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The Invention of the Italian Renaissance Printmaker - Evelyn Lincoln
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ISBN: 9780300080414

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The Invention of the Italian Renaissance Printmaker Before the age of multimedia, how did the invention of a new technology affect the careers of Renaissance artists? In this groundbreaking book Evelyn Lincoln examines the formation of the new career of printmaker during the late fifteenth century and throughout the sixteenth century in Italy. She focuses particularly on the practical relationship between the ancient skill of drawing and the more modern techniques of artisans who made prints by engraving images into copper or wood. Looking closely at the widely diverse prints issuing from early Italian presses, Lincoln shows how Italian social, religious, and educational practices are revealed in these printed images, demonstrating how the printmaker's training and experience affected the look of the finished work.Lincoln builds her discussion around the work of three printmakers practicing at different times and under varying economic opportunities and restraints: Andrea Mantegna in Mantua, Domenico Beccafumi in Siena, and Diana Mantuana (Diana Scultori) in Rome. She shows how the occupational origins of early printmakers and publishers affected how they thought about the functions of multiple images. This account of their work -- at powerful courts, in a small republic, and in a cosmopolitan city -- sets the prints in the context of related paintings, sculpture, and architecture, describing a period when printmaking opened up new ways to make a living and transformed the mechanisms of Renaissance visual culture. Bücher / Fremdsprachige Bücher / Englische Bücher 978-0-300-08041-4, Yale University Press

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The Invention of the Italian Renaissance Printmaker - Evelyn Lincoln
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The Invention of the Italian Renaissance Printmaker - neues Buch

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Before the age of multimedia, how did the invention of a new technology affect the careers of Renaissance artists? In this groundbreaking book Evelyn Lincoln examines the formation of the new career of printmaker during the late fifteenth century and throughout the sixteenth century in Italy. She focuses particularly on the practical relationship between the ancient skill of drawing and the more modern techniques of artisans who made prints by engraving images into copper or wood. Looking closely at the widely diverse prints issuing from early Italian presses, Lincoln shows how Italian social, religious, and educational practices are revealed in these printed images, demonstrating how the printmaker´s training and experience affected the look of the finished work.Lincoln builds her discussion around the work of three printmakers practicing at different times and under varying economic opportunities and restraints: Andrea Mantegna in Mantua, Domenico Beccafumi in Siena, and Diana Mantuana (Diana Scultori) in Rome. She shows how the occupational origins of early printmakers and publishers affected how they thought about the functions of multiple images. This account of their work -- at powerful courts, in a small republic, and in a cosmopolitan city -- sets the prints in the context of related paintings, sculpture, and architecture, describing a period when printmaking opened up new ways to make a living and transformed the mechanisms of Renaissance visual culture. The Invention of the Italian Renaissance Printmaker Buch (fremdspr.) Bücher>Fremdsprachige Bücher>Englische Bücher, Yale University Press

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[ED: Hardcover], [PU: YALE UNIV PR], Before the age of multimedia, how did the invention of a new technology affect the careers of Renaissance artists? In this groundbreaking book Evelyn Lincoln examines the formation of the new career of printmaker during the late fifteenth century and throughout the sixteenth century in Italy. She focuses particularly on the practical relationship between the ancient skill of drawing and the more modern techniques of artisans who made prints by engraving images into copper or wood. Looking closely at the widely diverse prints issuing from early Italian presses, Lincoln shows how Italian social, religious, and educational practices are revealed in these printed images, demonstrating how the printmaker's training and experience affected the look of the finished work. Lincoln builds her discussion around the work of three printmakers practicing at different times and under varying economic opportunities and restraints: Andrea Mantegna in Mantua, Domenico Beccafumi in Siena, and Diana Mantuana (Diana Scultori) in Rome. She shows how the occupational origins of early printmakers and publishers affected how they thought about the functions of multiple images. This account of their work -- at powerful courts, in a small republic, and in a cosmopolitan city -- sets the prints in the context of related paintings, sculpture, and architecture, describing a period when printmaking opened up new ways to make a living and transformed the mechanisms of Renaissance visual culture. Versandfertig in über 4 Wochen, [SC: 0.00], Neuware, gewerbliches Angebot

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The Invention of the Italian Renaissance Printmaker - E Lincoln
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2000, ISBN: 0300080417

[SR: 1677823], Hardcover, [EAN: 9780300080414], Yale University Press, Yale University Press, Book, [PU: Yale University Press], 2000-07-03, Yale University Press, 267758, Prints, 267388, Print & Decorative Arts, 91, Art, Architecture & Photography, 1025612, Subjects, 266239, Books, 266898, History of Art & Architecture, 758890, Miscellaneous Biographies, 267815, Styles & Movements, 91, Art, Architecture & Photography, 1025612, Subjects, 266239, Books, 267815, Styles & Movements, 91, Art, Architecture & Photography, 1025612, Subjects, 266239, Books, 271835, Printmaking, 271795, Crafts, 64, Home & Garden, 1025612, Subjects, 266239, Books

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Invention of the Italian Renaissance Printmaker - Evelyn Lincoln
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2000, ISBN: 9780300080414

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The Invention of the Italian Renaissance Printmaker
Autor:

Lincoln, Evelyn

Titel:

The Invention of the Italian Renaissance Printmaker

ISBN-Nummer:

0300080417

Before the age of multimedia, how did the invention of a new technology affect the careers of Renaissance artists? In this groundbreaking book Evelyn Lincoln examines the formation of the new career of printmaker during the late fifteenth century and throughout the sixteenth century in Italy. She focuses particularly on the practical relationship between the ancient skill of drawing and the more modern techniques of artisans who made prints by engraving images into copper or wood. Looking closely at the widely diverse prints issuing from early Italian presses, Lincoln shows how Italian social, religious, and educational practices are revealed in these printed images, demonstrating how the printmaker's training and experience affected the look of the finished work.Lincoln builds her discussion around the work of three printmakers practicing at different times and under varying economic opportunities and restraints: Andrea Mantegna in Mantua, Domenico Beccafumi in Siena, and Diana Mantuana (Diana Scultori) in Rome. She shows how the occupational origins of early printmakers and publishers affected how they thought about the functions of multiple images. This account of their work -- at powerful courts, in a small republic, and in a cosmopolitan city -- sets the prints in the context of related paintings, sculpture, and architecture, describing a period when printmaking opened up new ways to make a living and transformed the mechanisms of Renaissance visual culture.

Detailangaben zum Buch - The Invention of the Italian Renaissance Printmaker


EAN (ISBN-13): 9780300080414
ISBN (ISBN-10): 0300080417
Gebundene Ausgabe
Erscheinungsjahr: 2000
Herausgeber: YALE UNIV PR
216 Seiten
Gewicht: 1,184 kg
Sprache: eng/Englisch

Buch in der Datenbank seit 04.06.2007 22:03:10
Buch zuletzt gefunden am 16.11.2016 13:06:33
ISBN/EAN: 0300080417

ISBN - alternative Schreibweisen:
0-300-08041-7, 978-0-300-08041-4

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