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SLIA R 0018 Harvey Miller Studies in Medieval and Early Renaissance Art History HMSAH 54 Grace and Grandeur: The Portraiture of Paolo Veronese - J. Garton
Vergriffenes Buch, derzeit bei uns nicht verfügbar.
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J. Garton:

SLIA R 0018 Harvey Miller Studies in Medieval and Early Renaissance Art History HMSAH 54 Grace and Grandeur: The Portraiture of Paolo Veronese - gebunden oder broschiert

2008, ISBN: 1905375239

ID: 18184165910

[EAN: 9781905375233], [PU: Brepols Verlag 0], SLIA, Architecture|Religious Buildings, Art|History, Art|Individual Artist, SOFORT LIEFERBAR - IMMEDIATELY AVAILABLE !!! Harvey Miller Studies in Medieval and Early Renaissance Art History HMSAH 54 Grace and Grandeur: The Portraiture of Paolo Veronese J. Garton 268 p., 135 b/w ill. + 52 colour ill., 220 x 280 mm, 2008 ISBN: 978-1-905375-23-3 Languages: English Hardback The publication is available. Retail price: EUR 110,00 Of the triumvirate of sixteenth-century Venetian painters, Titian, Veronese, and Tintoretto, Paolo [Caliari] Veronese (1528-1588) best conveyed Venice's civic splendor. His masterpieces in the Doge's Palace conferred on the Republic a magnificence and authority that was rapidly dwindling by the end of the Renaissance. But on a private level, he also reshaped the fashions of the Serenissima through a steady stream of portrait commissions. Many members of Venice's most elite families sat for Veronese, as did notable artists and authors, including Titian and Sir Phillip Sidney. Once regarded as Venice's best portraitist, his talents in this genre unfortunately remain largely unknown to modern audiences. This book offers the first comprehensive study of the approximately forty portraits that survive. Shedding new light on early works, such as the pendants of the Da Porto and the frescos of the Barbaro in the Palladian villa at Maser, Professor Garton also examines Paolo's images of women within the larger polemics surrounding the anonymous beauties of Giorgione, Palma il Vecchio, and Titian. The author analyzes Veronese's innovations in martial portraiture, melancholic portrayals of artists and nobility, and evocations of the antique. Relevant issues of social history, class insecurity, and poetic convention are all brought to bear in deciphering the meanings of these images and what they reveal about the painter and his clientele. This layered study of Venice's golden age of painting ends appropriately with a glance at the "moderns" who profited most from the study of Veronese's portraits: Jean-Baptiste Carpeaux, Henri Fantin-Latour, Mary Cassatt, and Henri Matisse. A complete catalogue of Veronese's portraits follows the chapters. John Garton, Ph.D., is assistant professor of liberal arts at the Cleveland Institute of Art.

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Grace and Grandeur: The Portraiture of Paolo Veronese Of the triumvirate of sixteenth-century Venetian painters, Titian, Veronese, and Tintoretto, Paolo [Caliari] Veronese (1528-1588) best conveyed Venice's civic splendor. His masterpieces in the Doge's Palace conferred on the Republic a magnificence and authority that was rapidly dwindling by the end of the Renaissance. But on a private level, he also reshaped the fashions of the Serenissima through a steady stream of portrait commissions. Many members of Venice's most elite families sat for Veronese, as did notable artists and authors, including Titian and Sir Phillip Sidney. Once regarded as Venice's best portraitist, his talents in this genre unfortunately remain largely unknown to modern audiences. This book offers the first comprehensive study of the approximately forty portraits that survive. Shedding new light on early works, such as the pendants of the Da Porto and the frescos of the Barbaro in the Palladian villa at Maser, Professor Garton also examines Paolo's images of women within the larger polemics surrounding the anonymous beauties of Giorgione, Palma il Vecchio, and Titian. The author analyzes Veronese's innovations in martial portraiture, melancholic portrayals of artists and nobility, and evocations of the antique. Relevant issues of social history, class insecurity, and poetic convention are all brought to bear in deciphering the meanings of these images and what they reveal about the painter and his clientele. This layered study of Venice's golden age of painting ends appropriately with a glance at the "moderns" who profited most from the study of Veronese's portraits: Jean-Baptiste Carpeaux, Henri Fantin-Latour, Mary Cassatt, and Henri Matisse. A complete catalogue of Veronese's portraits follows the chapters. Bücher / Fremdsprachige Bücher / Englische Bücher 978-1-905375-23-3, Harvey Miller Publ

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2008

ISBN: 1905375239

ID: 17528477789

[EAN: 9781905375233], Architecture|Religious Buildings, Art|History, Art|Individual Artist, 268 Seiten mit zahlreichen Textabb. und 48 Farbtafeln, Großformat, gebunden (Harvey Miller Publishers 2008). Statt EUR 99,50 1560 g. Sprache: en

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Grace and Grandeur: The Portraiture of Paolo Veronese (Studies in Medieval and Early Renaissance Art History) - Garton, J.
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Garton, J.:
Grace and Grandeur: The Portraiture of Paolo Veronese (Studies in Medieval and Early Renaissance Art History) - gebunden oder broschiert

2008, ISBN: 1905375239

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[EAN: 9781905375233], Neubuch, [PU: Brepols Publishers], Architecture|Religious Buildings, Art|History, Art|Individual Artist, 1905375239

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2008, ISBN: 9781905375233

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Grace and Grandeur: The Portraiture of Paolo Veronese
Autor:

Garton, John

Titel:

Grace and Grandeur: The Portraiture of Paolo Veronese

ISBN-Nummer:

1905375239

Op the triumvirate of 16th-century Venetian painters, Titian, Veronese, and Tintoretto, Paolo Veronese best conveyed Venice's civic splendor. His masterpieces in the Doge's Palace conferred on the Republic a magnificence and authority that was rapidly dwindling by the end of the Renaissance. But on a private level, he also reshaped the fashions of the Serenissima through a steady stream of portrait commissions. Many members of Venice's most elite families sat for Veronese, as did notable artists and authors, including Titian and Sir Phillip Sidney. This book offers the first comprehensive study of the approximately forty portraits that survive. Relevant issues of social history, class insecurity, and poetic convention are all brought to bear in deciphering the meanings of these images and what they reveal about the painter and his clientele.

Detailangaben zum Buch - Grace and Grandeur: The Portraiture of Paolo Veronese


EAN (ISBN-13): 9781905375233
ISBN (ISBN-10): 1905375239
Gebundene Ausgabe
Erscheinungsjahr: 2008
Herausgeber: HARVEY MILLER PUBL
268 Seiten
Gewicht: 1,547 kg
Sprache: eng/Englisch

Buch in der Datenbank seit 16.10.2007 16:38:15
Buch zuletzt gefunden am 02.12.2016 00:38:34
ISBN/EAN: 1905375239

ISBN - alternative Schreibweisen:
1-905375-23-9, 978-1-905375-23-3

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