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The Rise of Gospel Blues - Michael W. Harris
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The Rise of Gospel Blues: Paperback: Oxford University Press Inc: 9780195090574: 21 Jul 1994: A well researched account of gospel blues that encompasses the broader cultural and religious histories of the African-American experience between the late 1890s and the 1930s. Harris skilfully contextualizes sacred and secular music styles within African-American religious history and significant social developments of the period. Most observers believe that gospel music has been sung in African-American churches since their organization in the late 1800s. Yet nothing could be further from the truth, as Michael W. Harris's history of gospel blues reveals. Tracing the rise of gospel blues as seen through the career of its founding figure, Thomas Andrew Dorsey, Harris tells the story of the most prominent person in the advent of gospel blues. Also known as "Georgia Tom," Dorsey had considerable success in the 1920s as a pianist, composer, and arranger for prominent blues singes including Ma Rainey. In the 1930s he became involved in Chicago's African-American, old-line Protestant churches, where his background in the blues greatly influenced his composing and singing. Following much controversy during the 1930s and the eventual overwhelming response that Dorsey's new form of music received, the gospel blues became a major force in African-American churches and religion. His more than 400 gospel songs and recent Grammy Award indicate that he is still today the most prolific composer/publisher in the movement. Delving into the life of the central figure of gospel blues, Harris illuminates not only the evolution of this popular musical form, but also the thought and social forces that forged the culture in which this music was shaped. Jazz, , , , The Rise of Gospel Blues, Michael W. Harris, 9780195090574, Oxford University Press Inc, , , , ,, [PU: Oxford University Press]

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The Rise of Gospel Blues: The Music of Thomas Andrew Dorsey in the Urban Church - Michael W. Harris
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ISBN: 9780195090574

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Most observers believe that gospel music has been sung in African-American churches since their organization in the late 1800s. Yet nothing could be further from the truth, as Michael W. Harris''s history of gospel blues reveals. Tracing the rise of gospel blues as seen through the career ofits founding figure, Thomas Andrew Dorsey, Harris tells the story of the most prominent person in the advent of gospel blues. Also known as Georgia Tom, Dorsey had considerable success in the 1920s as a pianist, composer, and arranger for prominent blues singes including Ma Rainey. In the 1930s he became involved in Chicago''s African-American, old-line Protestant churches, where his background in the blues greatlyinfluenced his composing and singing. Following much controversy during the 1930s and the eventual overwhelming response that Dorsey''s new form of music received, the gospel blues became a major force in African-American churches and religion. His more than 400 gospel songs and recent Grammy Awardindicate that he is still today the most prolific composer/publisher in the movement. Delving into the life of the central figure of gospel blues, Harris illuminates not only the evolution of this popular musical form, but also the thought and social forces that forged the culture in which thismusic was shaped. Michael W. Harris, Books, Social and Cultural Studies, The Rise of Gospel Blues: The Music of Thomas Andrew Dorsey in the Urban Church Books>Social and Cultural Studies, Oxford University Press

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The Rise of Gospel Blues - Harris, Michael W.
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ISBN: 9780195090574

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Most observers believe that gospel music has been sung in African-American churches since their organization in the late 1800s. Yet nothing could be further from the truth, as Michael W. Harris's history of gospel blues reveals. Tracing the rise of gospel blues as seen through the career of its founding figure, Thomas Andrew Dorsey, Harris tells the story of the most prominent person in the advent of gospel blues. Also known as "Georgia Tom," Dorsey had considerable success in the 1920s as a pianist, composer, and arranger for prominent blues singes including Ma Rainey. In the 1930s he became involved in Chicago's African-American, old-line Protestant churches, where his background in the blues greatly influenced his composing and singing. Following much controversy during the 1930s and the eventual overwhelming response that Dorsey's new form of music received, the gospel blues became a major force in African-American churches and religion. His more than 400 gospel songs and recent Grammy Award indicate that he is still today the most prolific composer/publisher in the movement. Delving into the life of the central figure of gospel blues, Harris illuminates not only the evolution of this popular musical form, but also the thought and social forces that forged the culture in which this music was shaped. History History eBook, Oxford University Press, USA

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The Rise of Gospel Blues: The Music of Thomas Andrew Dorsey in the Urban Church
Autor:

Harris, Michael W.

Titel:

The Rise of Gospel Blues: The Music of Thomas Andrew Dorsey in the Urban Church

ISBN-Nummer:

0195090578

Most observers believe that gospel music has been sung in African American churches since their organization in the late 1800s. Yet nothing could be further from the truth, as Michael W. Harris's history reveals. Working through the blues and gospel movement. Harris reconstructs the rise of gospel blues within the context of early twentieth century African American cultural history. After a nervous breakdown and a subsequent religious conversion in 1928. Dorsey began to write gospel songs with blues accompaniments. His introduction of these "goals" into Chicago's Afro-Baptist churches during the 1930s stirred clashes between recently arrived southern migrants who felt comforted by the new spirituals and old-line members who dismissed the songs as sacrilegious echoes of the slave past. After years of writing and publishing hudnreds of "songs with a message"-- such as "Take My Hand", "Precious Lord", and "There Will Be Peace in the Valley"-- and training gospel singers such as Mahalia Jackson, Dorsey had earned the title of "father" of gospel blues by the early 1940s. Delving into the life of the most prominent person in the advent of the gospel song movement. Harris illuminates not only the evolution of this popular musical form, but also the thought and social forces that forged the culture in which this music was shaped.

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EAN (ISBN-13): 9780195090574
ISBN (ISBN-10): 0195090578
Taschenbuch
Erscheinungsjahr: 1994
Herausgeber: OXFORD UNIV PR
352 Seiten
Gewicht: 0,459 kg
Sprache: eng/Englisch

Buch in der Datenbank seit 21.10.2007 16:32:41
Buch zuletzt gefunden am 23.12.2016 11:19:30
ISBN/EAN: 0195090578

ISBN - alternative Schreibweisen:
0-19-509057-8, 978-0-19-509057-4

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