. .
Deutsch
Deutschland
Ähnliche Bücher
Weitere, andere Bücher, die diesem Buch sehr ähnlich sein könnten:
Suchtools
Anmelden

Anmelden mit Facebook:

Registrieren
Passwort vergessen?


Such-Historie
Merkliste
Links zu eurobuch.com

Dieses Buch teilen auf…
..?
Buchtipps
Aktuelles
Tipp von eurobuch.com
FILTER
- 0 Ergebnisse
Kleinster Preis: 3.16 EUR, größter Preis: 35.04 EUR, Mittelwert: 17.12 EUR
Collectivism After Modernism: The Art of Social Imagination After 1945 - Stimson, Blake / Sholette, Gregory
Vergriffenes Buch, derzeit bei uns nicht verfügbar.
(*)
Stimson, Blake / Sholette, Gregory:

Collectivism After Modernism: The Art of Social Imagination After 1945 - gebrauchtes Buch

ISBN: 9780816644629

ID: 3474577

"Don't start an art collective until you read this book." --Guerrilla Girls "Ever since Web 2.0 with its wikis, blogs and social networks the art of collaboration is back on the agenda. "Collectivism after Modernism" convincingly proves that art collectives did not stop after the proclaimed death of the historical avant-gardes. Like never before technology reinvents the social and artists claim the steering wheel " --Geert Lovink, Institute of Network Cultures, Amsterdam "This examination of the succession of post-war avant-gardes and collectives is new, important, and engaged." -- Stephen F. Eisenman, author of" The Abu Ghraib Effect" ""Collectivism after Modernism" crucially helps us understand what artists and others can do in mushy, stinky times like ours. What can the seemingly powerless do in the face of mighty forces that seem to have their act really together? Here, Stimson and Sholette put forth many good answers." --Yes Men Spanning the globe from Europe, Japan, and the United States to Africa, Cuba, and Mexico, "Collectivism after Modernism" explores the ways in which collectives function within cultural norms, social conventions, and corporate or state-sanctioned art. Together, these essays demonstrate that collectivism survives as an influential artistic practice despite the art world's star system of individuality. "Collectivism after Modernism" provides the historical understanding necessary for thinking through postmodern collective practice, now and into the future. Contributors: Irina Aristarkhova, Jesse Drew, Okwui Enwezor, Ruben Gallo, Chris Gilbert, Brian Holmes, Alan Moore, Jelena Stojanovic, Reiko Tomii, Rachel Weiss. Blake Stimson is associate professor of art history at the University of California Davis, the author of "The Pivot of the World: Photography and Its Nation, " and coeditor of "Visual Worlds and Conceptual Art: A Critical Anthology. "Gregory Sholette is an artist, writer, and cofounder of collectives Political Art Documentation/Distribution and REPOhistory. He is coeditor of "The Interventionists: Users' Manual for the Creative Disruption of Everyday Life." " " "To understand the various forms of postwar collectivism as historically determined phenomena and to articulate the possibilities for contemporary collectivist art production is the aim of Collectivism after Modernism." The essays assembled in this anthology argue that to make truly collective art means to reconsider the relation between art and public; examples from the Situationist International and Group Material to Paper Tiger Television and the Congolese collective Le Groupe Amos make the point. To construct an art of shared experience means to go beyond projecting what Blake Stimson and Gregory Sholette call the "imagined community": a collective has to be more than an ideal, and more than communal c Collectivism After Modernism: The Art of Social Imagination After 1945 Stimson, Blake / Sholette, Gregory, University of Minnesota Press

gebrauchtes bzw. antiquarisches Buch Betterworldbooks.com
Versandkosten:zzgl. Versandkosten
Details...
(*) Derzeit vergriffen bedeutet, dass dieser Titel momentan auf keiner der angeschlossenen Plattform verfügbar ist.
Collectivism After Modernism: The Art of Social Imagination After 1945
Vergriffenes Buch, derzeit bei uns nicht verfügbar.
(*)
Collectivism After Modernism: The Art of Social Imagination After 1945 - gebrauchtes Buch

