889-92) and J. W. Waterhouse (1888) With bibliography and appendix (3 paintings), abstract: In 1848, at the peak of British industrialism and urbanization, a group of artists founded the Pre-Raphaelite Brotherhood, a movement which revolted against contemporary academic art. Searching for new themes of a higher truth and purity, the group did not only turn to artistic and literary sources of the Medieval Ages, the Renaissance and Romanticism but also to the poetic work of the contemporary Victorian Alfred Lord Tennyson. The Pre-Raphaelite Brotherhood and the poet laureate shared a poetic affinity with medieval literature and culture. The Middle Ages provided an ideal counter world of romance, chivalry, simple order, and religious faith. In an era of modern science, Darwinism, and religious scepticism, Tennyson found his sources of inspiration in Arthurian legends and Shakespearian drama. Between the mid 19th century and the end of World War I, Pre-Raphaelite artists produced a great number of paintings and illustrations, ie. the illustrated Moxon Edition of Poems (1857), based on the work of Alfred Tennyson. Significant thematic fascination was directed towards early romantic maiden poems, i.e. Mariana and The Lady of Shalott, both published in 1832 and revised in 1842. This research paper will examine the structure, atmosphere, and symbolism of these Tennysonian ballads and analyze the

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Tennyson's Poetry as Inspiration for Pre-Raphaelite Art - Natalie Lewis
Vergriffenes Buch, derzeit bei uns nicht verfügbar.
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Natalie Lewis:
Tennyson's Poetry as Inspiration for Pre-Raphaelite Art - neues Buch

2003, ISBN: 9783638643863

ID: 542ff405f8598f72b24a5a7c2afd0720

Tennyson's Poetry as Inspiration for Pre-Raphaelite Art Seminar paper from the year 2003 in the subject English Language and Literature Studies - Literature, grade: 1,0 (A), Free University of Berlin (Institute for English Philology), course: The Pre-Raphaelites in Art and Literature, 19 entries in the bibliography, language: English, abstract: In 1848, at the peak of British industrialism and urbanization, a group of artists founded the Pre-Raphaelite Brotherhood, a movement which revolted against contemporary academic art. Searching for new themes of a higher truth and purity, the group did not only turn to artistic and literary sources of the Medieval Ages, the Renaissance and Romanticism but also to the poetic work of the contemporary Victorian Alfred Lord Tennyson. The Pre-Raphaelite Brotherhood and the poet laureate shared a poetic affinity with medieval literature and culture. The Middle Ages provided an ideal counter world of romance, chivalry, simple order, and religious faith. In an era of modern science, Darwinism, and religious scepticism, Tennyson found his sources of inspiration in Arthurian legends and Shakespearian drama. Between the mid 19th century and the end of World War I, Pre-Raphaelite artists produced a great number of paintings and illustrations, ie. the illustrated Moxon Edition of Poems (1857), based on the work of Alfred Tennyson. Significant thematic fascination was directed towards early romantic maiden poems, i.e. "Mariana" and "The Lady of Shalott", both published in 1832 and revised in 1842. This research paper will examine the structure, atmosphere, and symbolism of these Tennysonian ballads and analyze the corresponding paintings of John Everett Millais, William Holman Hunt, and John William Waterhouse. Bücher / Fremdsprachige Bücher / Englische Bücher 978-3-638-64386-3, GRIN

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Tennyson's Poetry as Inspiration for Pre-Raphaelite Art
Autor:

Lewis, Natalie

Titel:

Tennyson's Poetry as Inspiration for Pre-Raphaelite Art

ISBN-Nummer:

3638643867

Scholarly Paper (Advanced Seminar) aus dem Jahr 2003 im Fachbereich Anglistik - Literatur, einseitig bedruckt, Note: 1,0 (A), Freie Universität Berlin (Institute for English Philology), Veranstaltung: The Pre-Raphaelites in Art and Literature, 19 Eintragungen im Literaturverzeichnis, Sprache: Englisch, Anmerkungen: Analysis of the Poems "Mariana" and "Lady of Shalott" from A. Lord Tennyson. Juxtaposition of poems and picture interpretations: Comparision between the poem "Mariana" (1830) and J. E. Millais' paintings(1851), Comparison between Tennysons "Lady of Shalott" and the paintings of W. Hunt (1889-92) and J. W. Waterhouse (1888) With bibliography and appendix (3 paintings) , Abstract: In 1848, at the peak of British industrialism and urbanization, a group of artists founded the Pre-Raphaelite Brotherhood, a movement which revolted against contemporary academic art. Searching for new themes of a higher truth and purity, the group did not only turn to artistic and literary sources of the Medieval Ages, the Renaissance and Romanticism but also to the poetic work of the contemporary Victorian Alfred Lord Tennyson. The Pre-Raphaelite Brotherhood and the poet laureate shared a poetic affinity with medieval literature and culture. The Middle Ages provided an ideal counter world of romance, chivalry, simple order, and religious faith. In an era of modern science, Darwinism, and religious scepticism, Tennyson found his sources of inspiration in Arthurian legends and Shakespearian drama. Between the mid 19th century and the end of World War I, Pre-Raphaelite artists produced a great number of paintings and illustrations, ie. the illustrated Moxon Edition of Poems (1857), based on the work of Alfred Tennyson. Significant thematic fascination was directed towards early romantic maiden poems, i.e. "Mariana" and "The Lady of Shalott", both published in 1832 and revised in 1842. This research paper will examine the structure, atmosphere, and symbolism of these Tennysonian ballads and analyze the corresponding paintings of John Everett Millais, William Holman Hunt, and John William Waterhouse.

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EAN (ISBN-13): 9783638643863
ISBN (ISBN-10): 3638643867
Gebundene Ausgabe
Taschenbuch
Erscheinungsjahr: 2007
Herausgeber: GRIN Verlag
56 Seiten
Gewicht: 0,095 kg
Sprache: eng/Englisch

Buch in der Datenbank seit 01.01.2008 13:03:40
Buch zuletzt gefunden am 04.10.2016 01:16:51
ISBN/EAN: 3638643867

ISBN - alternative Schreibweisen:
3-638-64386-7, 978-3-638-64386-3

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