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Collectivism After Modernism: The Art of Social Imagination After 1945 - Herausgeber: Stimson, Blake Sholette, Gregory
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[ED: Hardcover], [PU: UNIV OF MINNESOTA PR], The desire to speak in a collective voice has long fueled social imagination and artistic production. Prior to the Second World War, artists understood collectivization as an expression of the promise or failure of industrial and political modernity envisioned as a mass phenomenon. After the war, artists moved beyond the old ideal of progress by tying the radicalism of their political dreams to the free play of differences. Organized around a series of case studies spanning the globe from Europe, Japan, and the United States to Africa, Cuba, and Mexico, Collectivism after Modernism covers such renowned collectives as the Guerrilla Girls and the Yes Men, as well as lesser-known groups. Contributors explore the ways in which collectives function within cultural norms, social conventions, and corporate or state-sanctioned art. They examine the impact of new technologies on artistic practice, the emergence of networked group identity, and the common characteristic of collective production to blur the typical separations between artists, activists, service workers, and communities in need. Together, these essays demonstrate that collectivism survives as an influential and increasingly visible artistic practice despite the art world's star system of individuality. Collectivism after Modernism provides the historical understanding necessary for thinking through postmodern collective practice, now and into the future. Contributors: Irina Aristarkhova, National U of Singapore Jesse Drew, San Francisco Art Institute Okwui Enwezor, U of Pittsburgh Ruben Gallo, Princeton U Chris Gilbert, Baltimore Museum of Art Brian Holmes Alan Moore Jelena Stojanovic Reiko Tomii Rachel Weiss, School ofthe Art Institute of Chicago. Blake Stimson is associate professor of art history at the University of California Davis, the author of The Pivot of the World: Photography and Its Nation, and coeditor of Visual Worlds and Conceptual Art: A Critical Anthology. Gregory SholetteVersandfertig in über 4 Wochen, [SC: 0.00]

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Organized around case studies spanning the globe from Europe, Japan, and the United States to Africa, Cuba, and Mexico, Collectivism after Modernism covers such renowned collectives as the Guerrilla Girls and the Yes Men, as well as lesser-known groups. Art Art eBook, University of Minnesota Press

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Collectivism After Modernism: The Art of Social Imagination After 1945
Autor:

Gregory Sholette, Blake Stimson

Titel:

Collectivism After Modernism: The Art of Social Imagination After 1945

ISBN-Nummer:

0816644616

The desire to speak in a collective voice has long fueled social imagination and artistic production. Prior to the Second World War, artists understood collectivization as an expression of the promise or failure of industrial and political modernity envisioned as a mass phenomenon. After the war, artists moved beyond the old ideal of progress by tying the radicalism of their political dreams to the free play of differences. Organized around a series of case studies spanning the globe from Europe, Japan, and the United States to Africa, Cuba, and Mexico, Collectivism after Modernism covers such renowned collectives as the Guerrilla Girls and the Yes Men, as well as lesser-known groups. Contributors explore the ways in which collectives function within cultural norms, social conventions, and corporate or state-sanctioned art. They examine the impact of new technologies on artistic practice, the emergence of networked group identity, and the common characteristic of collective production to blur the typical separations between artists, activists, service workers, and communities in need. Together, these essays demonstrate that collectivism survives as an influential and increasingly visible artistic practice despite the art world's star system of individuality. Collectivism after Modernism provides the historical understanding necessary for thinking through postmodern collective practice, now and into the future. Contributors: Irina Aristarkhova, National U of Singapore; Jesse Drew, San Francisco Art Institute; Okwui Enwezor, U of Pittsburgh; Ruben Gallo, Princeton U; Chris Gilbert, Baltimore Museum of Art; Brian Holmes; Alan Moore; Jelena Stojanovic; Reiko Tomii; Rachel Weiss, School ofthe Art Institute of Chicago. Blake Stimson is associate professor of art history at the University of California Davis, the author of The Pivot of the World: Photography and Its Nation, and coeditor of Visual Worlds and Conceptual Art: A Critical Anthology. Gregory Sholette

Detailangaben zum Buch - Collectivism After Modernism: The Art of Social Imagination After 1945


EAN (ISBN-13): 9780816644612
ISBN (ISBN-10): 0816644616
Gebundene Ausgabe
Erscheinungsjahr: 2007
Herausgeber: UNIV OF MINNESOTA PR
312 Seiten
Gewicht: 0,865 kg
Sprache: eng/Englisch

Buch in der Datenbank seit 25.05.2007 00:43:59
Buch zuletzt gefunden am 08.11.2016 12:16:18
ISBN/EAN: 0816644616

ISBN - alternative Schreibweisen:
0-8166-4461-6, 978-0-8166-4461-2

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