Benjamin Britten's works for the stage developed from the traditional late nineteenth-century romantic opera structure of Peter Grimes to the experimental format of the church parables an… Mehr…
Benjamin Britten's works for the stage developed from the traditional late nineteenth-century romantic opera structure of Peter Grimes to the experimental format of the church parables and of Death in Venice, his last opera. At the core of this development seems to have been Britten's intention to use the stage as a pulpit to express his philosophical views. This book explores an assessment of how these influenced his creative choices, mainly examining the composer's own writings, from his early involvement with left wing activism during the Thirties through to his more spiritually oriented objectives after the war, and offers alternative readings of two of Britten's most controversial works for the stage, The Rape of Lucretia and Death in Venice. | Benjamin Britten's 'Holy Theatre' from Opera-Oratorio to Theatre-Parable by Barbara A. Diana Hardcover | Indigo Chapters Books > Music & Movies & Performing Arts > Music > Opera P10122, Barbara A. Diana<
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[EAN: 9781849551182], Neubuch, [PU: Travis And Emery Music Bookshop], MUSIC / GENRES & STYLES OPERA, nach der Bestellung gedruckt Neuware -Benjamin Britten's works for the stage developed… Mehr…
[EAN: 9781849551182], Neubuch, [PU: Travis And Emery Music Bookshop], MUSIC / GENRES & STYLES OPERA, nach der Bestellung gedruckt Neuware -Benjamin Britten's works for the stage developed from the traditional late nineteenth-century romantic opera structure of Peter Grimes to the experimental format of the church parables and of Death in Venice, his last opera. At the core of this development seems to have been Britten's intention to use the stage as a pulpit to express his philosophical views. This book explores an assessment of how these influenced his creative choices, mainly examining the composer's own writings, from his early involvement with left wing activism during the Thirties through to his more spiritually oriented objectives after the war, and offers alternative readings of two of Britten's most controversial works for the stage, The Rape of Lucretia and Death in Venice. 270 pp. Englisch, Books<
[EAN: 9781849551182], Neubuch, [PU: Travis and Emery Music Bookshop, United Kingdom], Language: English. Brand new Book. Benjamin Britten's works for the stage developed from the traditio… Mehr…
[EAN: 9781849551182], Neubuch, [PU: Travis and Emery Music Bookshop, United Kingdom], Language: English. Brand new Book. Benjamin Britten's works for the stage developed from the traditional late nineteenth-century romantic opera structure of Peter Grimes to the experimental format of the church parables and of Death in Venice, his last opera. At the core of this development seems to have been Britten's intention to use the stage as a pulpit to express his philosophical views. This book explores an assessment of how these influenced his creative choices, mainly examining the composer's own writings, from his early involvement with left wing activism during the Thirties through to his more spiritually oriented objectives after the war, and offers alternative readings of two of Britten's most controversial works for the stage, The Rape of Lucretia and Death in Venice.<
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Book Depository hard to find, London, United Kingdom [63688905] [Rating: 2 (von 5)] NEW BOOK. Versandkosten:Versandkostenfrei. (EUR 0.00) Details...
(*) Derzeit vergriffen bedeutet, dass dieser Titel momentan auf keiner der angeschlossenen Plattform verfügbar ist.
Benjamin Britten's works for the stage developed from the traditional late nineteenth-century romantic opera structure of Peter Grimes to the experimental format of the church parables an… Mehr…
Benjamin Britten's works for the stage developed from the traditional late nineteenth-century romantic opera structure of Peter Grimes to the experimental format of the church parables and of Death in Venice, his last opera. At the core of this development seems to have been Britten's intention to use the stage as a pulpit to express his philosophical views. This book explores an assessment of how these influenced his creative choices, mainly examining the composer's own writings, from his early involvement with left wing activism during the Thirties through to his more spiritually oriented objectives after the war, and offers alternative readings of two of Britten's most controversial works for the stage, The Rape of Lucretia and Death in Venice. Books > Music,Movies & Performing Arts > Music > Opera List_Books<
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(*) Derzeit vergriffen bedeutet, dass dieser Titel momentan auf keiner der angeschlossenen Plattform verfügbar ist.
