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Faulkner and Southern Womanhood - Roberts, Diane
Vergriffenes Buch, derzeit bei uns nicht verfügbar.
(*)
Roberts, Diane:

Faulkner and Southern Womanhood - Taschenbuch

1995, ISBN: 0820317411, Lieferbar binnen 4-6 Wochen Versandkosten:Versandkostenfrei innerhalb der BRD

ID: 9780820317410

Internationaler Buchtitel. In englischer Sprache. Verlag: UNIV OF GEORGIA PR, 264 Seiten, L=227mm, B=152mm, H=20mm, Gew.=490gr, [GR: 25720 - TB/Literaturwissenschaft/Gattungen u. Methoden], [SW: - Literature - Classics / Criticism], Kartoniert/Broschiert, Klappentext: In Faulkner and Southern Womanhood, Diane Roberts examines the vexed and contradictory responses of the South's most celebrated novelist to the traditional representations of women that were bequeathed to him by his culture. The very mention of "the South", Roberts observes, conjures up a crazy quilt of images - from the romantic to the violent, from the gracious and glamorous to the backward and racist. The phrase "southern woman" likewise evokes a whole range of stock characters and stereotypes. Tracing the ways in which William Faulkner characterized women in his fiction, Roberts posits six familiar representations - the Confederate woman, the mammy, the tragic mulatta, the new belle, the spinster, and the mother - and, through close feminist readings, shown how the writer reactivated and reimagined them. In so doing, Roberts sees Faulkner as both a product and a producer of that multi-faceted place - and metaphor - called the South. "As a southerner", she writes, "Faulkner inherited the images, icons, and demons of his culture. They are part of the matter of the region with which he engages, sometimes accepting, sometimes rejecting". Drawing on extensive research into southern popular culture and the findings and interpretations of historians, Roberts demonstrates how Faulkner's greatest fiction, published during the 1920s and 1930s, grew out of his reactions to the South's attempts to redefine and solidify its hierarchical conceptions of race, gender, and class. During the era in which Faulkner's psyche was formed, the South's efforts to maintain its cultural stability included everything from lynching to erecting Confederate monuments and apotheosizing Gone with the Wind.Struggling to understand his region, Roberts says, Faulkner exposed the South's self-conceptions as quite precarious, with women slipping toward masculinity, men slipping toward femininity, and white identity slipping toward black. At their best, according to Roberts, Faulkner's no In Faulkner and Southern Womanhood, Diane Roberts examines the vexed and contradictory responses of the South's most celebrated novelist to the traditional representations of women that were bequeathed to him by his culture. The very mention of "the South", Roberts observes, conjures up a crazy quilt of images - from the romantic to the violent, from the gracious and glamorous to the backward and racist. The phrase "southern woman" likewise evokes a whole range of stock characters and stereotypes. Tracing the ways in which William Faulkner characterized women in his fiction, Roberts posits six familiar representations - the Confederate woman, the mammy, the tragic mulatta, the new belle, the spinster, and the mother - and, through close feminist readings, shown how the writer reactivated and reimagined them. In so doing, Roberts sees Faulkner as both a product and a producer of that multi-faceted place - and metaphor - called the South. "As a southerner", she writes, "Faulkner inherited the images, icons, and demons of his culture. They are part of the matter of the region with which he engages, sometimes accepting, sometimes rejecting". Drawing on extensive research into southern popular culture and the findings and interpretations of historians, Roberts demonstrates how Faulkner's greatest fiction, published during the 1920s and 1930s, grew out of his reactions to the South's attempts to redefine and solidify its hierarchical conceptions of race, gender, and class. During the era in which Faulkner's psyche was formed, the South's efforts to maintain its cultural stability included everything from lynching to erecting Confederate monuments and apotheosizing Gone with the Wind.Struggling to understand his region, Roberts says, Faulkner exposed the South's self-conceptions as quite precarious, with women slipping toward masculinity, men slipping toward femininity, and white identity slipping toward black. At their best, according to Roberts, Faulkner's no

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Faulkner and Southern Womanhood - Roberts, Diane
Vergriffenes Buch, derzeit bei uns nicht verfügbar.
(*)

Roberts, Diane:

