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Kleinster Preis: 8.49 EUR, größter Preis: 24.71 EUR, Mittelwert: 18.66 EUR
China, Transnational Visuality, Global Postmodernity - Sheldon Lu, Hsiao-Peng Lu
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ISBN: 9780804742047

ID: 9780804742047

This ambitious work offers a comprehensive mapping of the cultural landscape of China in the late twentieth century. By focusing on Chinese cultural formations and critical discourses of the last decade of the century, the book dissects the intellectual, economic, and political contradictions of a turbulent era-post-cold war, postsocialist, and postmodern-in China's history. The author defines the emergent logic of Chinese postmodernity within a dominant system of global This ambitious work offers a comprehensive mapping of the cultural landscape of China in the late twentieth century. By focusing on Chinese cultural formations and critical discourses of the last decade of the century, the book dissects the intellectual, economic, and political contradictions of a turbulent era-post-cold war, postsocialist, and postmodern-in China's history. The author defines the emergent logic of Chinese postmodernity within a dominant system of global capitalism and points to the central role of the transnational flow of visual culture in the establishment of local and national identity. The Chinese case demonstrates that the old conceptual scheme of Euro-American postmodernism versus Third World national culture is no longer feasible. This wide-ranging, deeply interdisciplinary work demarcates the cultural terrain by examining diverse media: film, television, avant-garde art, and literature, as well as critical theory and intellectual history. Part I reviews the raging critical debates about the public sphere, the academy, intellectual identity, cultural politics, and economic globalization, in the process examining the Chinese appropriation of discourses of modernity, postmodernity, and postcoloniality. Part II investigates the impact of globalization and diaspora on the formation of citizenship and nationality as articulated in mainland Chinese and Hong Kong films. Part III probes issues of post-orientalism, postmodernism, and strategies of representation in contemporary Chinese art. Part IV studies pop music, soap opera, and literary bestsellers, pinpointing the dialectic and mediating function of popular culture amid the forces of official socialist ideology, capitalist commodification, mass entertainment, and transnational images in contemporary China. Overall, the book is an insightful analysis of the ironies of the cultural logic of Chinese socialism in a period that has seen accelerated economic Books, History~~Asia~~China, China-Transnational-Visuality-Global-Postmodernity~~Sheldon-Hsiao-Peng-Lu, 999999999, China, Transnational Visuality, Global Postmodernity, Sheldon Lu, Hsiao-Peng Lu, 0804742049, Stanford University Press, , , , , Stanford University Press

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Sheldon Hsiao-Peng Lu:

China: Transnational Visuality, Global Postmodernity (Paperback) - Taschenbuch

2002, ISBN: 0804742049

ID: 14209873220

[EAN: 9780804742047], Neubuch, [PU: Stanford University Press, United States], History|Asia|China, Philosophy|History & Surveys|Modern, Social Science|Popular Culture, Social Science|Sociology|General, Language: English Brand New Book. This ambitious work offers a comprehensive mapping of the cultural landscape of China in the late twentieth century. By focusing on Chinese cultural formations and critical discourses of the last decade of the century, the book dissects the intellectual, economic, and political contradictions of a turbulent era - post-cold war, postsocialist, and postmodern - in China s history. The author defines the emergent logic of Chinese postmodernity within a dominant system of global capitalism and points to the central role of the transnational flow of visual culture in the establishment of local and national identity. The Chinese case demonstrates that the old conceptual scheme of Euro-American postmodernism versus Third World national culture is no longer feasible. This wide-ranging, deeply interdisciplinary work demarcates the cultural terrain by examining diverse media: film, television, avant-garde art, and literature, as well as critical theory and intellectual history. Part I reviews the raging critical debates about the public sphere, the academy, intellectual identity, cultural politics, and economic globalization, in the process examining the Chinese appropriation of discourses of modernity, postmodernity, and postcoloniality. Part II investigates the impact of globalization and diaspora on the formation of citizenship and nationality as articulated in mainland Chinese and Hong Kong films. Part III probes issues of post-orientalism, postmodernism, and strategies of representation in contemporary Chinese art. Part IV studies pop music, soap opera, and literary bestsellers, pinpointing the dialectic and mediating function of popular culture amid the forces of official socialist ideology, capitalist commodification, mass entertainment, and transnational images in contemporary China. Overall, the book is an insightful analysis of the ironies of the cultural logic of Chinese socialism in a period that has seen accelerated economic integration into the capitalist world system, but without major political change.

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Sheldon Hsiao-Peng Lu:
China: Transnational Visuality, Global Postmodernity (Paperback) - Taschenbuch

2002

ISBN: 0804742049

ID: 14211452967

[EAN: 9780804742047], Neubuch, [PU: Stanford University Press, United States], History|Asia|China, Philosophy|History & Surveys|Modern, Social Science|Popular Culture, Social Science|Sociology|General, Language: English Brand New Book. This ambitious work offers a comprehensive mapping of the cultural landscape of China in the late twentieth century. By focusing on Chinese cultural formations and critical discourses of the last decade of the century, the book dissects the intellectual, economic, and political contradictions of a turbulent era - post-cold war, postsocialist, and postmodern - in China s history. The author defines the emergent logic of Chinese postmodernity within a dominant system of global capitalism and points to the central role of the transnational flow of visual culture in the establishment of local and national identity. The Chinese case demonstrates that the old conceptual scheme of Euro-American postmodernism versus Third World national culture is no longer feasible. This wide-ranging, deeply interdisciplinary work demarcates the cultural terrain by examining diverse media: film, television, avant-garde art, and literature, as well as critical theory and intellectual history. Part I reviews the raging critical debates about the public sphere, the academy, intellectual identity, cultural politics, and economic globalization, in the process examining the Chinese appropriation of discourses of modernity, postmodernity, and postcoloniality. Part II investigates the impact of globalization and diaspora on the formation of citizenship and nationality as articulated in mainland Chinese and Hong Kong films. Part III probes issues of post-orientalism, postmodernism, and strategies of representation in contemporary Chinese art. Part IV studies pop music, soap opera, and literary bestsellers, pinpointing the dialectic and mediating function of popular culture amid the forces of official socialist ideology, capitalist commodification, mass entertainment, and transnational images in contemporary China. Overall, the book is an insightful analysis of the ironies of the cultural logic of Chinese socialism in a period that has seen accelerated economic integration into the capitalist world system, but without major political change.