Hardback, [PU: Travis and Emery Music Bookshop], Diana explores those who influenced Britten's creative choices, mainly examining the composer's own writings, from his early involvement w… Mehr…
Hardback, [PU: Travis and Emery Music Bookshop], Diana explores those who influenced Britten's creative choices, mainly examining the composer's own writings, from his early involvement with left-wing activism during the 1930s through to his more spiritually oriented objectives after the war. Additionally, she offers alternative readings of two of Britten's most controversial works for the stage, "The Rape of Lucretia" and "Death in Venice.", Opera, Opera<
Benjamin Britten's works for the stage developed from the traditional late nineteenth-century romantic opera structure of Peter Grimes to the experimental format of the church parables an… Mehr…
Benjamin Britten's works for the stage developed from the traditional late nineteenth-century romantic opera structure of Peter Grimes to the experimental format of the church parables and of Death in Venice, his last opera. At the core of this development seems to have been Britten's intention to use the stage as a pulpit to express his philosophical views. This book explores an assessment of how these influenced his creative choices, mainly examining the composer's own writings, from his early involvement with left wing activism during the Thirties through to his more spiritually oriented objectives after the war, and offers alternative readings of two of Britten's most controversial works for the stage, The Rape of Lucretia and Death in Venice. | Benjamin Britten's 'Holy Theatre' from Opera-Oratorio to Theatre-Parable by Barbara A. Diana Hardcover | Indigo Chapters Books > Music & Movies & Performing Arts > Music > Opera P10122, Barbara A. Diana<
[EAN: 9781849551182], Neubuch, [PU: Travis And Emery Music Bookshop], MUSIC / GENRES & STYLES OPERA, nach der Bestellung gedruckt Neuware -Benjamin Britten's works for the stage developed… Mehr…
[EAN: 9781849551182], Neubuch, [PU: Travis And Emery Music Bookshop], MUSIC / GENRES & STYLES OPERA, nach der Bestellung gedruckt Neuware -Benjamin Britten's works for the stage developed from the traditional late nineteenth-century romantic opera structure of Peter Grimes to the experimental format of the church parables and of Death in Venice, his last opera. At the core of this development seems to have been Britten's intention to use the stage as a pulpit to express his philosophical views. This book explores an assessment of how these influenced his creative choices, mainly examining the composer's own writings, from his early involvement with left wing activism during the Thirties through to his more spiritually oriented objectives after the war, and offers alternative readings of two of Britten's most controversial works for the stage, The Rape of Lucretia and Death in Venice. 270 pp. Englisch, Books<
[EAN: 9781849551182], Neubuch, [PU: Travis and Emery Music Bookshop, United Kingdom], Language: English. Brand new Book. Benjamin Britten's works for the stage developed from the traditio… Mehr…
[EAN: 9781849551182], Neubuch, [PU: Travis and Emery Music Bookshop, United Kingdom], Language: English. Brand new Book. Benjamin Britten's works for the stage developed from the traditional late nineteenth-century romantic opera structure of Peter Grimes to the experimental format of the church parables and of Death in Venice, his last opera. At the core of this development seems to have been Britten's intention to use the stage as a pulpit to express his philosophical views. This book explores an assessment of how these influenced his creative choices, mainly examining the composer's own writings, from his early involvement with left wing activism during the Thirties through to his more spiritually oriented objectives after the war, and offers alternative readings of two of Britten's most controversial works for the stage, The Rape of Lucretia and Death in Venice.<
NEW BOOK. Versandkosten:Versandkostenfrei. (EUR 0.00) Book Depository hard to find, London, United Kingdom [63688905] [Rating: 2 (von 5)]
Benjamin Britten's works for the stage developed from the traditional late nineteenth-century romantic opera structure of Peter Grimes to the experimental format of the church parables an… Mehr…
Benjamin Britten's works for the stage developed from the traditional late nineteenth-century romantic opera structure of Peter Grimes to the experimental format of the church parables and of Death in Venice, his last opera. At the core of this development seems to have been Britten's intention to use the stage as a pulpit to express his philosophical views. This book explores an assessment of how these influenced his creative choices, mainly examining the composer's own writings, from his early involvement with left wing activism during the Thirties through to his more spiritually oriented objectives after the war, and offers alternative readings of two of Britten's most controversial works for the stage, The Rape of Lucretia and Death in Venice. Books > Music,Movies & Performing Arts > Music > Opera List_Books<
Hardback, [PU: Travis and Emery Music Bookshop], Diana explores those who influenced Britten's creative choices, mainly examining the composer's own writings, from his early involvement w… Mehr…
Hardback, [PU: Travis and Emery Music Bookshop], Diana explores those who influenced Britten's creative choices, mainly examining the composer's own writings, from his early involvement with left-wing activism during the 1930s through to his more spiritually oriented objectives after the war. Additionally, she offers alternative readings of two of Britten's most controversial works for the stage, "The Rape of Lucretia" and "Death in Venice.", Opera, Opera<
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Benjamin Britten's works for the stage developed from the traditional late nineteenth-century romantic opera structure of Peter Grimes to the experimental format of the church parables and of Death in Venice, his last opera. At the core of this development seems to have been Britten's intention to use the stage as a pulpit to express his philosophical views.This book explores an assessment of how these influenced his creative choices, mainly examining the composer's own writings, from his early involvement with left wing activism during the Thirties through to his more spiritually oriented objectives after the war, and offers alternative readings of two of Britten's most controversial works for the stage, The Rape of Lucretia and Death in Venice.
Detailangaben zur CD - Benjamin Britten's 'Holy Theatre' from Opera-Oratorio to Theatre-Parable by Barbara A. Diana Hardcover | Indigo Chapters
EAN (ISBN-13): 9781849551182 ISBN (ISBN-10): 1849551189 Gebundene Ausgabe Erscheinungsjahr: 2011 Herausgeber: Barbara A. Diana 270 Seiten Gewicht: 0,540 kg Sprache: eng/Englisch
CD in der Datenbank seit 2011-06-01T20:39:35+02:00 (Berlin) Detailseite zuletzt geändert am 2023-01-16T12:51:14+01:00 (Berlin) EAN: 1849551189
EAN - alternative Schreibweisen: 1-84955-118-9, 978-1-84955-118-2 Alternative Schreibweisen und verwandte Suchbegriffe: Titel der CD: britten, benjamin, theatre opera
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