ISBN: 9780816644629

ID: 345d08ef348f75f80ef969f90a16a51b

The desire to speak in a collective voice has long fueled social imagination and artistic production. Prior to the Second World War, artists understood collectivization as an expression of the promise or failure of industrial and political modernity envisioned as a mass phenomenon. After the war, artists moved beyond the old ideal of progress by tying the radicalism. Organized around a series of case studies spanning the globe from Europe, Japan, and the United States to Africa, Cuba, and Mexico, Collectivi The desire to speak in a collective voice has long fueled social imagination and artistic production. Prior to the Second World War, artists understood collectivization as an expression of the promise or failure of industrial and political modernity envisioned as a mass phenomenon. After the war, artists moved beyond the old ideal of progress by tying the radicalism. Organized around a series of case studies spanning the globe from Europe, Japan, and the United States to Africa, Cuba, and Mexico, Collectivism after Modernism covers such renowned collectives as the Guerrilla Girls and the Yes Men, as well as lesser-known groups. Contributors explore the ways in which collectives function within cultural norms, social conventions, and corporate or state-sanctioned art. They examine the impact of new technologies on artistic practice, the emergence of networked group identity, and the common characteristic of collective production to blur the typical separations between artists, activists, service workers, and communities in need. Together, these essays demonstrate that collectivism survives as an influential and increasingly visible artistic practice despite the art world's star system of individuality. Collectivism after Modernism provides the historical understanding necessary for thinking through postmodern collective practice, now and into the future. Contributors: Irina Aristarkhova, National U of Singapore; Jesse Drew, San Francisco Art Institute; Okwui Enwezor, U of Pittsburgh; Ruben Gallo, Princeton U; Chris Gilbert, Baltimore Museum of Art; Brian Holmes; Alan Moore; Jelena Stojanovic; Reiko Tomii; Rachel Weiss, School of the Art Institute of Chicago. Blake Stimson is associateprofessor of art history at the University of California Davis, the author of The Pivot of the World: Photography and Its Nation, and coeditor of Visual Worlds and Conceptual Art: A Critical Anthology. Gregory Sholette is an artist, writer, and cofounder of collectives Politi, [PU: University of Minnesota Press]

gebrauchtes bzw. antiquarisches Buch Medimops.de
Nr. M00816644624 Versandkosten:, 3, DE. (EUR 1.00)
Details...
(*) Derzeit vergriffen bedeutet, dass dieser Titel momentan auf keiner der angeschlossenen Plattform verfügbar ist.
Collectivism After Modernism: The Art of Social Imagination After 1945 - Blake Sholette, Gregory Stimson
Vergriffenes Buch, derzeit bei uns nicht verfügbar.
(*)
Blake Sholette, Gregory Stimson:
Collectivism After Modernism: The Art of Social Imagination After 1945 - neues Buch

2007

ISBN: 9780816644629

ID: 149314596

The desire to speak in a collective voice has long fueled social imagination and artistic production. Prior to the Second World War, artists understood collectivization as an expression of the promise or failure of industrial and political modernity envisioned as a mass phenomenon. After the war, artists moved beyond the old ideal of progress by tying the radicalism. Organized around a series of case studies spanning the globe from Europe, Japan, and the United States to Africa, Cuba, and Mexico, Collectivism after Modernism covers such renowned collectives as the Guerrilla Girls and the Yes Men, as well as lesser-known groups. Contributors explore the ways in which collectives function within cultural norms, social conventions, and corporate or state-sanctioned art. They examine the impact of new technologies on artistic practice, the emergence of networked group identity, and the common characteristic of collective production to blur the typical separations between artists, activists, service workers, and communities in need. Together, these essays demonstrate that collectivism survives as an influential and increasingly visible artistic practice despite the art world´s star system of individuality. Collectivism after Modernism provides the historical understanding necessary for thinking through postmodern collective practice, now and into the future. Contributors: Irina Aristarkhova, National U of Singapore; Jesse Drew, San Francisco Art Institute; Okwui Enwezor, U of Pittsburgh; Ruben Gallo, Princeton U; Chris Gilbert, Baltimore Museum of Art; Brian Holmes; Alan Moore; Jelena Stojanovic; Reiko Tomii; Rachel Weiss, School of the Art Institute of Chicago. Blake Stimson is associateprofessor of art history at the University of California Davis, the author of The Pivot of the World: Photography and Its Nation, and coeditor of Visual Worlds and Conceptual Art: A Critical Anthology. Gregory Sholette is an artist, writer, and cofounder of collectives Politi The Art of Social Imagination After 1945 Bücher > Fremdsprachige Bücher > Englische Bücher Taschenbuch 01.02.2007, Univ Of Minnesota Pr, .200