Faulkner and Southern Womanhood - Taschenbuch

1930, ISBN: 9780820317410

[ED: Taschenbuch], [PU: UNIV OF GEORGIA PR], In Faulkner and Southern Womanhood, Diane Roberts examines the vexed and contradictory responses of the South's most celebrated novelist to the traditional representations of women that were bequeathed to him by his culture. The very mention of "the South", Roberts observes, conjures up a crazy quilt of images - from the romantic to the violent, from the gracious and glamorous to the backward and racist. The phrase "southern woman" likewise evokes a whole range of stock characters and stereotypes. Tracing the ways in which William Faulkner characterized women in his fiction, Roberts posits six familiar representations - the Confederate woman, the mammy, the tragic mulatta, the new belle, the spinster, and the mother - and, through close feminist readings, shown how the writer reactivated and reimagined them. In so doing, Roberts sees Faulkner as both a product and a producer of that multi-faceted place - and metaphor - called the South. "As a southerner", she writes, "Faulkner inherited the images, icons, and demons of his culture. They are part of the matter of the region with which he engages, sometimes accepting, sometimes rejecting". Drawing on extensive research into southern popular culture and the findings and interpretations of historians, Roberts demonstrates how Faulkner's greatest fiction, published during the 1920s and 1930s, grew out of his reactions to the South's attempts to redefine and solidify its hierarchical conceptions of race, gender, and class. During the era in which Faulkner's psyche was formed, the South's efforts to maintain its cultural stability included everything from lynching to erecting Confederate monuments and apotheosizing Gone with the Wind.Struggling to understand his region, Roberts says, Faulkner exposed the South's self-conceptions as quite precarious, with women slipping toward masculinity, men slipping toward femininity, and white identity slipping toward black. At their best, according to Roberts, Faulkner's noVersandfertig in über 4 Wochen, [SC: 0.00]

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Faulkner and Southern Womanhood
Autor:

Roberts, Diane

Titel:

Faulkner and Southern Womanhood

ISBN-Nummer:

0820317411

In Faulkner and Southern Womanhood, Diane Roberts examines the vexed and contradictory responses of the South's most celebrated novelist to the traditional representations of women that were bequeathed to him by his culture. The very mention of "the South", Roberts observes, conjures up a crazy quilt of images - from the romantic to the violent, from the gracious and glamorous to the backward and racist. The phrase "southern woman" likewise evokes a whole range of stock characters and stereotypes. Tracing the ways in which William Faulkner characterized women in his fiction, Roberts posits six familiar representations - the Confederate woman, the mammy, the tragic mulatta, the new belle, the spinster, and the mother - and, through close feminist readings, shown how the writer reactivated and reimagined them. In so doing, Roberts sees Faulkner as both a product and a producer of that multi-faceted place - and metaphor - called the South. "As a southerner", she writes, "Faulkner inherited the images, icons, and demons of his culture. They are part of the matter of the region with which he engages, sometimes accepting, sometimes rejecting". Drawing on extensive research into southern popular culture and the findings and interpretations of historians, Roberts demonstrates how Faulkner's greatest fiction, published during the 1920s and 1930s, grew out of his reactions to the South's attempts to redefine and solidify its hierarchical conceptions of race, gender, and class. During the era in which Faulkner's psyche was formed, the South's efforts to maintain its cultural stability included everything from lynching to erecting Confederate monuments and apotheosizing Gone with the Wind.Struggling to understand his region, Roberts says, Faulkner exposed the South's self-conceptions as quite precarious, with women slipping toward masculinity, men slipping toward femininity, and white identity slipping toward black. At their best, according to Roberts, Faulkner's no

Detailangaben zum Buch - Faulkner and Southern Womanhood


EAN (ISBN-13): 9780820317410
ISBN (ISBN-10): 0820317411
Taschenbuch
Erscheinungsjahr: 1995
Herausgeber: UNIV OF GEORGIA PR
264 Seiten
Gewicht: 0,490 kg
Sprache: eng/Englisch

Buch in der Datenbank seit 07.12.2007 11:05:06
Buch zuletzt gefunden am 27.02.2014 13:05:33
ISBN/EAN: 0820317411

ISBN - alternative Schreibweisen:
0-8203-1741-1, 978-0-8203-1741-0

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