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Aretino's Satyr: Sexuality, Satire, and Self-Projection in Sixteenth-Century Literature and Art
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ISBN: 9780802088147

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Pietro Aretino's literary influence was felt throughout most of Europe during the sixteenth-century, yet English-language criticism of this writer's work and persona has hitherto been sparse. Raymond B. Waddington's study redresses this oversight, drawing together literary and visual arts criticism in its examination of Aretino's carefully cultivated scandalous persona - a persona created through his writings, his behaviour and through a wide variety of visual arts and crafts. In the Pietro Aretino's literary influence was felt throughout most of Europe during the sixteenth-century, yet English-language criticism of this writer's work and persona has hitherto been sparse. Raymond B. Waddington's study redresses this oversight, drawing together literary and visual arts criticism in its examination of Aretino's carefully cultivated scandalous persona - a persona created through his writings, his behaviour and through a wide variety of visual arts and crafts. In the Renaissance, it was believed that satire originated from satyrs. The satirist Aretino promoted himself as a satyr, the natural being whose sexuality guarantees its truthfulness. Waddington shows how Aretino's own construction of his public identity came to eclipse the value of his writings, causing him to be denigrated as a pornographer and blackmailer. Arguing that Aretino's deployment of an artistic network for self-promotional ends was so successful that for a period his face was possibly the most famous in Western Europe, Waddington also defends Aretino, describing his involvement in the larger sphere of the production and promotion of the visual arts of the period. Aretino's Satyr is richly illustrated with examples of the visual media used by the writer to create his persona. These include portraits by major artists, and arti minori: engravings, portrait medals and woodcuts. Books, Literary Criticism~~European~~Italian, Aretinos-Satyr~~Raymond-B-Waddington, , , , , , , , , , University of Toronto Press, Scholarly Publishing Division

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Aretinos Satyr: Sexuality, Satire, and Self-Projection in Sixteenth-Century Literature and Art - Raymond Waddington
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Aretinos Satyr: Sexuality, Satire, and Self-Projection in Sixteenth-Century Literature and Art - neues Buch

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Pietro Aretino''s literary influence was felt throughout most of Europe during the sixteenth-century, yet English-language criticism of this writer''s work and persona has hitherto been sparse. Raymond B. Waddington''s study redresses this oversight, drawing together literary and visual arts criticism in its examination of Aretino''s carefully cultivated scandalous persona - a persona created through his writings, his behaviour and through a wide variety of visual arts and crafts.In the Renaissance, it was believed that satire originated from satyrs. The satirist Aretino promoted himself as a satyr, the natural being whose sexuality guarantees its truthfulness. Waddington shows how Aretino''s own construction of his public identity came to eclipse the value of his writings, causing him to be denigrated as a pornographer and blackmailer. Arguing that Aretino''s deployment of an artistic network for self-promotional ends was so successful that for a period his face was possibly the most famous in Western Europe, Waddington also defends Aretino, describing his involvement in the larger sphere of the production and promotion of the visual arts of the period.Aretino''s Satyr is richly illustrated with examples of the visual media used by the writer to create his persona. These include portraits by major artists, and arti minori: engravings, portrait medals and woodcuts. Raymond Waddington, Books, Fiction and Literature, Aretinos Satyr: Sexuality, Satire, and Self-Projection in Sixteenth-Century Literature and Art Books>Fiction and Literature, University of Toronto Press, Scholarly Publishing Division

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[ED: Hardcover], [PU: UNIV OF TORONTO PR], Pietro Aretino's literary influence was felt throughout most of Europe during the sixteenth-century, yet English-language criticism of this writer's work and persona has hitherto been sparse. Raymond B. Waddington's study redresses this oversight, drawing together literary and visual arts criticism in its examination of Aretino's carefully cultivated scandalous persona - a persona created through his writings, his behaviour and through a wide variety of visual arts and crafts. In the Renaissance, it was believed that satire originated from satyrs. The satirist Aretino promoted himself as a satyr, the natural being whose sexuality guarantees its truthfulness. Waddington shows how Aretino's own construction of his public identity came to eclipse the value of his writings, causing him to be denigrated as a pornographer and blackmailer. Arguing that Aretino's deployment of an artistic network for self-promotional ends was so successful that for a period his face was possibly the most famous in Western Europe, Waddington also defends Aretino, describing his involvement in the larger sphere of the production and promotion of the visual arts of the period. Aretino's Satyr is richly illustrated with examples of the visual media used by the writer to create his persona. These include portraits by major artists, and arti minori: engravings, portrait medals and woodcuts. Versandfertig in über 4 Wochen, [SC: 0.00], Neuware, gewerbliches Angebot