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China, Transnational Visuality, Global Postmodernity - Sheldon Lu
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Sheldon Lu:
China, Transnational Visuality, Global Postmodernity - neues Buch

ISBN: 9780804742047

ID: 978080474204

This ambitious work offers a comprehensive mapping of the cultural landscape of China in the late twentieth century. By focusing on Chinese cultural formations and critical discourses of the last decade of the century, the book dissects the intellectual, economic, and political contradictions of a turbulent era—post-cold war, postsocialist, and postmodern—in China’s history.The author defines the emergent logic of Chinese postmodernity within a dominant system of global capitalism and points to the central role of the transnational flow of visual culture in the establishment of local and national identity. The Chinese case demonstrates that the old conceptual scheme of Euro-American postmodernism versus Third World national culture is no longer feasible.This wide-ranging, deeply interdisciplinary work demarcates the cultural terrain by examining diverse media: film, television, avant-garde art, and literature, as well as critical theory and intellectual history. Part I reviews the raging critical debates about the public sphere, the academy, intellectual identity, cultural politics, and economic globalization, in the process examining the Chinese appropriation of discourses of modernity, postmodernity, and postcoloniality.Part II investigates the impact of globalization and diaspora on the formation of citizenship and nationality as articulated in mainland Chinese and Hong Kong films. Part III probes issues of post-orientalism, postmodernism, and strategies of representation in contemporary Chinese art. Part IV studies pop music, soap opera, and literary bestsellers, pinpointing the dialectic and mediating function of popular culture amid the forces of official socialist ideology, capitalist commodification, mass entertainment, and transnational images in contemporary China. Overall, the book is an insightful analysis of the ironies of the cultural logic of Chinese socialism in a period that has seen accelerated economic integration into the capitalist world system, but without major political change. Sheldon Lu, Books, History, China, Transnational Visuality, Global Postmodernity Books>History, Stanford University Press

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ISBN: 9780804742047

ID: 9780804742047

By focusing on Chinese cultural formations and critical discourses of the last decade of the century, the author dissects the intellectual, economic, and political contradictions of a turbulent era. This wide-ranging, deeply interdisciplinary work demarcates the cultural terrain by examining diverse media: film, television, avant-garde art, and literature, as well as critical theory and intellectual history. Books, History~~Asia~~China, China-Transnational-Visuality-Global-Postmodernity~~Sheldon-Hsiao-Peng-Lu, 999999999, China, Transnational Visuality, Global Postmodernity, Sheldon Lu, Hsiao-Peng Lu, 0804742049, Stanford University Press, , , , , Stanford University Press

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China, Transnational Visuality, Global Postmodernity
Autor:

Lu, Sheldon Hsiao-Peng; Lu, Hsiao-Peng

Titel:

China, Transnational Visuality, Global Postmodernity

ISBN-Nummer:

0804742049

This ambitious work offers a comprehensive mapping of the cultural landscape of China in the late twentieth century. By focusing on Chinese cultural formations and critical discourses of the last decade of the century, the book dissects the intellectual, economic, and political contradictions of a turbulent era -- post-cold war, postsocialist, and postmodern -- in China's history.<P>The author defines the emergent logic of Chinese postmodernity within a dominant system of global capitalism and points to the central role of the transnational flow of visual culture in the establishment of local and national identity. The Chinese case demonstrates that the old conceptual scheme of Euro-American postmodernism versus Third World national culture is no longer feasible.<P>This wide-ranging, deeply interdisciplinary work demarcates the cultural terrain by examining diverse media: film, television, avant-garde art, and literature, as well as critical theory and intellectual history. Part I reviews the raging critical debates about the public sphere, the academy, intellectual identity, cultural politics, and economic globalization, in the process examining the Chinese appropriation of discourses of modernity, postmodernity, and postcoloniality.<P>Part II investigates the impact of globalization and diaspora on the formation of citizenship and nationality as articulated in mainland Chinese and Hong Kong films. Part III probes issues of post-orientalism, postmodernism, and strategies of representation in contemporary Chinese art. Part IV studies pop music, soap opera, and literary best-sellers, pinpointing the dialectic and mediating function of popular culture amid the forces of official socialistideology, capitalist commodification, mass entertainment, and transnational images in contemporary China. Overall, the book is an insightful analysis of the ironies of the cultural logic of Chinese socialism in a period that has seen accelerated economic integration into t

Detailangaben zum Buch - China, Transnational Visuality, Global Postmodernity


EAN (ISBN-13): 9780804742047
ISBN (ISBN-10): 0804742049
Taschenbuch
Erscheinungsjahr: 2002
Herausgeber: STANFORD UNIV PR
344 Seiten
Gewicht: 0,454 kg
Sprache: eng/Englisch

Buch in der Datenbank seit 15.01.2007 23:28:39
Buch zuletzt gefunden am 15.10.2016 16:20:17
ISBN/EAN: 0804742049

ISBN - alternative Schreibweisen:
0-8047-4204-9, 978-0-8047-4204-7

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