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Ovid before Exile: Art and Punishment in the Metamorphoses - Patricia Johnson
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ISBN: 0299224007

ID: 7853663482

[EAN: 9780299224004], Neubuch, [PU: University of Wisconsin Press], Literary Criticism|Ancient & Classical, The epic Metamorphoses, Ovid?s most renowned work, has regained its stature among the masterpieces of great poets such as Vergil, Horace, and Tibullus. Yet its irreverent tone and bold defiance of generic boundaries set the Metamorphoses apart from its contemporaries. Ovid before Exile provides a compelling new reading of the epic, examining the text in light of circumstances surrounding the final years of Augustus? reign, a time when a culture of poets and patrons was in sharp decline, discouraging and even endangering artistic freedom of expression.     Patricia J. Johnson demonstrates how the production of art?specifically poetry?changed dramatically during the reign of Augustus. By Ovid?s final decade in Rome, the atmosphere for artistic work had transformed, leading to a drop in poetic production of quality. Johnson shows how Ovid, in the episodes of artistic creation that anchor his Metamorphoses, responded to his audience and commented on artistic circumstances in Rome.The epic Metamorphoses, Ovid?s most renowned work, has regained its stature among the masterpieces of great poets such as Vergil, Horace, and Tibullus. Yet its irreverent tone and bold defiance of generic boundaries set the Metamorphoses apart from its contemporaries. Ovid before Exile provides a compelling new reading of the epic, examining the text in light of circumstances surrounding the final years of Augustus? reign, a time when a culture of poets and patrons was in sharp decline, discouraging and even endangering artistic freedom of expression.     Patricia J. Johnson demonstrates how the production of art?specifically poetry?changed dramatically during the reign of Augustus. By Ovid?s final decade in Rome, the atmosphere for artistic work had transformed, leading to a drop in poetic production of quality. Johnson shows how Ovid, in the episodes of artistic creation that anchor his Metamorphoses, responded to his audience and commented on artistic circumstances in Rome.Acknowledgments Introduction 1 Ovid's Artists 2 The Poetic Contest: Metamorphoses 5 3 The Weaving Contest: Metamorphoses 6 4 Songs from Hell: Metamorphoses 10 5 Ovid Anticipates Exile Notes Bibliography Index Index Locorum?A new and stimulating reading of three central episodes of Ovid?s brilliant Metamorphoses: the artistic contests between the Muses and their challengers, and Minerva and her challenger Arachne, and the more extended tale of Orpheus singing his lays of boy-love and forbidden female passions. All three narratives are set in the full dimensions of Ovid?s own literary and political context. Johnson?s scholarship is up-to-date, and her subtle interpretation is supported by translation of all passages discussed. It is at the center of current Latin literary studies, and should provoke lively and positive reactions.??Elaine Fantham, Princeton University?A very readable close analysis of the key episodes about artists and their relationship to their audiences and those in power. Johnson shows that the sense of foreboding about artistic freedom of expression that pervades Ovid?s exile-poetry had set in even when he was writing the earlier Metamorphoses.??Martin Helzle, Case Western Reserve University"Johnson offer[s] useful interpretive observations, especially on Ovid's use of his Greek and Latin influences."?Choice?[A]n engagingly-written and well-constructed book which should be of interest to students and scholars of Ovid alike.??Rebecca Armstrong, Journal of Roman StudiesPatricia J. Johnson is associate professor of classical studies at Boston University. Brand NEW unread book. Hard cover bound book.

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Ovid's epic masterpiece, the "Metamorphoses," with its fiercely irreverent tone and its resolute defiance of the boundaries of genre, stands boldly apart both from the other poetry of its age and from the epic tradition that preceded it. A generation earlier, a high culture of poets and patrons had flourished, giving rise to the great works of Virgil, Horace, Propertius, and Tibullus. But, in this compelling new reading of the "Metamorphoses" in its social and political context, Patricia Johnson demonstrates that Ovid was writing in an artistic atmosphere succumbing to a stranglehold of implicit censorship that culminated in his exile from Rome in 8 AD. Johnson shows that, in the poem, danger permeates acts of artistic creation. In Ovid's portrayals of mythic figures--from Arachne and Minerva to Orpheus in the Underworld--artists who please their audience triumph; the defiant and subversive are destroyed. She reveals that in the poem, as in late Augustan Rome, the overriding criterion for artistic success was not aesthetic beauty but satisfying the expectations and desires of powerful audiences. She convincingly demonstrates just how unprecedented the "Metamorphoses" was in the epic tradition. Ovid Before Exile: Art and Punishment in the Metamorphoses Johnson, Patricia J., University of Wisconsin Press

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Ovid Before Exile: Art and Punishment in the Metamorphoses - Patricia J. Johnson
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Ovid Before Exile: Art and Punishment in the Metamorphoses - gebunden oder broschiert

2008

ISBN: 0299224007

ID: 4395706456

[EAN: 9780299224004], Neubuch, Literary Criticism|Ancient & Classical, Literary Criticism|Poetry, Ovid's epic masterpiece, the "Metamorphoses," with its fiercely irreverent tone and its resolute defiance of the boundaries of genre, stands boldly apart both from the other poetry of its age and from the epic tradition that preceded it. A generation earlier, a high culture of poets and patrons had flourished, giving rise to the great works of Virgil, Horace, Propertius, and Tibullus. But, in this compelling new reading of the "Metamorphoses" in its social and political context, Patricia Johnson demonstrates that Ovid was writing in an artistic atmosphere succumbing to a stranglehold of implicit censorship that culminated in his exile from Rome in 8 AD. Johnson shows that, in the poem, danger permeates acts of artistic creation. In Ovid's portrayals of mythic figures?from Arachne and Minerva to Orpheus in the Underworld?artists who please their audience triumph; the defiant and subversive are destroyed. She reveals that in the poem, as in late Augustan Rome, the overriding criterion for artistic success was not aesthetic beauty but satisfying the expectations and desires of powerful audiences. She convincingly demonstrates just how unprecedented the "Metamorphoses" was in the epic tradition. 184 pages.

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Ovid before Exile: Art and Punishment in the Metamorphoses - Patricia Johnson
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Ovid before Exile: Art and Punishment in the Metamorphoses Ovid-before-Exile~~Patricia-Johnson Poetry>Poetry>Commentary Hardcover, University of Wisconsin Press

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Ovid Before Exile: Art and Punishment in the Metamorphoses
Autor:

Johnson, Patricia J.

Titel:

Ovid Before Exile: Art and Punishment in the Metamorphoses

ISBN-Nummer:

0299224007

Demonstrates that Ovid was writing in an artistic atmosphere succumbing to a stranglehold of implicit censorship that culminated in his exile from Rome in 8 AD. The author shows that, in the poem, danger permeates acts of artistic creation. She also demonstrates just how unprecedented the Metamorphoses was in the epic tradition.

Detailangaben zum Buch - Ovid Before Exile: Art and Punishment in the Metamorphoses


EAN (ISBN-13): 9780299224004
ISBN (ISBN-10): 0299224007
Gebundene Ausgabe
Erscheinungsjahr: 2008
Herausgeber: UNIV OF WISCONSIN PR
184 Seiten
Gewicht: 0,390 kg
Sprache: eng/Englisch

Buch in der Datenbank seit 01.11.2007 13:38:16
Buch zuletzt gefunden am 08.09.2016 09:13:37
ISBN/EAN: 0299224007

ISBN - alternative Schreibweisen:
0-299-22400-7, 978-0-299-22400-4

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