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Scripting Hitchcock: Psycho, The Birds, and Marnie - Walter Raubicheck, Walter Srebnhick
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ISBN: 9780252078248

ID: 978025207824

 Scripting Hitchcock explores the collaborative process between Alfred Hitchcock and the screenwriters he hired to write the scripts for three of his greatest films: Psycho, The Birds, and Marnie. Drawing from extensive interviews with the screenwriters and other film technicians who worked for Hitchcock, Walter Raubicheck and Walter Srebnick illustrate how much of the filmmaking process took place not on the set or in front of the camera, but in the adaptation of the sources, the mutual creation of plot and characters by the director and the writers, and the various revisions of the written texts of the films. Hitchcock allowed his writers a great deal of creative freedom, which resulted in dynamic screenplays that expanded traditional narrative and defied earlier conventions. Critically examining the question of authorship in film, Raubicheck and Srebnick argue that Hitchcock did establish visual and narrative priorities for his writers, but his role in the writing process was that of an editor. While the writers and their contributions have generally been underappreciated, this study reveals that all the dialogue and much of the narrative structure of the films were the work of screenwriters Jay Presson Allen, Joseph Stefano, and Evan Hunter. The writers also shaped American cultural themes into material specifically for actors such as Janet Leigh, Tippi Hedren, and Tony Perkins. This volume gives due credit to those writers who gave narrative form to Hitchcock''s filmic vision. Walter Raubicheck, Walter Srebnhick, Books, Entertainment, Scripting Hitchcock: Psycho, The Birds, and Marnie Books>Entertainment, UNIVERSITY OF ILLINOIS PRESS

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Walter Raubicheck, Walter Srebnhick:

Scripting Hitchcock: Psycho, The Birds, and Marnie - neues Buch

ISBN: 9780252078248

ID: 978025207824

 Scripting Hitchcock explores the collaborative process between Alfred Hitchcock and the screenwriters he hired to write the scripts for three of his greatest films: Psycho, The Birds, and Marnie. Drawing from extensive interviews with the screenwriters and other film technicians who worked for Hitchcock, Walter Raubicheck and Walter Srebnick illustrate how much of the filmmaking process took place not on the set or in front of the camera, but in the adaptation of the sources, the mutual creation of plot and characters by the director and the writers, and the various revisions of the written texts of the films. Hitchcock allowed his writers a great deal of creative freedom, which resulted in dynamic screenplays that expanded traditional narrative and defied earlier conventions. Critically examining the question of authorship in film, Raubicheck and Srebnick argue that Hitchcock did establish visual and narrative priorities for his writers, but his role in the writing process was that of an editor. While the writers and their contributions have generally been underappreciated, this study reveals that all the dialogue and much of the narrative structure of the films were the work of screenwriters Jay Presson Allen, Joseph Stefano, and Evan Hunter. The writers also shaped American cultural themes into material specifically for actors such as Janet Leigh, Tippi Hedren, and Tony Perkins. This volume gives due credit to those writers who gave narrative form to Hitchcock''s filmic vision. Walter Raubicheck, Walter Srebnhick, Books, Scripting Hitchcock: Psycho, The Birds, and Marnie Books, UNIVERSITY OF ILLINOIS PRESS

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Scripting Hitchcock: Psycho, the Birds, and Marnie - Raubicheck, Walter / Srebnick, Walter
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ISBN: 9780252078248

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"Scripting Hitchcock" explores the collaborative process between Alfred Hitchcock and the screenwriters he hired to write the scripts for three of his greatest films: "Psycho, The Birds, " and "Marnie." Drawing from extensive interviews with the screenwriters and other film technicians who worked for Hitchcock, Walter Raubicheck and Walter Srebnick illustrate how much of the filmmaking process took place not on the set or in front of the camera, but in the adaptation of the sources, the mutual creation of plot and characters by the director and the writers, and the various revisions of the written texts of the films. Hitchcock allowed his writers a great deal of creative freedom, which resulted in dynamic screenplays that expanded traditional narrative and defied earlier conventions. Critically examining the question of authorship in film, Raubicheck and Srebnick argue that Hitchcock did establish visual and narrative priorities for his writers, but his role in the writing process was that of an editor. While the writers and their contributions have generally been underappreciated, this study reveals that all the dialogue and much of the narrative structure of the films were the work of screenwriters Jay Presson Allen, Joseph Stefano, and Evan Hunter. The writers also shaped American cultural themes into material specifically for actors such as Janet Leigh, Tippi Hedren, and Tony Perkins. This volume gives due credit to those writers who gave narrative form to Hitchcock's filmic vision. Scripting Hitchcock: Psycho, The Birds, and Marnie Raubicheck, Walter / Srebnick, Walter, University of Illinois Press

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Scripting Hitchcock: Psycho, The Birds, and Marnie - Walter Srebnick
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Scripting Hitchcock explores the collaborative process between Alfred Hitchcock and the screenwriters he hired to write the scripts for three of his greatest films: Psycho, The Birds, and Marnie. Drawing from extensive interviews with the screenwriters and other film technicians who worked for Hitchcock, Walter Raubicheck and Walter Srebnick illustrate how much of the filmmaking process took place not on the set or in front of the camera, but in the adaptation of the sources, the mutual creation of plot and characters by the director and the writers, and the various revisions of the written texts of the films. Hitchcock allowed his writers a great deal of creative freedom, which resulted in dynamic screenplays that expanded traditional narrative and defied earlier conventions. Critically examining the question of authorship in film, Raubicheck and Srebnick argue that Hitchcock did establish visual and narrative priorities for his writers, but his role in the writing process was that of an editor. While the writers and their contributions have generally been underappreciated, this study reveals that all the dialogue and much of the narrative structure of the films were the work of screenwriters Jay Presson Allen, Joseph Stefano, and Evan Hunter. The writers also shaped American cultural themes into material specifically for actors such as Janet Leigh, Tippi Hedren, and Tony Perkins. This volume gives due credit to those writers who gave narrative form to Hitchcock's filmic vis used books,books Books, University of Illinois Press

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Scripting Hitchcock : Psycho, the Birds, and Marnie - Raubicheck, Walter & Walter Srebnick; Alfred Hitchcock
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Scripting Hitchcock: Psycho, The Birds, and Marnie
Autor:

Raubicheck, Walter / Srebnick, Walter

Titel:

Scripting Hitchcock: Psycho, The Birds, and Marnie

ISBN-Nummer:

0252078241

Creative collaborations that gave Hitchcock his finest films

Detailangaben zum Buch - Scripting Hitchcock: Psycho, The Birds, and Marnie


EAN (ISBN-13): 9780252078248
ISBN (ISBN-10): 0252078241
Gebundene Ausgabe
Taschenbuch
Erscheinungsjahr: 20111125
Herausgeber: Combined Academic Publ.
131 Seiten
Gewicht: 0,256 kg
Sprache: Englisch

Buch in der Datenbank seit 03.02.2012 15:11:27
Buch zuletzt gefunden am 13.12.2016 17:37:49
ISBN/EAN: 0252078241

ISBN - alternative Schreibweisen:
0-252-07824-1, 978-0-252-07824-8

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