Neues Buch Buch.ch
No. 14003882 Versandkosten:zzgl. Versandkosten
Details...
(*) Derzeit vergriffen bedeutet, dass dieser Titel momentan auf keiner der angeschlossenen Plattform verfügbar ist.
Collectivism After Modernism: The Art of Social Imagination After 1945 - Blake Sholette, Gregory Stimson
Vergriffenes Buch, derzeit bei uns nicht verfügbar.
(*)
Blake Sholette, Gregory Stimson:
Collectivism After Modernism: The Art of Social Imagination After 1945 - neues Buch

ISBN: 9780816644629

ID: 737822642

The desire to speak in a collective voice has long fueled social imagination and artistic production. Prior to the Second World War, artists understood collectivization as an expression of the promise or failure of industrial and political modernity envisioned as a mass phenomenon. After the war, artists moved beyond the old ideal of progress by tying the radicalism. Organized around a series of case studies spanning the globe from Europe, Japan, and the United States to Africa, Cuba, and Mexico, Collectivism after Modernism covers such renowned collectives as the Guerrilla Girls and the Yes Men, as well as lesser-known groups. Contributors explore the ways in which collectives function within cultural norms, social conventions, and corporate or state-sanctioned art. They examine the impact of new technologies on artistic practice, the emergence of networked group identity, and the common characteristic of collective production to blur the typical separations between artists, activists, service workers, and communities in need. Together, these essays demonstrate that collectivism survives as an influential and increasingly visible artistic practice despite the art world´s star system of individuality. Collectivism after Modernism provides the historical understanding necessary for thinking through postmodern collective practice, now and into the future. Contributors: Irina Aristarkhova, National U of Singapore; Jesse Drew, San Francisco Art Institute; Okwui Enwezor, U of Pittsburgh; Ruben Gallo, Princeton U; Chris Gilbert, Baltimore Museum of Art; Brian Holmes; Alan Moore; Jelena Stojanovic; Reiko Tomii; Rachel Weiss, School of the Art Institute of Chicago. Blake Stimson is associateprofessor of art history at the University of California Davis, the author of The Pivot of the World: Photography and Its Nation, and coeditor of Visual Worlds and Conceptual Art: A Critical Anthology. Gregory Sholette is an artist, writer, and cofounder of collectives Politi The Art of Social Imagination After 1945 Buch (fremdspr.) Bücher>Fremdsprachige Bücher>Englische Bücher, Univ Of Minnesota Pr

Neues Buch Thalia.de
No. 14003882 Versandkosten:, Versandfertig in 1 - 2 Wochen, DE (EUR 0.00)
Details...
(*) Derzeit vergriffen bedeutet, dass dieser Titel momentan auf keiner der angeschlossenen Plattform verfügbar ist.
Collectivism After Modernism: the Art of Social Imagination After 1945 - Stimson, Blake (Editor), and Sholette, Gregory (Editor)
Vergriffenes Buch, derzeit bei uns nicht verfügbar.
(*)
Stimson, Blake (Editor), and Sholette, Gregory (Editor):
Collectivism After Modernism: the Art of Social Imagination After 1945 - Taschenbuch

2007, ISBN: 9780816644629

ID: 13512942436

Trade paperback, All items ship Monday-Friday within 2-3 bussiness days. For more great deals shop Shopgoowill of Orange County!, Gebraucht, guter Zustand, [PU: University of Minnesota Press]

gebrauchtes bzw. antiquarisches Buch Alibris.com
Goodwill of Orange County
Versandkosten:zzgl. Versandkosten
Details...
(*) Derzeit vergriffen bedeutet, dass dieser Titel momentan auf keiner der angeschlossenen Plattform verfügbar ist.

< zum Suchergebnis...
Details zum Buch
Collectivism After Modernism: The Art of Social Imagination After 1945
Autor:

Stimson, Blake (Editor)/ Sholette, Gregory (Editor)

Titel:

Collectivism After Modernism: The Art of Social Imagination After 1945

ISBN-Nummer:

0816644624

Detailangaben zum Buch - Collectivism After Modernism: The Art of Social Imagination After 1945


EAN (ISBN-13): 9780816644629
ISBN (ISBN-10): 0816644624
Gebundene Ausgabe
Taschenbuch
Erscheinungsjahr: 2007
Herausgeber: UNIV OF MINNESOTA PR
312 Seiten
Gewicht: 0,576 kg
Sprache: eng/Englisch

Buch in der Datenbank seit 26.05.2007 16:26:44
Buch zuletzt gefunden am 15.11.2016 14:42:41
ISBN/EAN: 0816644624

ISBN - alternative Schreibweisen:
0-8166-4462-4, 978-0-8166-4462-9

< zum Suchergebnis...
< zum Archiv...
Benachbarte Bücher