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Aretino's Satyr: Sexuality, Satire, and Self-Projection in Sixteenth-Century Literature and Art (Toronto Italian Studies) - Raymond B. Waddington
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[SR: 1954511], Gebundene Ausgabe, [EAN: 9780802088147], Utp Higher Education, Utp Higher Education, Book, [PU: Utp Higher Education], Utp Higher Education, 65611011, Renaissance, 65597011, Weltgeschichte, 65140011, Geschichte, 54071011, Genres, 52044011, Fremdsprachige Bücher, 273045011, Europäisch, 67931011, Geschichte & Kritik, 66034011, Belletristik, 54071011, Genres, 52044011, Fremdsprachige Bücher, 68304011, Italienisch, 68085011, Weltliteratur, 66034011, Belletristik, 54071011, Genres, 52044011, Fremdsprachige Bücher

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Aretino's Satyr: Sexuality, Satire, and Self-Projection in Sixteenth-Century Literature and Art (Toronto Italian Studies) - Raymond B. Waddington
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Raymond B. Waddington:
Aretino's Satyr: Sexuality, Satire, and Self-Projection in Sixteenth-Century Literature and Art (Toronto Italian Studies) - gebunden oder broschiert

ISBN: 0802088147

[SR: 1954511], Gebundene Ausgabe, [EAN: 9780802088147], Utp Higher Education, Utp Higher Education, Book, [PU: Utp Higher Education], Utp Higher Education, 65611011, Renaissance, 65597011, Weltgeschichte, 65140011, Geschichte, 54071011, Genres, 52044011, Fremdsprachige Bücher, 273045011, Europäisch, 67931011, Geschichte & Kritik, 66034011, Belletristik, 54071011, Genres, 52044011, Fremdsprachige Bücher, 68304011, Italienisch, 68085011, Weltliteratur, 66034011, Belletristik, 54071011, Genres, 52044011, Fremdsprachige Bücher

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Aretino's Satyr: Sexuality, Satire, and Self-Projection in Sixteenth-Century Literature and Art
Autor:

Waddington, Raymond B.

Titel:

Aretino's Satyr: Sexuality, Satire, and Self-Projection in Sixteenth-Century Literature and Art

ISBN-Nummer:

0802088147

Pietro Aretino's literary influence was felt throughout most of Europe during the sixteenth-century, yet English-language criticism of this writer's work and persona has hitherto been sparse. Raymond B. Waddington's study redresses this oversight, drawing together literary and visual arts criticism in its examination of Aretino's carefully cultivated scandalous persona - a persona created through his writings, his behaviour and through a wide variety of visual arts and crafts. In the Renaissance, it was believed that satire originated from satyrs. The satirist Aretino promoted himself as a satyr, the natural being whose sexuality guarantees its truthfulness. Waddington shows how Aretino's own construction of his public identity came to eclipse the value of his writings, causing him to be denigrated as a pornographer and blackmailer. Arguing that Aretino's deployment of an artistic network for self-promotional ends was so successful that for a period his face was possibly the most famous in Western Europe, Waddington also defends Aretino, describing his involvement in the larger sphere of the production and promotion of the visual arts of the period. Aretino's Satyr is richly illustrated with examples of the visual media used by the writer to create his persona. These include portraits by major artists, and arti minori: engravings, portrait medals and woodcuts.

Detailangaben zum Buch - Aretino's Satyr: Sexuality, Satire, and Self-Projection in Sixteenth-Century Literature and Art


EAN (ISBN-13): 9780802088147
ISBN (ISBN-10): 0802088147
Gebundene Ausgabe
Erscheinungsjahr: 2004
Herausgeber: UNIV OF TORONTO PR
279 Seiten
Gewicht: 0,694 kg
Sprache: eng/Englisch

Buch in der Datenbank seit 12.06.2007 10:44:40
Buch zuletzt gefunden am 05.09.2016 19:59:04
ISBN/EAN: 0802088147

ISBN - alternative Schreibweisen:
0-8020-8814-7, 978-0-8020-8814-7

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